Category: Advanced Reader Copy

Then Came You by Kate Meader

Then Came You by Kate MeaderThen Came You by Kate Meader
Series: Laws of Attraction, #3
Published by Loveswept on 7th May 2019
Pages: 181
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two-half-stars

In the courtroom, they’re rivals. In the bedroom, they’re . . . divorced. But could the road trip from hell lead to a second chance at love?

Aubrey Gates is the hottest divorce lawyer in Chicago, a barb-tongued stiletto with legs that go on for miles. When her cool gray eyes meet mine across the battlefield, I want her like I’ve never wanted anyone or anything. Then I remember who she is: the woman who brought me to my knees. The woman who destroyed my faith in relationships.

The woman I used to call . . . wife.

And she needs a favor from me, Grant Lincoln.

It seems my ex forgot to mention the demise of our marriage to her dear old grammie, and now we’re both expected to attend her ninetieth birthday party. In Boston. And because it isn’t already awkward enough, Aubrey and I are driving there together from Chicago. That’s more than a thousand miles of tension, heartbreak, and barely concealed lust.

A little piece of paper might say we’re over, but this road trip is the true test. I intend to get my wife back . . . and I won’t stop until “I do.”

I do have a soft spot for a second-chance story between a divorced couple (some personal conditions attached for it to be a palatable read for me) and Grant/Aubrey is what Kate Meader brings to the end (?) of this series of cynical, commitment-free divorce lawyers who ironically find their HEA. But Grant/Aubrey buck this trend in ‘Then Came You’ where a miscarriage tore them apart and after some time, find their way back to each other.

Meader can write, undoubtedly, and that’s what draws me back again and again. I’ve always enjoyed her prose, the nifty handling of characters, the emotions and plot. The feels, generally, is what good writing gives. But the past is piled on and tucked into the present, as both Grant and Aubrey recount the past in their own interior monologues—the scenes aren’t quite flashbacks per se, but the slide into years before left me somewhat disconcerted when the present suddenly disconnects from the narrative you’ve been soaking in.

But ‘Then Came You’ left me flailing in deep water, not because of the traumatic loss that both Grant and Aubrey had suffered, but how for the longest time, Grant seemed to be the only one interested in patching the holes left in the aftermath—while Aubrey merely looked at him as an afterthought, entertaining ideas that she’d be moving onto other men and saying it straight to his face.

I definitely understood and felt their loss, but it was hard to root for a couple who weren’t even on the same page when it came to reconciliation. That it took just a few days worth of holidaying to erase the years of pent-up hurt and guilt made it unbelievable.

I thought Aubrey was too paralysed to move on, stuck as she was on her inability to overcome her distant, aloof self, while Grant’s white-knight complex made him seem like the poster-child for talking things through, moving on and healing. In fact, Aubrey came across as self-absorbed to see beyond her own grief to the burden Grant was carrying on his own…essentially she shaped up to be a frustrating ‘heroine’ who never rose up to the level I expected and wanted her to be. Her simultaneous defence and castigation of her own behaviour made her bottomline argument “I don’t deserve him” the ultimate, self-defeating coward’s way out without any showing intention of fighting for them at all.

In short, a whole lot of push and pull, with so much frustration and emotion (and not all of it good) thrown in. I wish this could have been a more satisfying read—angsty but with less of a roundabout way of rehashing the same issues that come again and again and earlier character growth perhaps—but ultimately, ’Then Came You’ turned out more of a disappointment than I thought.

two-half-stars

End Transmission by Robyn Bachar

End Transmission by Robyn BacharEnd Transmission by Robyn Bachar
Series: The Galactic Cold War, #3
Published by Carina, Carina Press on 20th May 2019
Pages: 170
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two-half-stars


Firefly
meets James Bond in this action-adventure romance set in an alternate future where the Cold War never ended…

Maria Watson defied her family to join the Mombasa as Chief Engineer, finding her place among a ragtag fleet of pirates and privateers. Their latest mission left her with a price on her head and a scar on her heart. When a surprise attack separates her from her ship, stranding her in hostile space with a stolen Soviet weapon, she’ll do whatever it takes to uncover that weapon’s secrets—even sacrifice herself.

Broken by the war, Combat Medic Tomas Nyota spent years drowning his sorrows in the bottom of a bottle. Sober, he found a new purpose as the Mombasa’s Chief Medical Officer. His job is to keep the crew alive, even the brilliant but contrary Chief Engineer with whom he’s constantly at odds.

Trapped together in a stolen ship, running from both the Alliance and the Soviets, they must work together to survive. But when the weapon’s horrific purpose is uncovered, their quest becomes a race against time. They must expose the truth and destroy the weapon—before it’s too late.

As a syfy-novella, ‘End Transmission’ works pretty well. As someone who dove straight into this installment without having read the first 2 books in the series, Robyn Bachar’s world-building is intriguing, sort of easy to get into and pretty absorbing considering the alternate-earth direction that this series has taken and extrapolated. Split into 2 factions—the bad Soviets and the supposed not-bad camps—this extreme form of rivalry has extended into the space age where the initial Cold War rift had snowballed into something way, way bigger than anyone living in the present can imagine.

Still, the political tenets remain the same: conspiracy, espionage and undercutting, with a huge emphasis on intrigue and intelligence…issues that hardcore syfy books tend to reimagine, comment on, criticise and re-write. ‘End Transmission’ might revolve around a particular prototype designed for mind and behaviour-control coupled with several great inserts like a fake honeymoon, getting stuck in confined spaces with a so-called rival, but Bachar’s other books (as inferred) had already padded out so much that I was wondering just how much I’d missed out with some info-dump happening midway through.

I took an extraordinary long time to finish this nonetheless, skimming at times, caught between the perfunctory romance and the very detailed world that Bachar has written in this short novella.

As a syfy-story, ‘End Transmission’ is great, though as a romance, not so. Maria and Tomas seemed more at loggerheads (or simply, characters who just didn’t see eye to eye) minus the sizzling chemistry of an enemies-to-lovers vibe, with a switch suddenly flipping between them at the 3/4 mark that had me befuddled because I just couldn’t see it coming. In fact, I wasn’t entirely sure they even liked each other despite the love declarations at the end—that much of a negative dynamic Maria/Tomas had that didn’t even have me rooting for their HEA or HFN.

In short, a middling read for me at least, though I wish I could have been more enthusiastic about their story.

two-half-stars

Wolf Rain by Nalini Singh

Wolf Rain by Nalini SinghWolf Rain by Nalini Singh
Series: Psy-Changeling Trinity, #3, #3, Psy-Changeling #18
Published by Berkley on 4th June 2019
Pages: 416
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three-half-stars

The end of Silence was supposed to create a better world for future generations. But trust is broken, and the alliance between Psy, Changeling, and human is thin. The problems that led to Silence are back in full force. Because Silence fixed nothing, just hid the problems.

This time, the Psy have to find a real answer to their problems–if one exists. Or their race will soon go extinct in a cascade of violence. The answer begins with an empath who is attuned to monsters–and who is going to charm a wolf into loving her despite his own demons.

Nalini Singh’s über-popular Psy-Changeling series probably needs no introduction that far gone into its second series, set in the future when the Trinity Accord has been signed and a cautious peace has settled amongst the three races populating an alternate version of Earth.

The Psy-Changeling verse has expanded so much by this point that it’s practically impossible to jump into and rush through ‘Wolf Rain’ as a standalone. By and large, I did think Singh handled most aspects of the sheer size/weight of her own intricate world-building quite deftly here: the precarious juggle between the bonds of pack and romance and the weighted history that the races have, the larger, wider implications of the collapsing Psy-Net, the latent and new threats and the supporting characters who still have dedicated scenes for readers who can’t let them go.

‘Wolf Rain’ deals with the subtleties of the Psy, or rather, the subtleties of the Empaths who’d been cast aside who rose to prominence after the fall of Silence with the introduction of a rather aggravating, loud-broadcasting captive Empath Psy who simply doesn’t fit the designation E to a tee. After a quick look at other changeling groups in the first two books of this new season however, ‘Wolf Rain’ for this reason, feels oddly like a return to, or at least, a lateral expansion of the Snowdancer/Dark River-centric books where changelings shifters mostly get paired by with their former Psy enemies. Alexei Vasiliev Harte finds his mate in Memory here (battling a serial-killer at the same time) while sub-plots push forward the ongoing story of Psy-life after Trinity.

Every path is a hard-fought one, on the personal and the collective level—reflected by the longer than usual narrative—and needless to say, Alexei/Memory’s one is also a push-pull based on experience, insecurity and fear. Admittedly, this is a pairing that didn’t enthral me as much as Singh’s other couples and as a romance, didn’t quite live up to other pairings that had moved me a lot more…so this sort of impacted my rating of the overall story nonetheless.

Still, I liked the nuanced exploration of the fascinating PsyNet that draws so much from facets of computer networking and meta systems and that alone perhaps, makes ‘Wolf Rain’ worth it.

three-half-stars

Lost in You by Lauren Dane

Lost in You by Lauren DaneLost In You by Lauren Dane
Published by Carina Press on 13th May 2019
Pages: 176
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one-star

Getting lost in the arms of a bad boy never felt so good

Time and the military have made Joe Harris a better man than he was when he left Petal, Georgia, ten years ago. Now that he’s back, all he wants is to take care of his dad, get his garage up and running and spend time with his dog. He has no plans for a relationship, especially one with his best friend’s kid sister, no matter how much she tempts him. And boy does she ever.

Beth Murphy grew up surrounded by trouble, so these days she steers clear when she sees it. Until Joe Harris rides back into town—he’s the kind of trouble worth getting tangled up in. She knows he’s not the same guy he once was, but there’s something he’s not telling her.

When things at home take a turn, Joe does the only thing he can: he pushes Beth away. This is his responsibility, not hers. But Beth isn’t about to lose him—not when they’ve already lost their hearts to each other.

‘Lost in You’ started out promising, but dipped quite early on when I realised there wasn’t much else but talk about Beth going after Joe and Beth really going after Joe.

And that was my red flag, even though the best friend’s sister trope is one that I do nose around for whenever I can. Unfortunately, I couldn’t really get engaged beyond the point where Beth started chasing Joe because there wasn’t much more to look for beyond that. A forthright heroine who knows what she wants is always a welcome change in direction in romance, but the small town talk simply seemed to be about everything and nothing as Joe and Beth danced around each other in a two-steps-foward-two-steps-back choreography.

Not having read Lauren Dane’s other series, ‘Lost In You’ did feel like I’d stepped in the middle of a show whose beginning I knew absolutely nothing about. Secondary characters who must have played an important and heartfelt role in previous books made appearances here but because I wasn’t invested in them at all, such scenes actually felt redundant and dragged the story under—this is obviously on me, but it was also a sign that ‘Lost in You’ just wasn’t my thing as well.

one-star

Counterpoint by Lauren E. Rico

Counterpoint by Lauren E. RicoCounterpoint by Lauren E. Rico
Published by Harmony House Productions, Lauren E. Rico on March 28 2019
Pages: 210
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four-stars

Brilliant young pianist Alexandria is poised for classical music superstardom…until the night she unravels in front of thousands at her Carnegie Hall debut.

Brilliant young pianist Nate is poised for classical music superstardom…until the night a horrific accident took away everything—and everyone he loved.

Now fate—and a wily cowboy pianist named Wyatt—have brought them both to Texas for a summer of intensive study and healing. And, though the two butt heads almost immediately, it’s soon clear that, together, Alex and Nate possess a dazzling chemistry that eclipses anything they might have done alone.

But the real test of their longevity as partners—on stage and off—comes when Alex’s overbearing father threatens to destroy everything they’ve both worked so hard for. Painful choices must be made and lives will be changed forever.

While Nate wrestles with the gut-wrenching guilt of his past, Alex is forced to confront the grim prospects for her future. And suddenly, each must decide if there is enough power in their music and enough courage in their hearts to breach the chasm between them.

Lauren E. Rico speaks directly to the soft spot I suspect I’ll always have for classical music and the very rare bit of romantic fiction written around it, because there’s just so much to explore in what’s typically considered a big-ego, elitist and inaccessible world. And well, that it was a world that I belonged to, very briefly so long ago, makes the classic music romance, so to speak, a wistful step back into that passionate, intriguing and cut-throat space.

The unique meeting of accomplished classical pianists, both child prodigies, both fallen in their own ways and unable to pick themselves up until the intervention of a mysterious do-gooder who wanted nothing more but to get them going again….no surprise then, that I jumped on ‘Counterpoint’ as soon as the ARC was available.

Nathaniel Calloway’s and Alexandria Mickelson-Fitch’s stalled careers start to collide in a way that neither could have ever imagined, thanks to a Texan cowboy professor who seem determined to get their back their tarnished stardom. Cue the resulting family drama, the heaving chests, the loud denials and affirmations came to the fore that catapulted the storytelling into soap-opera territory at times.

There were clear hurdles to jump over here: obsessive, helicopter parenting, volatile tempers with sometime immature outbursts (throw in the broody artistic-temperament) and so much ego-shuffling. I was sceptical of the quick switch from hostility to near-instalove, got frustrated when adults started behaving like teenagers who suddenly couldn’t see reason and devolved into self-absorbed, entitled, snivelling messes who couldn’t handle themselves let alone others.

Still, I lapped up every descriptive passage of the music that both Nate and Alex played, lapped up their duets and the heady sense of the music that spilled from the pages and left me wanting more as I rode every wave of high and low with them. The music’s made magic in Rico’s hands and I could only wish there were more of such stories from her.

four-stars

Tormented by Alison Aimes

Tormented by Alison AimesTormented by Alison Aimes
Series: The Condemned #3
Published by Amazon Digital Services, Amazon Publishing on March 29th 2019
Pages: 266
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three-half-stars

She was never meant to be his…

Two ruthless enemies.
One cage.
Zero chance of escape.
An explosive lust that can’t be contained.

Council assassin Jade Lakotesh survives by trusting no one. Attachments a weakness. Sex a weapon. Her mission success rate flawless. Until she ends up naked, captured, and collared, her latest assignment in jeopardy. The blame for her predicament: the hothead, scarred man who prowls the cage beside her—his confusing appeal a danger she has no idea how to neutralize.

Ex-Resistance fighter Walsh Ryker hit rock bottom with the deaths of those he loved most. Now, he’s plummeted to a new low, trapped with a cellmate as ice cold as she is stunningly hot. She’s out for blood, lacks any ability to cooperate…and leaves him more alive than he’s been in years. For a man no longer interested in feeling anything at all, she may be the greatest hazard he’s faced to date.

As danger mounts and they must work together to defeat a shared threat, will the unwelcome passion between these two enemies entomb them in the dark forever—or be the key that sets them free?

It has been quite a while since I’ve returned to Alison Aimes’s ‘The Condemned’ series, but it’s entertaining as hell with a bit of a spin to the tale of enemies-to-lovers and a flashy, bloody and violent B-movie erotica vibe.

I was hoping in some ways, for a continuation for Bella and Caine’s story after the first book. But Aimes is taking the series in a different direction and I’m slowly coming round to it, as her focus shifts onto the inhabitants of the brutal penal planet Dragath25 and the slow unravelling of the politics between a dystopian earth and corruption that shows good/evil is not as it seems.

Aimes pits the cold, robotic Jade Lakotesh against former resistance fighter-turned-slave Walsh Ryker and it’s not at all smooth-sailing from start to end, but I was surprised—pleasantly—by the twists and turns in story, and the gradual expansion of the world-building that seemed to be gaining steam without any signs of flagging. Essentially, it was much more than what the blurb suggested and much more than what I was expecting and that always turns out well.

The instant lust that made me cringe aside, Aimes does handle character and pacing quite well (there were parts that had me rather frustrated with them both nonetheless). Still, the biggest draw of ‘Tormented’ isn’t just about Jade and Ryker, but rather, the sudden opening up of the penal planet ‘verse and the insertions of so many secondary characters that have so much untapped potential.

Sure, it’s flashy and sometimes, probably a little gratuitous when it comes to sex and violence – the amount of dirt and dust had me cringing during the smutty scenes that went on as though these were niggly details not worth bothering about – but at its most basic, this was a fun, roller-coaster ride.

three-half-stars

Red, White & Royal Blue by Casey McQuiston

Red, White & Royal Blue by Casey McQuistonRed, White & Royal Blue by Casey McQuiston
Published by St. Martin's Griffin on 14th May 2019
Pages: 432
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three-half-stars

A big-hearted romantic comedy in which First Son Alex falls in love with Prince Henry of Wales after an incident of international proportions forces them to pretend to be best friends...

First Son Alex Claremont-Diaz is the closest thing to a prince this side of the Atlantic. With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations.

The plan for damage control: staging a fake friendship between the First Son and the Prince. Alex is busy enough handling his mother’s bloodthirsty opponents and his own political ambitions without an uptight royal slowing him down. But beneath Henry’s Prince Charming veneer, there’s a soft-hearted eccentric with a dry sense of humor and more than one ghost haunting him.

As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. And Henry throws everything into question for Alex, an impulsive, charming guy who thought he knew everything: What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?

‘Red, White and Royal Blue’ is an indulgent afternoon fix, really, but so unique in its application of the British royals and American ‘royalty’ in romantic fiction. Enemies-to-lovers, diversity in politics (or diversity full-stop), bisexuality, blended-families and the problems that come with divorced parents (top political figures aren’t’ exempt)…well, there’s representation everywhere here in the form of all the characters, protagonists and secondary ones alike. In fact, it tries very hard to be as inclusive as possible as and Casey McQuiston gives it all in spades, though at times it does feel it’s more like a defiant stance of portraying diversity for the sake of it, or at least, to relentlessly pound home the point that the world isn’t as binary as many make it out to be.

In some alternate world where the timeline splits after Obama exits stage left, Alex Claremont-Diaz—the flamboyant First Son—and Prince Henry of Wales dance towards each other in a myriad of ways that are filled with uber-sass, pseudo-hostility, snarky quirk and everything in between that you could think of. It’s the theatrical kind of drama across the Atlantic and back again, where characters larger than life strut through the pages always making themselves seen and felt, where you sometimes feel your own mouth quirking upwards in amusement. And it’s hard not to be riveted as Alex and Henry navigate the complicated journey that’s made of thorns, double-crossings, back-stabbings and traditions that really, should be considered outdated at best.

Still, some parts made me snort and giggle; other parts made me skim. I did enjoy this overall, but it took me longer than I thought it would and perhaps this does factor into the final rating I’m giving this read nonetheless.

Good writing however, is indisputable and McQuiston’s extremely confident and assured writing carries the whole book through: there’s a certain breathless quality to it as a crazy whirlwind of thoughts and activities come in a huge, long stream of commas, and prove to be as hysterical as much as it’s irreverent and weird in a way that can only happen in fiction.

three-half-stars