Published by G.P. Putnam's Sons on 7th April 2020
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Naomi Westfield has an Instagram-perfect life, including the perfect fiancé: Nicholas Rose holds doors open for her, remembers her restaurant orders, and comes from the kind of upstanding society family every bride dreams of being a part of. They never fight, complain, or disagree. They're preparing for their lavish wedding that's three months away. And they are miserably and utterly sick of each other.
Tired of contorting herself to fit the ridiculous standards demanded by Nicholas's family, Naomi wants out of the relationship. But there's a catch: Whoever calls off the engagement will have to foot the enormous bill for the wedding. When Naomi finds out that Nicholas, too, has been feigning contentment, the two of them go head-to-head in a battle of wills to see who can annoy the other into surrendering through pranks, sabotage, and all-out emotional warfare.
But now that they have nothing to lose, they're finally being themselves. They're having so much fun getting on each other's nerves that it starts to feel like something else entirely. As Naomi discovers hidden feelings for Nicholas buried under three years of simmering resentment, she wonders if he feels the same way.
Suddenly, the countdown to the wedding that may or may not come to pass feels more like a race to mutual destruction--and Naomi doesn't want to be left alone at the finish line.
What happens when the first flush of lust and attraction peters out in the months following the heady romantic dating period…and worse yet, when the wedding is approaching and someone’s getting more than just cold feet?
Where most books go in the direction of explaining that couples break up because of this, this is really, where the story starts in ‘You Deserve Each Other’—that alone made me pick up the book, for its realism that we typically don’t want to read about in the bid to escape the dreary duties of real life. For that alone, I’d commend Sarah Hogle for making the dating bit forming the prologue and starting the story only when Nicholas’s and Naomi’s claws come out to play.
Hogle deals with the the stifling feeling of being trapped with some poignancy, panache and sad realism all too well—the lull, this daily grind, the toughness of maintaining relationships coming to a head—with Naomi’s first person neurotic ramblings taking the forefront of the narrative. It’s an odd lovers-to-enemies-to-lovers trope here, and we’re stuck in the middle of a war, seen at least only from Naomi’s perspective—with her building resentment, her unhappiness and the increasing number of walls she puts up in the hopes she’ll antagonise her fiancé past the point of no return.
‘You Deserve Each Other’ starts off with increasingly juvenile pranks and it gets worse with the weird one-upping, second-guessing and the snide things both Nicholas and Naomi say to each other. But thankfully, before it starts getting really pointless however, the change of heart comes, in the form of small and nice gestures, in learning the small bits that drew them to each other at the beginning.
It’s probably a book that’s possibly relatable to some more than others. Well-written, in the first-person, with precious flashes of insight and some poetic writing, it’s not a hard one to get through but Naomi’s antics can get exhausting and to what end, you ask? Why bother with the merry-go-round of vindictive games, the wilful misunderstanding and distrust when all is seemingly lost?
I’ll admit that I enjoyed the last quarter the best and that was when the book really took off for me, not just because you could literally read about their gradual climb back into their HEA but because it was also a great relief to get past the antagonism. In short, not a bad read, but some parts were frustrating—possibly even felt redundant—and those were hurdles to get through before the good bits come.