Series: London Celebrities

Headliners by Lucy Parker

Headliners by Lucy ParkerHeadliners by Lucy Parker
Series: London Celebrities #5
Published by Carina Press on 20th January 2020
Pages: 286
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four-half-stars

He might be the sexiest man in London, according to his fan site (which he definitely writes himself), but he’s also the most arrogant man she’s ever met.

She might have the longest legs he’s ever seen, but she also has the sharpest tongue.

For years, rival TV presenters Sabrina Carlton and Nick Davenport have traded barbs on their respective shows. The public can’t get enough of their feud, but after Nick airs Sabrina’s family scandals to all of Britain, the gloves are off. They can barely be in the same room together—but these longtime enemies are about to become the unlikeliest of cohosts.

With their reputations on the rocks, Sabrina and Nick have one last chance to save their careers. If they can resurrect a sinking morning show, they’ll still have a future in television. But with ratings at an all-time low and a Christmas Eve deadline to win back the nation’s favor, the clock is ticking—and someone on their staff doesn’t want them to succeed.

Small mishaps on set start adding up, and Sabrina and Nick find themselves—quelle horreur—working together to hunt down the saboteur…and discovering they might have more in common than they thought. When a fiery encounter is caught on camera, the public is convinced that the reluctant cohosts are secretly lusting after one another.

The public might not be wrong.

Their chemistry has always been explosive, but with hate turning to love, the stakes are rising and everything is on the line. Neither is sure if they can trust these new feelings…or if they’ll still have a job in the New Year.

Nick Davenport and Sabrina Carlton are petty rivals on and off tv, but there’s good cause for it…up until the point where both their careers are suddenly in jeopardy. A twist of events forces them to co-host the dreaded early-morning show which no one bothers with, since it’s not quite the ‘serious’ stuff compared to what they used to do, and with the list of grievances sitting between them, neither’s looking good at all. This status quo doesn’t look like it’s about to change, until mishap after mishap spring the comedy into the story and Nick/Sabrina find themselves in various compromising positions which make everyone else think that they are public enemies but secret shaggers.

I’ve never felt so rewarded by a Lucy Parker book as I have with ‘Headliners’. (To be fair, I had a good feeling about it when I read the blurb and got started.) I can’t entirely remember what transpired at the end of the last book even, but as a standalone, ‘Headliners’ functions perfectly legitimately. Characters from Parker’s previous books who have already found their HEA do flit in and out however, and if you’ve not read the rest of the books, there’s a bit of an insider-wink-wink sort of joke that you could miss out on.

Still, Parker crafts a holiday rom-com with so much panache and style and comedy—it’s hilarious to read how one thing after another befalls the ill-fated couple as they wear out the enemies-to-lovers trope to the fullest. In the previous books, I’d always found a particular sort of imbalance when it came to quirk, dialogue and characterisation, but ‘Headliners’ seemed to have perfected these somehow: not too many quirks, snappy and funny dialogue and spot-on ‘Love-Actually’ type characters. Might be a bit of a bias here, but I’m voting this as Parker’s crowning glory.

four-half-stars

The Austen Playbook by Lucy Parker

The Austen Playbook by Lucy ParkerThe Austen Playbook by Lucy Parker
Series: London Celebrities #4
Published by Carina Press on 30th April 2019
Pages: 400
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three-stars


Freddy Carlton knows she should be focusing on her lines for The Austen Playbook, a live-action TV event where viewers choose the outcome of each scene, but her concentration’s been blown. The palatial estate housing the endeavor is now run by the rude (brilliant) critic who’s consistently slammed her performances of late. James “Griff” Ford-Griffin has a penchant for sarcasm, a majestic nose and all the sensitivity of a sledgehammer.

She can’t take her eyes off him.

Griff can hardly focus with a contagious joy fairy flitting about near him, especially when Freddy looks at him like that. His only concern right now should be on shutting down his younger brother’s well-intentioned (disastrous) schemes—or at the very least on the production (not this one) that might save his family home from the banks.

Instead all he can think of is soft skin and vibrant curls.

As he’s reluctantly dragged into her quest to rediscover her passion for the stage and Freddy is drawn into his research on a legendary theater star, the adage about appearances being deceiving proves abundantly true. It’s the unlikely start of something enormous…but a single revelation about the past could derail it all.

Sometimes I pity Jane Austen and sometimes I think she’s got it all…a few hundred years too late. Think of the number of works of hers that so many have twisted, manipulated, adapted, lovingly massaged and downright massacred through the years and the poor gal should be turning in her grave, or exulting in her posthumous fame.

With a title like ‘The Austen Playbook’, you suspect you know what you’re in for.

Rife with Austen, classic-lit and pop-culture references (not to have Austen meta would have been a sin), I was tickled from the start with the parallel of Darcy’s dissing of Elizabeth as belly-gutting arts critic James Ford-Griffin unknowingly cut Freddy Carlton open in a noisy pub with his analysis of her acting—but that’s barely a hint of where the story will lead.

But the love-hate, actor-critic relationship gets a revamp when they are unwittingly reunited on Griff’s estate along with bitchy reality-tv-series-type drama, a rather mad discovery big-time plagiarism (the sins of the fathers) and unexpected lust/lust coming into play.

Parker’s writing is undoubtedly unique: assured, wry, quirky and with banter that is lofty, sneaky and full of high-brow snark. But admittedly sometimes hard to get through when all you want is straightforward talk minus the distracting character movements, turnarounds and exaggerated descriptions. For this reason, Griff and Freddy, like all of Parker’s characters, are eloquent, always know what to say and sometimes say the unexpected.

I loved the starting quarter, but my attention dipped when talk went deep into secondary characters, the protagonists’ relatives (don’t get me started on the convoluted history) then perked again Parker introduces the attraction between Griff and Freddy with hallowed tenderness.

There were some surprises by the end of it—veering sometimes into the unbelievable—but it was all fodder for entertainment, more so because Parker has made this book about acting, writing and celebrity gossip after all. Ultimately, there were parts of the story I liked and some not too much, but if you’re in because you like a particular writing style like Parker’s, then ‘The Austen Playbook’ should do it for you.

three-stars

Making Up by Lucy Parker

Making Up by Lucy ParkerMaking Up by Lucy Parker
Series: London Celebrities #3
Published by Carina Press on May 28th 2018
Pages: 318
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three-stars

Once upon a time, circus artist Trix Lane was the best around. Her spark vanished with her confidence, though, and reclaiming either has proved…difficult. So when the star of The Festival of Masks is nixed and Trix is unexpectedly thrust into the spotlight, it’s exactly the push she needs. But the joy over her sudden elevation in status is cut short by a new hire on the makeup team.

Leo Magasiva: disgraced wizard of special effects. He of the beautiful voice and impressive beard. Complete dickhead and—in an unexpected twist—an enragingly good kisser.

To Leo, something about Trix is…different. Lovely. Beautiful, even though the pint-size, pink-haired former bane of his existence still spends most of her waking hours working to annoy him. They’ve barely been able to spend two minutes together for years, and now he can’t get enough of her. On stage. At home. In his bed.

When it comes to commitment, Trix has been there, done that, never wants to do it again. Leo’s this close to the job of a lifetime, which would take him away from London—and from Trix. Their past is a constant barrier between them.

It seems hopeless.

Utterly impossible.

And yet…

I don’t have much experience with reading Lucy Parker’s books, but ‘Making Up’s enemies-to-lovers blurb drew me right in.

I loved the chaotic opening that was full of sensory delights mixed with the drama that happens both onstage and offstage—that’s what you get for sinking the story straight into one of Westend’s best runs, complete with the out-of-the-world costumes, death-defying acts, impossible characters and finally, the stripped-down actors behind them.

Parker paints stunning pictures with words, no doubt, with so much of the side-of-your-mouth kind of humour here both dry and witty—blink and it’s gone—that ups the pace and makes the pages fly. Even the antagonism between Trix and Leo fell into romcom land as they traded barbs with the frenemies vibe and slung such spirited snarky insults that I was tempted to steal some those in order to expand my own swearing vocabulary.

I did like Parker’s chosen setting of performance art, and the support that went on behind the scenes…Trix and Leo were the furthest from the typical stock characters you see in romance these days and that alone kept me reading. Quirk aside (and there’s quite a fair bit of it that can be funny, if the humour and writing do appeal), I still sort of had a hard time trying to place where ‘Making Up’ fell on my personal ratings spectrum.

It’s far from a bad read, but there were parts that I felt were stylistically overdone: the constant hyperboles and the smart cracks could have been dialled back a wee bit, which, combined with a full boatload of drama—don’t expect any less from the theatre people—nearly caved my head in. The pygmy hedgehog however, was the extra special sparkle in all of it.

three-stars