Series: The Reckless Brides, #1
Published by St. Martin's Paperbacks on 31st July 2012
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A Lady in Disguise
For generations, the Kents have served proudly with the British Royal Navy. So when her younger brother refuses to report for duty, Sally Kent slips into a uniform and takes his place—at least until he comes to his senses. Boldly climbing aboard the Audacious, Sally is as able-bodied as any sailor there. But one man is making her feel tantalizingly aware of the full-bodied woman beneath her navy blues…
A Man Overboard
Dedicated to his ship, sworn to his duty—and distractingly gorgeous—Lieutenant David Colyear sees through Sally’s charade, and he’s furious. But he must admit she’s the best midshipman on board—and a woman who tempts him like no other. With his own secrets to hide and his career at stake, Col agrees to keep her on. But can the passion they hide survive the perils of a battle at sea? Soon, their love and devotion will be put to the test…
‘Almost a Scandal’ was an automatic read because it’s got those gender-bending qualities that I love, or at least it’s has a Mulan-esque sheen of a woman dressing as a man to in a male-dominated field that somehow always pulls me in.
Yet strangely, Elizabeth Essex’s writing, so focused on Regency-period British naval supremacy, shines precisely not quite in the wonder of cross-dressing or gender relations, but in this, more so particularly if you’re interested in the intricacies of bringing a warship ship out and engaging in battle, though the sheer detail of every movement, every activity done on board could be tedious if you’re in it more for the romance itself than the setting. It’s well-researched, a little jolly for the tough conditions of war, perhaps, but delivers a breath of fresh sea-air.
Still, amidst the drama of the high seas, Sally Kent and Colyear’s relationship is one forged out of family history, hard-earned respect, battle-worn lines and sexual tension bursting at the seams. A slow burn, the many smouldering looks between them and the inevitable sense of mounting passion kept me engrossed and jittery, more so because Essex’s protagonists are generally likeable and never exactly fall over the rail in a fit of histrionics.
A curious mix of naïveté and a highly-developed sense of justice, Sally Kent is as capable, or perhaps even more so than quite a few men on the Audacious, while Col—intense, controlled, so dedicated and so brilliant until Sally unravels him—feels like the brooding, swoonworthy-type who oddly enough, generally lacks the off-putting, prickish vibe of the male protagonists in more traditional historical romances. It was no hardship to root for this pairing, maybe because it was easy to like them as individuals first.
But perhaps what Essex has done towards the end in not short-changing the reader into an abrupt conclusion but one that’s painfully drawn out to an ending that’s well-deserved is what really makes ‘Almost a Scandal’ a very memorable foray into a historical romance.