Published by Gallery Books on April 10th 2018
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The story of the heart can never be unwritten.
Macy Sorensen is settling into an ambitious if emotionally tepid routine: work hard as a new pediatrics resident, plan her wedding to an older, financially secure man, keep her head down and heart tucked away.
But when she runs into Elliot Petropoulos—the first and only love of her life—the careful bubble she’s constructed begins to dissolve. Once upon a time, Elliot was Macy’s entire world—growing from her gangly bookish friend into the man who coaxed her heart open again after the loss of her mother...only to break it on the very night he declared his love for her.
Told in alternating timelines between Then and Now, teenage Elliot and Macy grow from friends to much more—spending weekends and lazy summers together in a house outside of San Francisco devouring books, sharing favorite words, and talking through their growing pains and triumphs. As adults, they have become strangers to one another until their chance reunion. Although their memories are obscured by the agony of what happened that night so many years ago, Elliot will come to understand the truth behind Macy’s decade-long silence, and will have to overcome the past and himself to revive her faith in the possibility of an all-consuming love.
One thing I know after reading ‘Love and Other Words’ is that that’s Christina Lauren’s searing, literary-tinged writing is the book’s standout, more so because of a romance built on intellect, the love of words and books. Lauren takes on the second-chance romance with aplomb here and I’m grudgingly admitting that the unusual mix of circumstances and events do make this scenario more plausible than many others that I’ve come across, thereby making Elliot/Macy a pairing that aren’t back together just because they decided to give it a go once again.
Told with interspersed flashbacks but only in Macy’s POV, Elliot’s and Macy’s story is one of teenage love, love lost and then found again many years later, all because a mistake turns into a history of grief and tragedy that neither could have expected. In the present, serendipity—written as fate that would inevitably draw these one-time lovers back together again—forces an awkward reunion in a coffee shop and the moment Elliot and Macy are back in each other’s orbits, their coming back together despite the circumstances is written and seen as inevitability. If the timeline in the past is one of anticipatory dread to the moment where they are torn apart, the present crawls a little, almost moving backwards as it constantly points towards the upcoming revelation of what really happened before closing with a short (and rather abrupt) resolution thereafter.
Structurally, ‘Love and Other Words’ is well-balanced between past and present, as the measured but slow pacing of Elliot’s and Macy’s relationship builds to a point where you cannot—or would not—look away from the train wreck that’s coming. The rocky road back together isn’t necessarily an enjoyable a journey for every reader nonetheless; Macy’s engagement and Elliot’s quick breakup with his girlfriend mean that secondary characters do play a role here, and it could be argued that cheating (sort-of) had been a significant part of the whole mess.
There’s breadth and depth in the storytelling and insights given into the emotional damage they’ve both carried throughout the years, though it is harder to believe however, that they could gravitate towards each other again that easily and quickly after 11 years. I actually wanted to know if there was really any comeuppance for the guilty parties involved which felt glossed over, but Lauren does not get into the tic-for-tac business nonetheless. This is my own cynical and vindictive self speaking clearly, as the focus steadfastly remains on the idea of star-crossed lovers and soul mates who, after having established their belonging to each other in their teens, seem destined to always love and find each other again no matter the distance. Elliot/Macy are, by this time, above the mistakes of their past, though I would have been happier seeing a more concrete resolution that didn’t just span the last 2 or so chapters wrapping up their HEA that prioritised their moving on and moving in together.
‘Love and Other Words’ does however, suggest that there’s only ‘the one’ without whom the other can’t function properly—it’s an idea I’m vaguely uncomfortable with, despite the commonly-held romantic notion perpetuated in fiction that 2 people are simply biding time (with others) before they can get back to each other. Furthermore, Elliot’s assumption that they could have waved the past away with an explanation of his drunken mistake without considering the ramifications of the betrayal felt overly optimistic as well; that it should be forgiven because he hadn’t known he was making the mistake at the time just doesn’t feel justified enough.
But maybe I’m grasping at straws for a pretty entertaining read; the all-is-right-with-the-world ending is what Elliot/Macy’s dreams are supposed to be made of after all, isn’t it?