Tag: Favourite Book Couples

Almost a Scandal by Elizabeth Essex

Almost a Scandal by Elizabeth EssexAlmost a Scandal by Elizabeth Essex
Series: The Reckless Brides, #1
Published by St. Martin's Paperbacks on 31st July 2012
Pages: 353
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four-stars

A Lady in Disguise
For generations, the Kents have served proudly with the British Royal Navy. So when her younger brother refuses to report for duty, Sally Kent slips into a uniform and takes his place—at least until he comes to his senses. Boldly climbing aboard the Audacious, Sally is as able-bodied as any sailor there. But one man is making her feel tantalizingly aware of the full-bodied woman beneath her navy blues…

A Man Overboard
Dedicated to his ship, sworn to his duty—and distractingly gorgeous—Lieutenant David Colyear sees through Sally’s charade, and he’s furious. But he must admit she’s the best midshipman on board—and a woman who tempts him like no other. With his own secrets to hide and his career at stake, Col agrees to keep her on. But can the passion they hide survive the perils of a battle at sea? Soon, their love and devotion will be put to the test…

‘Almost a Scandal’ was an automatic read because it’s got those gender-bending qualities that I love, or at least it’s has a Mulan-esque sheen of a woman dressing as a man to in a male-dominated field that somehow always pulls me in.

Yet strangely, Elizabeth Essex’s writing, so focused on Regency-period British naval supremacy, shines precisely not quite in the wonder of cross-dressing or gender relations, but in this, more so particularly if you’re interested in the intricacies of bringing a warship ship out and engaging in battle, though the sheer detail of every movement, every activity done on board could be tedious if you’re in it more for the romance itself than the setting. It’s well-researched, a little jolly for the tough conditions of war, perhaps, but delivers a breath of fresh sea-air.

Still, amidst the drama of the high seas, Sally Kent and Colyear’s relationship is one forged out of family history, hard-earned respect, battle-worn lines and sexual tension bursting at the seams. A slow burn, the many smouldering looks between them and the inevitable sense of mounting passion kept me engrossed and jittery, more so because Essex’s protagonists are generally likeable and never exactly fall over the rail in a fit of histrionics.

A curious mix of naïveté and a highly-developed sense of justice, Sally Kent is as capable, or perhaps even more so than quite a few men on the Audacious, while Col—intense, controlled, so dedicated and so brilliant until Sally unravels him—feels like the brooding, swoonworthy-type who oddly enough, generally lacks the off-putting, prickish vibe of the male protagonists in more traditional historical romances. It was no hardship to root for this pairing, maybe because it was easy to like them as individuals first.

But perhaps what Essex has done towards the end in not short-changing the reader into an abrupt conclusion but one that’s painfully drawn out to an ending that’s well-deserved is what really makes ‘Almost a Scandal’ a very memorable foray into a historical romance.

four-stars

Faker by Sarah Smith

Faker by Sarah SmithFaker by Sarah Smith
Published by Berkley on 8th October 2019
Pages: 320
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four-stars

Emmie Echavarre is a professional faker. She has to be to survive as one of the few female employees at Nuts & Bolts, a power tool company staffed predominantly by gruff, burly men. From nine to five, Monday through Friday, she's tough as nails--the complete opposite of her easy-going real self.

One thing she doesn't have to fake? Her disdain for coworker Tate Rasmussen.

Tate has been hostile to her since the day they met. Emmie's friendly greetings and repeated attempts to get to know him failed to garner anything more than scowls and terse one-word answers. Too bad she can't stop staring at his Thor-like biceps...

When Emmie and Tate are forced to work together on a charity construction project, things get...heated. Emmie's beginning to see that beneath Tate's chiseled exterior lies a soft heart, but it will take more than a few kind words to erase the past and convince her that what they have is real.

‘Faker’ surprised me much, in a good way, more so considering it’s Sarah Smith’s debut book with the enemies-to-lovers trope that I always dig.

Still, I couldn’t help but look at the many shades of Sally Thorne’s ‘The Hating Game’ colouring Emmie’s and Tate’s circumstances and relationship from the start: a love-hate relationship in the office underlaid with more conflicted and complicated emotions that both seem to harbour for each other, a holding pattern of sniping, arguments and clenched jaws (and lip-trembling, withheld tears) up until the point where something changes the dynamics of it, the slow-burn that follows the turnaround.

Written wholly in Emmie’s POV, the whole narrative is more introspective, more centred about her emotions and her changing perceptions—and her interpretations of Tate’s overreactions that the reader sees as something else other than hate and dislike. Seeing Tate through Emmie’s eyes is an experience in and of itself–some descriptions are hilarious, and in other parts, a little cringeworthy.

It all ends up quite endearing and buoyant in some ways, though the slow, slow burn and the multiple cock-blocking scenes made me impatient at parts.

In essence, apart from the exteriors that both Emmie and Tate wear, much of ‘Faker’ reads like the honeymoon phase of a relationship: the effusive optimism about falling in love (more so as Emmie turns into a stalwart fan of Tate), the thrill of seeing someone with fresh eyes, the yearning for constant physical closeness and all. It’s bubbly, and oddly heart-twinging in some bits, and past the last page, I find myself hoping that Emmie and Tate actually do last.

four-stars

Clint by Debra Webb

Clint by Debra WebbClint by Debra Webb
Published by Pink House Press on November 16th 2018
Pages: 297
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four-stars

ALL SHE WANTS IS JUSTICE...

Who killed Emily Wallace's best friend ten years ago? Emily is certain it was Clint Austin, the town bad boy. As the key witness, Emily ensured Clint was convicted and sentenced for the crime. When he is released on parole, Emily is determined that he never forget what he has done.

HE WILL HAVE HIS REVENGE...

Clint Austin served ten years for a crime he did not commit. No one or nothing is going to stand in his way of finding the truth and clearing his name--not even the naive young girl he once loved from afar.

When the fire between them blazes out of control, will either one survive? Or will the real killer strike again?

The toxicity of small towns—where everyone it seems, is guilty of one thing or another—and the massive cover-up is the focus of ‘Clint’, as Debra Webb unravels the poison that people have been living with the past decade, since the murder of Heather Baker.

Finally getting parole after a decade in prison, Clint Austin’s release stirs up Pine Bluff’s anger and ruffles more than a few feathers and brings all the dirty secrets to light that most people need to see buried. Rough-hewn, cynically bitter but determined to clear his name, Clint bulldozes his way through a hometown hell-bent on getting him back in jail where they think he belongs,

I couldn’t figure out how the pieces added up somehow: there are affairs, rumours of cheating, ruthless ambitions, a corrupt police force, sideways glances that hide so many things, and dialogues that bring you to the brink of some kind of breakthrough but don’t reveal much more. A bunch of red-herrings in the multiple POVs that Webb provides certainly contributes to the confusion and the continual guessing.

That it involves a bunch of adults (still living in the same town) trying to cover their high-school depravities however, makes this feel more petty than the usual high-octane and high-level crime stories because of the subject matter and circumstances.

Nonetheless, I’ve always liked Webb’s writing and ‘Clint’ is yet another reminder why I do. Gritty, emotion-laden and full of suspense, Webb spins a web (pun intended?) of mystery that’s easy to get caught up in from the first chapter onwards, with a vivid picture of the wrongly accused man who’d wasted 10 years of his life. The complicated relationship between Clint and his unlikely enemy-turned-accomplice Emily Wallace was as intriguing—and almost forbiddingly hot—as it was unexpected, and I grew to admire Emily’s steely core as the story progressed.

I did wish however, for a conclusion that didn’t skip the HEA that Clint/Emily had ‘off-stage’ so to speak; their alliance throughout the book lasted a mere week and in that short time, I felt like I’d missed out on their enemies-to-lovers tale which did deserve a little more drawn-out attention than what was given in any case. The gripe aside, ‘Clint’—as a re-release of the story formerly known as ’Traceless’ all those years ago—is like re-discovering an old friend: it’s a reminder of the older but solid and classic romantic suspense titles (when RS was at its peak) of which I couldn’t get enough.

four-stars

The Simple Wild by K.A. Tucker

The Simple Wild by K.A. TuckerThe Simple Wild by K.A. Tucker
Published by Atria Books on 7th August 2018
Pages: 388
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Calla Fletcher wasn't even two when her mother took her and fled the Alaskan wild, unable to handle the isolation of the extreme, rural lifestyle, leaving behind Calla’s father, Wren Fletcher, in the process. Calla never looked back, and at twenty-six, a busy life in Toronto is all she knows. But when Calla learns that Wren’s days may be numbered, she knows that it’s time to make the long trip back to the remote frontier town where she was born.

She braves the roaming wildlife, the odd daylight hours, the exorbitant prices, and even the occasional—dear God—outhouse, all for the chance to connect with her father: a man who, despite his many faults, she can’t help but care for. While she struggles to adjust to this rugged environment, Jonah—the unkempt, obnoxious, and proud Alaskan pilot who helps keep her father’s charter plane company operational—can’t imagine calling anywhere else home. And he’s clearly waiting with one hand on the throttle to fly this city girl back to where she belongs, convinced that she’s too pampered to handle the wild.

Jonah is probably right, but Calla is determined to prove him wrong. Soon, she finds herself forming an unexpected bond with the burly pilot. As his undercurrent of disapproval dwindles, it’s replaced by friendship—or perhaps something deeper? But Calla is not in Alaska to stay and Jonah will never leave. It would be foolish of her to kindle a romance, to take the same path her parents tried—and failed at—years ago. It’s a simple truth that turns out to be not so simple after all.

I’ve always wondered if ‘The Simple Wild’ was meant to be an angsty ‘growing-up’ New Adult type book or a smart-alecky rom-com story. But the truth is that it probably falls somewhere in between and had me sniffing a mite bit by the end of it.

From the urban bustle of Toronto to the wilds of Alaska, Calla Fletcher’s reluctant visit to pay her sick father a visit is in essence, a tale of a city girl—horrified by the shit-all to do in a small, small town—forced to relook her own ideas on love and life. In a case of schadenfreude (#iregretnothing), I gleefully relished and cackled my way through every fish-out-of-water moment that Calla had as she learned to operate in a place so out of sync with her own rhythm, liking Jonah even more when he simply came out and accused her of being the shallow, self-absorbed and empty woman that I felt she was. I didn’t quite feel any affinity with her from the beginning and her awkward moments kept me cackling for a while longer, until some kind of character growth happened as Calla finally (and slowly) started to shed that flighty exterior.

That Jonah helped in his caustic, cutting way just gave me extra laughs in the process. Or it could be that I liked his straight, no-nonsense talk, his directness with everything, including his feelings, without the typical games that many characters tend to play.

The loss of the father-figure is a theme that started to dominate more and more as I got into the book, and along with the weight of regrets, resentment and missed chances, ‘The Simple Wild’ suddenly became an incredibly emotional and absorbing read by the time I was halfway through. I gobbled every bit of Tucker’s descriptions of life in the tundra and the day-to-day operation of a flight charter company, revelled in the small-town characters she’d drawn up so sharply, then wanted to cry ugly tears when it all came to a difficult end.

My only quibble is the lack of a concluding, firm-in-the-ground HEA by the time Calla and Jonah met again. Given Tucker’s emphasis on history repeating itself, Calla/Jonah felt like a couple headed for a HFN ending instead as ‘The Simple Wild’ left me loudly protesting that I needed more.

Filthy Gods by R. Scarlett

Filthy Gods by R. ScarlettFilthy Gods by R. Scarlett
Series: American Gods #1
Published by Amazon Digital Services, Amazon Publishing on May 15th 2018
Pages: 119
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five-stars

Young. Wealthy. Elite. Attractive. The gentlemen’s secret society at Yale was filled with them.

And Nathaniel Radcliffe, the bane of my existence, was one of them.

As the right hand of the American Gods, he was conceited and arrogant. A dangerously handsome man in a tailored custom suit and shiny black oxford loafers.

The classroom was our battlefield. We made a sport out of arguing and debating, ready to do anything in order to win over the other.

Deadly opponents, deadlier minds.

I'd sworn I'd never give him the upper hand, until...

The secret I’ve been hiding for the last three years?

He just discovered it… and now he has all the power.

R. Scarlett is a new author to me, but ‘Filthy Gods’ won me over completely with sultry writing shot through with that delicious tinge of darkness I can’t seem to resist.

The name of the series itself was eye-catching, so much so that I thought of Neil Gaiman’s mythical story of the same name where types of mythological figures populate a fictional, worn-down America. Scarlett’s series revolving around rich, untouchable, blue-blooded elite boys of society isn’t quite that similar, though it might just be too early to tell given we’re barely into the start of it with a hot summer affair between 2 college rivals: the right-hand man of the American gods and the girl who has worked her way up with her own resources.

Nathaniel and Juliette left me hot and bothered from the start with simmering tension that was shiver-inducing—from the hostility, to the chase, to the scorching clashes both outside and in bed. Reducing this to the rich boy and the poor girl story however, wouldn’t do ‘Filthy Gods’ justice, because it feels like there’s still so much more waiting behind the proverbial curtain: the undercurrents and the dynamics of the strange but odd relationships, the intriguing back drop that frames the privilege of this highly-exclusive gentleman’s club, the secrets that burst at the seams waiting to be revealed.

The brevity of this prelude to the series did have something going for it: providing the forward momentum that drove Nathaniel and Juliette from enemies-to-lovers without sagging in the middle, without the games that I loathe. Still, I thought it was over too soon, with the climax and ending did come a wee bit too quickly when all I wanted was more of the both of them.

This gentlemen’s club and secret society rolled into one, the not-quite brotherhood that borders indecency almost (given the amount of obscene power and wealth they all wield)?

I think I want in.

five-stars

Breaking Gravity by Autumn Grey

Breaking Gravity by Autumn GreyBreaking Gravity by Autumn Grey
Series: Fall Back, #2
Published by AG, Autumn Grey on 26th March 2017
Pages: 326
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five-stars

I've always followed my dreams with ruthless determination. My life was going well. Success was at my fingertips. Until it wasn't. All it took was three seconds to send my world crashing down around me, ripping my dreams to shreds. Then I meet her, with her large hazel eyes that slay me at first glance. And everything starts to make sense again. I try to keep my distance. To remind myself I am her mentor. That we can't be more, but every time I push away, I'm pulled deeper into her. The line between student and teacher is blurring. One kiss. One taste. They’re all it would take to cross the line.

Just like that, I ‘ship them.

The deliciously forbidden teacher-student romance is a favourite of mine but I have to say there’s none so well executed and so well crafted as ‘Breaking Gravity’, which was brilliantly enthralling from the very start. That it involved musicians and music was something else I adored.

Pitting the steely-eyed, tortured (but swoonworthy) hero against a sassy but sensible heroine isn’t something unique, but Autumn Grey’s take on Nathaniel Rowe and Elon Blake won me over hook, line and sinker. In fact, Grey writes a convincing pairing in Nate and Elon, first drawing out the tragedy in their lives, taking so much time to shape each protagonist’s shattered dreams and hopes before building them up again, both individually and together…just as I loved them that way, individually and together.

In fact, there was so much that I loved about this book and this couple: the build of the electric, sexual tension, the hot and heavy attraction, the fierce loyalty between them, the lessons both taught each other, and the scorching, steamy scenes followed by the tender aftermath that helps gives this relationship a deeply romantic sheen.

There’s the prerequisite drama and angst that seem to accompany most N/A books, several small bits of moral philosophising about life and such (my only, tiny complaint is that it comes across trite at times), but the small element of serendipity that adds a touch of dreaminess to the pairing—Elon’s childhood music crush turned out to be her tutor and finally, the man in her life is a fantasy come to life—is the clincher for me.

five-stars

Fast Justice by Kaylea Cross

Fast Justice by Kaylea CrossFast Justice by Kaylea Cross
Series: DEA FAST #6
Published by Createspace Independent Publishing Platform, Kaylea Cross Inc. on March 17th 2018
Pages: 352
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four-half-stars

Sacrifice is a requirement of the job. Rowan Stewart walked away from the love of a lifetime to focus on the demands of her job as Assistant US Attorney. Now she's working on the biggest case of her career, prosecuting one of the Veneno cartel's most notorious members. Except the case presents unexpected challenges-including the man she can't forget...and a threat she could not foresee. But this time, it could cost her life. Special Agent Malcolm Freeman is FAST Bravo's point man. On an op he's the first one through the door, leading the way for his team. Professionally, he's at the top of his game. His personal life is a different story. After Rowan ripped his heart out a year ago he closed himself off to any relationships. When fate throws them together he steps up to ensure she's protected, even though it might mean getting his heart broken again. But protection isn't enough. The enemy is determined to use Rowan to get what they want. With her life hanging in the balance, Malcolm and his team race to find her before it's too late. He lost her once. He can't lose her now. This time, failure is not an option.

Finally, finally, finally.

‘Fast Justice’ reminds me of all the reasons why I read Kaylea Cross’s books and having ploughed through the somewhat lacklustre stories from the previous stories in this series, having Rowan/Mal’s tale kick my enthusiasm back to life (measured in terms of the loss of sleeping hours) has been beyond a pleasant surprise. The hints of their broken romance in the previous book had gotten me intrigued and Mal, who is predictably gun-shy about starting up with Rowan again, finally gets his due…in a story that provoked a range of emotions from me.

Apart from the thoroughly engaging suspense, Cross writes about a woman who is willing to own up to her mistakes, who swallows her pride and grovels because she knows she’d left a heartbroken man in her wake…and finally goes after what she wants. I loved the excruciating moments of tension between Ro/Mal, the reluctant truce that breaks down because Rowan decides to shake it all up and her lead role in trying to build them back together again as she tries to mend the damage that she had done to them. For this reason, I couldn’t help but love a woman who’s brave enough to show this sort of maturity when too many cowardly characters that have recently come across my feed have nearly made me thrown several books against the wall in frustration. (Proverbially speaking, because I use an e-reader.)

By and large, this was a compelling read. The entanglements with the Veneno Cartel are woven deep into ‘Fast Justice’ and the developmental arc is more tightly spread over the last few books. In fact, I was surprised at how much of the events that happened in the previous books spilled over into this, wondering if it might be somewhat difficult for ‘Fast Justice’ to be read as a standalone. Cross does provide some explanation—though some parts might still be confusing to readers who step in at this point in time—and without shying away from the brutality of cartel activity, throws in a few twists and turns that helped balance the angst of Rowan/Mal’s situation.

The hasty conclusion after the climax and the loose threads that aren’t tied up by the end are probably my only complaints. It’s evident that Cross intends to continue this arc until the baddies drop dead one by one, but it’s going to be a wait that will span several books before this happens. But until that happens, I’m happily going to go back to the good bits that had me gnawing down my own teeth.

four-half-stars