Published by Kylie Scott on 21st July 2019
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Betty Dawsey knows that breaking things off with Thom Lange is for the best. He’s nice, but boring, and their relationship has lost its spark. But steady and predictable Thom, suddenly doesn’t seem so steady and predictable when their condo explodes and she’s kidnapped by a couple of crazies claiming that Thom isn’t who he says he is.
Thom is having a hellish week. Not only is he hunting a double agent, but his fiancé dumped him, and thanks to his undercover life, she’s been kidnapped.
Turns out Thom is Operative Thom and he’s got more than a few secrets to share with Betty if he’s going to keep her alive. With both their lives on the line, their lackluster connection is suddenly replaced by an intense one. But in his line of work, feelings aren’t wanted or desired. Because feelings can be a lethal distraction.
I liked the blurb, so my expectations followed. An established couple of sorts, to be brought together, ironically, the lies that Thom had been fabricating all the time.
But what I think I got was a droll, new-adult or teenagerish voice of Betty Dawsey that showed some sort of sarcastic, wry bewilderment which didn’t suit the romantic suspense vibe that this was supposed to be giving. Her relatively easy acceptance (paying lip service to her own rough and tumble emotions which I expected to be sharper) of her situation, the lack of heart-pumping excitement and uncertainty and the rather confusing animal codenames Kylie Scott brought in along with the new dimension of Betty’s wild ride just threw me for a loop.
Add an emotionally stunted (I’d go as far as to say developmental disorder, perhaps) male ‘hero’ who gave Betty the ‘mediocre’ relationship because he thought she was asking for one and didn’t quite apologise for his actions made him more like the terminator programmed to act than a human I could find any common ground with. That Betty found this harder, colder part of Thom somehow arousing while trying not hard enough to deny it made me more disturbed.
Generally, ‘Lies’ turned out to be al alternate-reality sort of headspace that I couldn’t get into, at least for me, because I think my fixed idea of RS – the way it should be told, narrated, and voiced – let me down here in the end. The rare and lacking idea of getting an existing couple back together was one that attracted me to start, but sadly, this was simply executed in a way that kept building on my incredulity to the point where I gave up a quarter way through.