Tag: young-adult-new-adult

Fragments of Ash by Katy Regnery

Fragments of Ash by Katy RegneryFragments of Ash by Katy Regnery
Series: A Modern Fairytale, #7
Published by Katharine Gilliam Regnery on 25th September 2018
Pages: 358
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three-stars

My name is Ashley Ellis…

I was thirteen years old when my mother – retired supermodel, Tig – married Mosier Răumann, who was twice her age and the head of the Răumann crime family.

When I turned eighteen, my mother mysteriously died. Only then did I discover the dark plans my stepfather had in store for me all along; the debauched "work" he expected me to do.

With the help of my godfather, Gus, I have escaped from Mosier's clutches, but his twin sons and henchmen have been tasked with hunting me down. And they will stop at nothing to return my virgin body to their father

…dead or alive.

With a flip in gender-roles occurring here, Katy Regnery takes on the Cinderella story with ‘Fragments of Ash’ and starts off with brutality. But then again, the fairy-tales in their original incarnations were morality stories with barely leashed-undertones of violence, which in some way, are well-captured in what Regnery is trying to write. They offer no happy endings but rather, grim and disturbing outcomes. In this case, the loss of innocence—not only sexually—is what these origin tales do indirectly talk about, and Regnery’s portrayal of Ash’s own loss of innocence certainly fits into this particular framework.

As the downtrodden, unwanted heroine, Ashley battles these circumstances, or at least, tries to find her own self-worth as she tries to escape a life of servitude. Her temporary place of refuge brings her to an older, disgraced ex-law-enforcement man, whose experience, in contrast to her naïveté, is as jarring as their decade-old-plus age-gap.

But if this started out deliciously dark and ominous, the story did take a bit of a downward turn thereafter. I couldn’t quite get Julian’s cold-to-hot stance that felt like the flip of a light switch; one moment he was lamenting about how he never trusted women anymore and in the next he was suddenly all in like an alpha-male protector with Ash that it gave me whiplash.

From that point onwards however, there was nothing more in ‘Fragments of Ash’ that resembled the significant bits of the Cinderella story—no ball, no magical meeting with a prince, no lost glass slipper, no country-wide hunt for the rags-to-riches girl. And I guess I was quite disappointed when those bits didn’t show up, even if a retelling is obviously, one that’s expected to veer off course, off the straight and narrow into new paths forged.

The shades of grey were lacking here in any case—given the archetypal nature of the fairy tale—so villains are evil to the core, and the good, well, stay resolutely good, though there were parts where the stylised stereotypes became unwittingly hilarious more than hair-raising.

In short, ‘Fragments of Ash’ turned out to be middling read: it’s good for a day’s worth of escapism at least, as Regnery’s retellings typically are.

three-stars

Worth the Risk by K. Bromberg

Worth the Risk by K. BrombergWorth the Risk by K. Bromberg
Published by JKB Publishing, LLC on 15th May 2018
Pages: 362
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two-stars

This whole contest was supposed to be easy. I know, I know. Famous last words.

It’s a long story, but I messed up at work. Big time. To earn back the trust of my boss, I promised to save one of our magazines. Yep. That Hot Dad contest you’ve seen advertised all over the place was my idea. And if I’m successful, if I’m able to increase our online readership, then I get a shot at my dream job.

But the one thing I never expected to happen, happened: Contestant number ten, Grayson Malone. Hello, Mr. Difficult. And did I mention sexy as hell?

Unfortunately he knows me. The old me, anyway. And while we might be older now, I remind him of before. Of the woman who broke his heart, who hardened him, and who left him alone to raise the cutest little boy I’ve ever seen.

But I don’t want a relationship. And I definitely don’t fall for single dads with baggage. Even ones with chiseled abs and killer smiles.

But he got to me. They got to me. Him and his son and their messy, crazy life. But I got to him too. I see the stolen glances. I feel the walls he built start to crumble. I recognize that there’s an unexpected beauty to the chaos in his life.

And now that the contest is about to end, we’re left to decide whether the last six months were just fun or if what we have is worth risking it all?

‘Worth the Risk’ begins with the eating of humble pie for a socialite-magazine princess who’s never quite had to work for anything in her life. Sidney Thornton has gotten by because of her famous name—in a somewhat fickle manner—until her magnate father puts his foot down and insists she dislodges the silver spoon in her mouth and work for her salary and the position in the company she’s always wanted.

Grayson Malone is her very reluctant target for the magazine she’s been relegated to working for—a magazine that runs outside her kind of social life—and already, she’s his target for everything wrong in his life. Apparently.

Their history however, with him as the scorned, middle-class kid and her upper-class snooty ways, isn’t one Grayson has forgotten and in many ways, he makes her pay for it. With a chip so large on his shoulder about the woman who left him and his own social-class hang-ups, he can be a bit of an arse as he holds Sidney to the unpleasant memories he has of her as gospel truth.

Basically, he hates her, but wants her.

On the contrary, Sidney’s painted constantly into a corner while crying not fair at everyone (though not without her fair attempt at manipulation, several instances of shallow behaviour and wimpily keeping things from him) and acting like a whipped puppy coming back for more.

Bromberg lays Grayson’s and Sidney’s issues bare from the very start and her writing is compelling enough that it makes you stay the course. Somewhat.

But just as there’s a little progress between them, we’re back at square one, with this push-pull getting rinsed and repeated so much that I thought it stretched the book longer than it should have been. The long and short is, I read this through somehow, but couldn’t find it in myself to sympathise with either Grayson or Sidney at all, too lost as they were in their own heads with their own personal hang-ups and the kind of lifestyles they were determined to lead. Neither quite really fought for each other it seems, so this simply ended up as a story with a pairing I couldn’t get behind at all.

two-stars

It Seemed Like a Good Idea at the time by Kylie Scott

It Seemed Like a Good Idea at the time by Kylie ScottIt Seemed Like a Good Idea at the Time by Kylie Scott
Published by Createspace Independent Publishing Platform on 7th August 2018
Pages: 185
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two-half-stars

Returning home for her father’s wedding was never going to be easy for Adele. If being sent away at eighteen hadn’t been bad enough, the mess she left behind when she made a pass at her dad’s business partner sure was.

Fifteen years older than her, Pete had been her crush for as long as she could remember. But she’d misread the situation—confusing friendliness for undying love. Awkward. Add her father to the misunderstanding, and Pete had been left with a broken nose and a business on the edge of ruin. The man had to be just as glad as everyone else when she left town.

Seven years on, things are different. Adele is no longer a kid, but a fully grown adult more than capable of getting through the wedding and being polite. But all it takes is seeing him again to bring back all those old feelings.

Sometimes first loves are the truest.

‘It Seemed Like a Good Idea at the Time’ is quite a mouthful, but it’s hard to put down with the wrenching pain of unrequited love being the driving factor here, given the somewhat forbidden trope of much older man and younger woman, who reunite after the latter pretty much blew up their friendship by making a pass at him 7 years ago. The stupid things teenage girls do when faced with their crushes are what I remember (cringingly fondly?) as well, nonetheless and this was the basis that kept the pages turning. That and that an age-gap like 15 years doesn’t bother me—so I was on it like white on rice.

But Adele’s and Pete’s history is inked in such a way that makes me question the age-gap issue: would a teenager really find a best friend in a 30-year-old man? (As a teen with a limited perspective, I simply remembered that anyone past 25-ish or so, to be naively considered middle-aged and didn’t have much to talk about with them apart from school and, well, nothing much else) How did Pete transition from seeing Adele as the ‘kid’ to a romantic partner and how on earth did Pete and Adele suddenly regress to being teenagers in their interactions when the former couldn’t seem to deal with something that happened years ago?

Adele comes across, as a result, as the more mature, thinking adult, and for some reason, so forgiving of Pete’s indiscretions and indecisiveness. Or at least, with the whole novella written in Adele’s POV, it is so much easier to see her own insecurities and flaws exposed while I felt too kept in the dark about what Pete is thinking. It’s also quite inconceivable that, as Adele mentioned herself, a man at 40 hadn’t seen the light enough to deal with his own abandonment and emotional issues to remain a closed-off player that he goes about it by blowing hot and cold numerous times…all of which suddenly gets shrugged off at the end.

I would have been probably more mollified however, without the ending twist that seemed to forced a happy ending for all involved—2 people hashing it out and dealing with what’s between them would have worked better, instead of the dependence on external circumstances to speed things along quite unbelievably. Honestly, it’s hard to rate this story like this, where I got through it effortlessly – Kylie Scott’s writing is pretty good that I could empathise mostly with Adele – yet detested the slide into the New Adult feel of it when I’d clearly expected the protagonists to behave their own ages.

two-half-stars

Josh and Hazel’s Guide to Not Dating by Christina Lauren

Josh and Hazel’s Guide to Not Dating by Christina LaurenJosh and Hazel's Guide to Not Dating by Christina Lauren
Published by Gallery Books on 4th September 2018
Pages: 320
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two-stars

Hazel Camille Bradford knows she’s a lot to take—and frankly, most men aren’t up to the challenge. If her army of pets and thrill for the absurd don’t send them running, her lack of filter means she’ll say exactly the wrong thing in a delicate moment. Their loss. She’s a good soul in search of honest fun.

Josh Im has known Hazel since college, where her zany playfulness proved completely incompatible with his mellow restraint. From the first night they met—when she gracelessly threw up on his shoes—to when she sent him an unintelligible email while in a post-surgical haze, Josh has always thought of Hazel more as a spectacle than a peer. But now, ten years later, after a cheating girlfriend has turned his life upside down, going out with Hazel is a breath of fresh air.

Not that Josh and Hazel date. At least, not each other. Because setting each other up on progressively terrible double blind dates means there’s nothing between them...right?

Josh and Hazel are apparently undateable together—that much power-writing duo Christina Lauren wants to bring across. But the irony is that they are never better matched despite their opposite ways, as the story trundles on. Both go on blind double dates (mostly disasters), get on as good friends (loads of banter and nonsense talk), then finally realise that they do actually belong together.

After having quite a good time with a few of this duo’s books, jumping into Lauren’s ‘Josh & Hazel’s Guide to Not Dating’ was something I eagerly did…that is, until the very first chapter caught me out with the antics of a female protagonist I had a bad feeling about.

There’s no other way for me to say this, but I simply found Hazel cringe-worthy. At least, there’s the part where the adorable, bumbling fool kind of woman would probably find purchase with many readers because it’s so obvious how flawed she is. Unfortunately, she simply read like a protagonist who couldn’t grow up and stayed that way so as to become as a plot device mirroring the loud, clueless millennial—as reported about with derision in the newspapers these days—who stumbles over everything and says whatever her mouth decides to say without engaging her brain.

But unlike Bridget Jones, she appears fully formed, owns her quirks, and pretty much heads the movement for how women should be themselves (and proud of it for going through men, not wanting commitment) without changing for anyone…which is a good thing right?

Um.

For me, it was too much, too hard, too affected because it felt like the authors were trying too hard to make her the kind of woman who’s just like a commitment-phobic male protagonist unable to hold a relationship. Written as larger than life because it’s fiction and drawn up so deliberately like a character in a sitcom or as a mirror of this kind of male hero, Hazel simply made me sigh in resignation and not in a good way.

Unlike the usual style of Lauren’s that compelled me to read what this writing duo has done so far—the first person narrative, the huge touch of the insane in this romcom—this book started as a rough ride for me, oddly so because of its very lighthearted feel that just didn’t leave me clutching my sides in laughter. It did get somewhat better as Josh and Hazel find their groove together first as good friends, but I couldn’t really hold an interest in a book where the protagonists obliquely get closer together while dating others.

In short, it’s a story that will appeal to many, but it isn’t one for me.

two-stars

Pestilence by Laura Thalassa

Pestilence by Laura ThalassaPestilence by Laura Thalassa
Series: The Four Horsemen #1
Published by Amazon Digital Services, Amazon Publishing on March 20th 2018
Pages: 382
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three-stars

They came to earth—Pestilence, War, Famine, Death—four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed.

Too bad no one told her Pestilence can’t be killed.

Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her … and hers towards him.

And now, well, Sara might still be able to save the world, but in order to do so, she'll have to sacrifice her heart in the process.

Now then, how’s this for a monumental twist of enemies-to-lovers? Saying that ‘Pestilence’ subscribes to this trope is like putting a pram’s wheels on a Ferrari. Or some other super car. Somehow Laura Thalassa manages it at least in the beginning half with a chilling and riveting start of 4 horsemen of the apocalypse riding through earth bringing death and destruction.

Particularly visceral is the trek down the famous highway 99 from Whistler to Squamish, a dystopic vision of a lone horse rider and his unwilling companion now superimposed on my memories of one of the most scenic routes I’ve ever been down. The extended time Pestilence and Sara spend together is in itself unusual: one filled with macabre curiosity and horrors, necessitating a slow, slow burn as Pestilence somehow finds a human side to get in touch with.

Yet what started as fascination turned into uneasiness, which then turned into pure disbelief. Issues of faith, religion and judgement—or at least what Thalassa presented—were never far from my mind running as meta commentary as I kept on reading, which Thalassa definitely succeeded in doing if this was always her aim.

As a romance however, it just became painfully obvious that Pestilence and Sara was a pairing that became harder and harder to get invested in as time wore on, the primary difficulty being reconciling the idea of the otherworldly Pestilence falling prey to human charms and human fallacies with the perpetual image I have of these perfect and deadly creature who always seem far above imperfections. To be laid low by a 21-year old who pretty much showed the ever-changing sides of a young adult (part-petulant, part-annoying, part-compassionate and part-self-righteous) who came close and pushed away repetitively? It just seemed somehow below an eternal being who’d never once wavered from his monumental task since time immemorial, who was now swayed too easily by a firefighter with a crude mouth and a penchant for not making up her mind.

What finally turned me off her however, came tragically at the end, where Sara’s own twisted rationale of love gave her the courage to walk away as she finally deemed Pestilence—who had a heavenly duty to fulfil—unworthy of her affections. Accusing Pestilence of judgement when she was guilty of doing the same, then having him crawl back to her was when I felt Thalassa had personally taken off the shine of what had made Pestilence so unique as an anti-hero, before imbuing him with the earthly loyalty of a teenage boy with stars in his eyes.

On the other hand, the constant vacillation of characterisation had me struggling with Pestilence, vague as Thalassa is with his origins and more so with his personality, the reasoning being that we mere mortals can’t ever hope to understand his higher purpose (it just made him frustratingly unknowable and too mysterious for all the millennia he’d been around).

With an ending that had me more baffled than happy, the story finishes on a grim warning and a rather uneasy HFN (to put it badly, considering Pestilence had somehow condescended to be human for the time both he and Sara will be around). I was still left feeling out of my depth as a reader, unable to hang on fast a pairing that took root but didn’t quite take off.

three-stars

More Than Words by Mia Sheridan

More Than Words by Mia SheridanMore Than Words by Mia Sheridan
Published by Forever on 12th June 2018
Pages: 336
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one-star

The moment she met Callen Hayes, eleven-year-old Jessica Creswell knew he was a broken prince. Her prince. They became each other's refuge, a safe and magical place far from their troubled lives. Until the day Callen kissed her--Jessica's first real, dreamy kiss—and then disappeared from her life without a word.

Years later, everyone knows who Callen Hayes is. Famous composer. Infamous bad boy. What no one knows is that Callen's music is now locked deep inside, trapped behind his own inner demons. It's only when he withdraws to France to drink his way through the darkness that Callen stumbles into the one person who makes the music return. Jessica. His Jessie. And she still tastes of fresh, sweet innocence . . . even as she sets his blood on fire.

But they don't belong in each other's worlds anymore. There are too many mistakes. Too many secrets. Too many lies. All they have is that instinctive longing, that need—and something that looks dangerously like love.

The blurb for ‘More of You’ was intriguing and given that there are some of Mia Sheridan’s work I do like, I have to say that this book tested my patience and crossed several personal boundaries for me: adultery and cheating, even though it’s probably Sheridan’s idea to show how far Callen had fallen before the journey of his redemption begins, with a girl whom he’d once shared some dreams with.

From the start, I had the inkling that ‘flights of fancy’ might have been the phrase to describe the sort of relationship Jessica and Callen had. In the prologue, Jessica and Callen had a connection forged in in fairytales and fantasies which felt fanciful for me, but then this is probably my cynical self speaking—I found it less grounded in reality and more wrapped in cotton-wool in fact. Granted, as children, seeking to escape the difficult situations at home, this was a scenario that I could accept.

But it was hard to continue thereafter—maintaining objectivity was harder if I was supposed to be invested in this story as a romance—when it became clear Callen wasn’t a character who had integrity, whose reprehensible, degenerate behaviour wasn’t what I could or wanted to root for in the beginning, much less care about his journey back to ’normalcy’ from the start. Having spent most of the book insisting that he was could not be the man Jessica deserved and pushing her away merely gave weight to what he really was after all: unworthy.

That Jessica, who remained an inexperienced virgin throughout the 10 years and kept trying to see him as her prince with rose-coloured glasses didn’t make her any less bewildering or weak a character for doing so. Her caving so easily to his charms while he became a manwhore was the last straw for me, especially when it sounded like this was going to be a contrived virgin-saves-the-rake-with-her-purity and goodness sort of tale.

I couldn’t scrub my mind off this book quickly enough. I never quite thought this day would come, but my stabby, explosive and fit-throwing reaction to ‘More of You’ is probably a good sign that Mia Sheridan and I need to part ways.

one-star

Avalanche by Cambria Hebert

Avalanche by Cambria HebertAvalanche by Cambria Hebert
Series: BearPaw Resort #1
Published by Cambria Hebert on March 9th 2018
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two-stars

Don’t get caught in the surge.

Through a bullet hole in a wall, I watch a man bleed to death. Those responsible think their crime died with the victim, until I identify them.What’s a girl to do when she’s being hunted by murderers witness protection can’t even stop?Run.My only refuge is a place I vowed to never go again.When it’s do or die, an eight-year-old heartache suddenly seems trivial. Besides, he won’t be there anyway.But he is.Turns out my old pain feels brand new the second his eyes meet mine.I can’t leave. I can’t stay. This snowy town that’s supposed to be my shelter suddenly exposes me more than before.With no one else to lean on, Liam becomes my lifeline. Now we’re both running for our lives, trying not to get swept away.

Apart from the (very petty) complaint that the brochure-like cover does not match what the story seemingly promises, I was actually intrigued by ‘Avalanche’ and its premise.

Past the excellent opening chapter however, I couldn’t get past the idea of the unbelievable instalove that Cambria Hebert rolled out in both Bell/Liam’s very short history or that they remembered it as true love 8 years later after an accidental meeting. Instead, their connection (both present and remembered) felt romanticised, naive, as Bellamy went from frantic woman on the run to woman who melted at everything Liam did, seemingly losing every sense of self-preservation (her half-hearted moments of wanting to run and barely-there backup plans) when he touched her.

That there was a declaration of never having stopped loving each other—yes, the flings and never being seen with the same girl twice certainly help bolster that particular conviction—made me cringe, particularly when it didn’t feel as if their week-long affair as teenagers was the epic type of romance I could be crowing about.

It was as though this book couldn’t really decide whether it was going to sit in the romantic suspense category or the new adult one, and ended up straddling both in a way that provided a lukewarm version of both. The suspense—the gravitas, the heart-pounding action and the high-octane action—was simply put aside in favour of the reunion between Bellamy and Liam and that part of the plot which I liked, built up nicely over the prologue and first chapter, lost its momentum and faded into NA shenanigans that had me both bewildered.

That there was too much time given to the tiresome to-and-fro about Bellamy’s insecurity about Liam and her inability to steer her own life and letting Liam dictate her next course of action was frustrating. It did pick up a little towards the end though even that stuttered to a halt with an unsatisfactory conclusion that didn’t tie very much else together apart from some revelations that helped me piece together Bellamy’s backstory.

I did expect much more from Hebert in this new series, but sadly, found ‘Avalanche’ an overall disappointment, and my waning excitement probably means I wouldn’t continue this.

two-stars