Series: All Saints High, #2
Published by L.J. Shen on 17th August 2019
Buy on Amazon
Not all love stories are written the same way. Ours had torn chapters, missing paragraphs, and a bittersweet ending.
Luna Rexroth is everyone’s favorite wallflower.
Sweet. Caring. Charitable. Quiet. Fake.
Underneath the meek, tomboy exterior everyone loves (yet pities) is a girl who knows exactly what, and who, she wants—namely, the boy from the treehouse who taught her how to curse in sign language. Who taught her how to laugh. To live. To love.
Knight Cole is everyone’s favorite football hero.
Gorgeous. Athletic. Rugged. Popular. Liar.
This daredevil hell-raiser could knock you up with his gaze alone, but he only has eyes for the girl across the street: Luna.
But Luna is not who she used to be. She doesn’t need his protection anymore.
When life throws a curveball at All Saints’ golden boy, he’s forced to realize not all knights are heroes.
Sometimes, the greatest love stories flourish in tragedy.
I’m relatively new to L.J. Shen but yes, I do know what I’m getting into…mostly.
I like the complexities that Shen explores when it comes to the dynamics between screwed-up youths and young adults—it all veers towards the dangerous and the complicated but also sometimes involves the absurdities of the merry-go-round of relationships simply because people *can’t* seem to do simple. That they’d rather pine and do the ‘do-we-or-do-we-not’ dance are not just characteristics that are seen more in New Adult stories (admittedly, some adult characters do the same) but that Shen takes it to the maximum in ‘Broken Knight’.
Luna/Knight exemplify this particular dynamic in a dance that’s both angsty and sometimes, wholly unnecessary, before they finally, finally untangle the threads that keep them bound no matter what. Watching them wait for each other, wanting each other at the wrong time, then the vicious tit-for-tat game they play is undoubtedly quite the excruciating bit to take in, but Shen surprises me at every turn with her words, with her analogies, and her unexpected perceptions on love and relationships, albeit through secondary characters.
Abandonment issues take the forefront here. In fact, it feels like the primary issue that supposedly makes everyone act up and it’s as though the sins of the fathers bleed down into the next generation. That the previous generation, as twisted as they were, would raise wholesome families by extension, will seem like a joke at times.
Throw in the typical vices that lean towards the darker side of N/A plots and you’ll get drugs, promiscuous behaviour and a whole ton of doing things because characters can and will and want to hurt other people—with sullen teenagers continually acting like children while pretending to be adults and creating a storm of angst because they can’t see past their hormones. This much, I can believe, perhaps and if this is what Shen intends, then perhaps the book is a success.
I’ve not read Shen’s earlier works, but ‘Broken Knight’ will probably screw around with some people’s heads as well, particularly if you look at an iron-clad HEAs as a natural part of romantic fiction. It’s not a book that’s easy to like—I’m not sure I can say I do, honestly, since it’s Shen’s use of words that kept me going—but it’s certainly one that you can get through with the feeling like you’re watching a train-wreck happening again and again.