Series: Louisiana Lawmen #2
Published by Tule Publishing on January 29th 2018
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New Orleans Police Detective Rick Easterling is no saint. He’s the NOPD’s best undercover cop. Known as the Man of a Thousand Faces, he’s a rogue–breaking rules to solve cases his way. But when his brother dies of a drug overdose and he’s suspected of being a dirty cop, Rick vows to clear his name and avenge his brother’s death.
Rookie police officer Lusinda Johnson has a personal axe to grind with dirty cops, so she volunteers to work undercover and shadow Rick. She tells herself she can remain immune to his sexy, brooding demeanor, but the longer they work together, the harder it is to see him as anything other than a hero.
As “Sin” and Rick investigate the corrupt underbelly of New Orleans night life, the lies they must tell each other imperil them almost as much as the drug lords closing in. Will they learn to trust each other in time to save themselves and explore their growing love?
‘No Saint’ was a mixed bag for me, though I thought the premise sounded intriguing: sending a rookie officer undercover to investigate another, who might have turned dirty in all his years of experience working in the underbelly of society.
Unfortunately, I couldn’t really buy into the characters at all, even though the beginning started out quite well. I did find Rick easier to sympathise with; his personal vendetta of avenging his brother’s death, his regret about their relationship and his compassion he showed for others when he didn’t need to made him a likeable protagonist.
I couldn’t quite say the same for Lusinda. For a rookie cop, she seemed painfully naive and amateurish with the lack of experience showing up in sharp contrast to Rick’s hardened undercover mien. Her neurotic act with roaches, the constant monologue about her uncertainty and wavering emotions made her out to be almost like a teenager playing cop, consequently making it harder to believe Rick’s fascination with her, let alone his willingness to break his own rule about getting involved while undercover.
I also thought the writing was also somewhat uneven: well-written, descriptive at times, then repetitive/simplistic at other times to the point where I found myself skimming. ‘No Saint’ had good action however; it was also a gritty romantic suspense drawing out the violence of such work and the thin lines of good and bad, particularly if you’re into books that deal with the shifting identities of undercover cops and the struggle to inhabit separate personas and the surprises that will come your way.