Series: Linear Tactical #5
Published by Calamity Jane Publishing on May 21st 2019
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Everyone eventually breaks under torture.
It’s a truth elite solider and government agent Dorian Lindstrom, codename Ghost, knows firsthand. His body may have recovered from what was done to him in that Afghani prison six years ago, but his mind…not quite so much.
He’s seeing dead people.
Grace Brandt, government codename Wraith, knows her past can’t be forgiven. She has stayed “dead” for as long as she could, but now the forces she’s been fighting, the secrets slowly suffocating her, won’t stay hidden any longer.
And the man she helped break—the man she's always loved—is the only one who can stop the danger threatening them all.
When it comes to keeping the people he loves safe, including the one who thinks she’s not worthy of it, there is no danger—past, present or future—Dorian won’t battle.
The Ghost will rise.
I’m in a bind.
What do you do, when the basis of romance—the believable pairing of 2 characters you need to root for and believe in—doesn’t quite work for you, even though the premise of the story itself is quite intriguing?
If I were to approach ‘Ghost’ from a non-romantic perspective, then the whole covert-spying, black-ops stuff with tons of brain-washing involved is one that can—and did—keep me on my toes. I loved the twists and turns; rather, I liked how Janie Crouch didn’t simply stop but kept going past the point where I expected the climax and resolution to be.
But as acknowledged in the afterword, Crouch recognises that the female protagonist—Grace Brandt, aka Ray (what the hell kind of name is that?)—isn’t everyone’s cup of tea. And she definitely isn’t mine, more so because she’s written to be the other half of a damaged character whose story I’ve always hankered after from the very start.
Wary, suspicious, morally suspect and prone to simply run with Dorian always chasing after her…that she was Ghost’s, or rather, Dorian’s other half, was frankly a hard pill to swallow. This time, the repetitive arguments of her not being good enough for him seemed spot-on, and I’d spent the whole time wishing Crouch had simply chosen a different protagonist for Dorian. It also seemed inevitable that Dorian/Grace’s HEA didn’t feel sufficiently set in stone, even if it were a touch of the realistic that Crouch was aiming for after all that both had gone through.
My rating of ‘Ghost’ is probably quite an arbitrary one. I’d be the first to admit that it turned out as ‘average’ because I was weighing the romance against the plot and while the latter was not bad, it was weighed down completely by the former that I didn’t buy into at all.