Series: The Kings, #1
Published by Forever on April 3rd 2018
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THE MAN SHE HATES TO LOVE
Beckett King just inherited his father's fortune, his company-and all his enemies. If he's going to stay on top, he needs someone he can trust beside him. And though they've been rivals for years, there's no one he trusts more than Samara Mallick.
The rebel. That's how Samara has always thought of Beckett. And he's absolutely living up to his unpredictable ways when he strides into her office and asks for help. She can't help wondering if it's a legit request or just a ploy to get her into bed. Not that she'd mind either one. After all, she likes to live on the edge too.
But soon the threats to the King empire are mounting, and the two find family secrets darker than they ever imagined and dangerous enough to get them both killed.
Filthy rich family drama—tuned up several notches—lies at the heart of ‘The Last King’ as children pay for the bad blood that started decades before their time and work painfully through schisms because of one woman’s longstanding, poisonous resentment left to fester.
It isn’t often that I read such books (the constant bitching and underhanded manoeuvring can get headache-inducing), but Katee Robert’s writing is compelling enough to try. As I suspected, it was easy to get engrossed in the tale of bad blood, bitchy office politics and corporate espionage that sort of runs the boundary into the murderous, though it felt a little like an oncoming train wreck I couldn’t take my eyes off. Vile aunt vs. struggling nephew, the former of whom gets her comeuppance and the latter of whom finally gets what he deserves? How sweet the sound. Built into this first establishing story however, is also a very difficult generation transition with several burn marks to pay for getting rid of a vile villain you’d love to hate, and a rival-to-lovers tale that thankfully, doesn’t involve too many TSTL moments.
Robert does write Beckett King as a protagonist I could sympathise with, and Samara Mallick as a worthy other half for him. Apart from their chemistry scorching the sheets, I didn’t have problems seeing both of them as equals both in and out of bed and I actually liked how Robert wrote Samara’s eventual shift in loyalty towards Beckett instead of blindly following his vile aunt the whole way.
In fact, I expected to be exhausted by the end of ‘The Last King’. Instead, I was drawn in—admittedly a little slowly at first—, surprised at how Beckett and Samara stole the show for me, as did Robert’s secondary characters, making me anxious to get onto the other Kings’ stories, though a long, long wait is in order.