Series: Slow Burn #3
Published by Montlake Romance on 6th November 2018
Buy on Amazon
In this fairy tale with a sexy twist, she’s a penniless San Francisco seamstress. He’s the king of Italian couture. Who’s got designs on whom?
Boutique owner Kimber DiSanto has seen better days. She’s been dumped at the altar by Prince Charmless, her business went up in flames (literally), and now she’s stuck in Florence, Italy, with an ice-queen stepmother, to try to save her late father’s failing dress shop. Only one thing could make it worse: another man in her life. The arrogant Italian fashion tycoon offering to buy her father’s shop is as rich as he is sexy, and their attraction is off the charts. But Kimber’s not about to get burned again.
Women don’t say no to Matteo Moretti—and certainly not with Kimber’s stinging precision. With all the heat and fury sparking between them, Matteo can’t resist baiting the gorgeous American. His plan? Win her over one scorching kiss at a time.
Kimber tells herself it’s all just a game. That her broken heart isn’t in danger, and that Matteo’s touch does not make her Lady Land dance with joy. But sometimes it takes the fieriest of enemies to turn a fantasy into a real-life romance.
Down-on-her-luck Kimber—dumped by a wealthy fiancé at the altar—makes it to Italy, though not without more drama following her around, mostly in the form of another rich Italian tycoon. Only to realise that her dying father has remarried a calculative barracuda, left her with 2 stepsisters, and an evil stepmother.
If this rings familiar, that’s because ‘Ache for You’ is a Cinderella tale of sorts from riches to rags and riches again, only that it involves a truly unlikeable heroine and a mysterious Italian fashion magnate who somehow gets turned on by rudeness and a judgemental attitude.
Kimber’s tendency to overreact, her exaggerated hysteria and self-pity pouring through the pages from the start as she makes everything all about her and her misery had me wondering if I’d accidentally stumbled onto a bitchy reality series instead of a reconstructed fairytale romance. Gritting my teeth, I hoped it would get better as I read on but instead, it became more and more farcical to be believable. I just couldn’t get the connection between Kimber and Matteo—are sparks supposed to fly if the latter gets off on being verbally abused?
In essence, as much as fairytales are supposed to be much-beloved archetypes, I thought Geissinger’s own characters felt too ‘locked’ in their stereotypes (the rom-com, first person POV style of writing confirms this) to be anything more than caricatures flitting through the winding plot.
As much as I liked the first book in the series, which did actually seem promising, I’m unfortunately going to count this as a total bust for me: the signs couldn’t be clearer when I found myself simply more exasperated than enthralled just a quarter way through.