Tag: Why God Why?

Hot Asset by Lauren Layne

Hot Asset by Lauren LayneHot Asset by Lauren Layne
Published by Montlake Romance on May 22nd 2018
Pages: 270
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Ian Bradley is the definition of a Wall Street hotshot: seven-figure salary, designer suits, and a corner office. His drive off the floor is just as potent. Every woman who knows him has felt the rush. But now he’s met his match in Lara McKenzie—a woman with the power to bring Ian to his knees.

An ambitious, whip-smart daughter of FBI agents, Lara is a rising star in fighting white-collar crime. Her latest case—the investigation of Ian Bradley for insider trading—could make her career. She knows a scoundrel when she sees one. Ian fits the bill: a cocky, ridiculously handsome bad boy with a slick swagger.

She’ll do anything to prove he’s guilty. He’ll do anything to prove he’s not. But it’s only a matter of time before their fierce battle of wits gets oh so hot and personal. Now, taking down Ian has become more than business for Lara. It’s become a pleasure—and there’s more at risk than she ever dreamed.

Schmooze, you lose. ‘Hot Asset’ has all of the trademark Lauren Layne hallmarks in it: the sharp banter (though there’s an edge here as it starts out hostile), the reformed manwhore by the end of the story and a brewing conflict that one can see coming miles away. Layne’s character voices are distinct, along with a solid introduction to secondary characters who will get their own books, as Ian/Lara’s own tale moves along at a brisk but steady pace, making ‘Hot Asset’ an easy afternoon read.
Written in the alternating first person POV, ‘Hot Asset’ starts off ominously nonetheless—not in the horror story sort—but with a cocky and smarmy male voice who lauds his work achievements (as well as the women he always manages to snag and never for a second-time around because he casually attributes it to ‘faulty wiring’). Whatever Lauren Layne means to achieve with these few starting paragraphs, I wasn’t sure if Ian Bradley tanking to the depths in my esteem is it because he starts off as a protagonist I love to hate.
And ‘Hot Asset’ fails in this particular bit for me, because Ian is the furthest from what I can actually imagine as a romantic hero worthy of a HEA with a woman who frankly, deserves a lot better. Maybe Layne has characterised Brady all too well such that he fits the manwhore financial guru to a ’T’, to the extent where everything he says and does not only becomes predictable, but also eye-rollingly repulsive.
Lara’s steely-eyed determination and perception in contrast, unfazed as she is when faced with these men who think the world of their own invincibility, is no small pleasure I take as she and Ian clash. Still, it’s hard to recover from the respect Ian’s lost in my eyes as he talks about women as commodities or as a sum of her body parts. ‘Leftovers’ for instance, is a word I detest, because it shows the dismissive regards he has for his hookups. That he eyes every woman in terms of her looks (hot or not) and the potential of a hookup made him distasteful, or that he also uses Lara’s attraction to him as a weapon or rather, as an attack on her lack of personal life, undercuts every preconception of what a romantic hero should be when I first started ‘Hot Asset’.
I hated that Ian doesn’t stay the professional path in getting his name cleared, but uses his womanising/flirting skills to get her to prove his innocence and is hurt when it doesn’t really work. Re-thinking his meaningless work-hard, play-hard life because he’s terrified that jail will take it all away from him…surely there’s more depths to plumb in the shallows of Ian Bradley? I never quite got the idea that Lara stands out for Ian other than being someone who is off-limits to him, and that’s the only difference it makes among the sea of good-looking women he’s slept with.
I think the risk of writing such egomaniac womanisers—Layne’s constant emphasis on this truly doesn’t help the case—who finally fall for one woman, is that believability thereafter becomes the issue, where the uphill task thus falls on the author to get a reader to believe that a man like Ian can finally commit and hasn’t till now only because he hasn’t wanted to try enough. Trying to get a reader to see that there are other qualities to this man despite this glaring fault somehow didn’t work with me at all, not when I couldn’t overlook the lascivious ways he eyes women as challenges to overcome and yes, Lara as well, who has become part of his tried-and-true tricks.
I’m painfully aware this puts me in the minority, but Layne’s portrayal of sleazy Ian has been nothing but an immense disappointment. I usually expect more of male protagonists in romantic fiction, at least for integrity and respect they can show women and I struggled hard to find this in Ian, especially in the end when it was one of his (adulterous) flings that caused him to land in hot soup. The only consolation I took was in Lara’s own strength and determination (though she obviously caves to his charm) in seeing the case through, though that didn’t seem enough to redeem this couple that Layne tries hard to build.
The rant is probably enough to say that ‘Hot Asset’ isn’t a read that sat well with me, which is an understatement as it comes. It has sort of diminished my enthusiasm for the rest of the books in the series, to be honest, because I’d always thought Layne could do much, much better than this.

Delta: Ricochet by Cristin Harber

Delta: Ricochet by Cristin HarberDelta: Ricochet by Cristin Harber
Series: Delta #4
Published by Mill Creek Press on February 27th 2018
Pages: 419
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Colin questioned his recruitment to Delta team from day one, but he's made sure to earn his accomplishments twice over. No one could accuse his diplomat father of pulling strings.

Falling for Adelia is everything he never planned and always wanted. No complications. No agenda. Just a sweet girl who made him smile.

But Adelia has spun a network of lies around the world to help save women from human traffickers, and she's stolen from Mayhem motorcycle club, the men who saved her life, to do it. Anonymous friends back her unseen good deeds—until a link snaps. Actions have consequences in the Mayhem MC world. The repercussions are deadly.

Everywhere she turns, the fallout ripples. Friends become enemies. Family walks away. There's no one left to save her except for the man she's fallen in love with, and she'd do anything to keep him from Mayhem's ricochet.

‘Delta: Ricochet’ started out well enough, but this is my dislike for MCs-type stories speaking here, which Cristin Harber has integrated more and more into her Delta series with the longstanding topic of human trafficking taking priority in the last few of these books. I definitely prefer Harber’s Titan storylines that are more in the grain of the type of romantic suspense that I like to read, and clearly this preference is what’s partially accounting for my rating.

Undoubtedly, the setup of Colin’s and Adelia’s story is an intriguing one and it works well enough as a standalone since Harber does drop hints of what happened before. The first quarter brings Colin’s and Adelia’s paths together in way that is easy to follow (and is in my opinion, the best bit about the story which I sailed through), though their slow, slow burn does stretch past this mark. ‘Ricochet’ is however, a way longer read than what Harber typically churns out. Topping at 400+ish pages on my reader, however, my doubts crept in after I hit the 30% mark and my reading process faltered badly.

The funny thing about Harber’s characters is that they don’t necessarily behave the way and say the things you expect them to. ‘Ricochet’ isn’t too different, but the result here is one of meandering dialogues, character responses that don’t address questions head-on and a prolonging of the advancement of plot. The less-than-succinct delivery meant that a fair bit of editing—for structure, for the huge number of writing errors that really, really shouldn’t be there at this stage and for the roundabout dialogue—would have streamlined the ‘Ricochet’ into a read that had less stutters and abrupt lulls as action scenes built and simply dwindled away.

Still, the amount of riddles, courtesy of the work of secondary characters (which happily ran interference both for plot and structure) and Adelia’s deliberate and frustrating-as-hell in-but-not-in stance with Colin tanked the whole story for me. If Adelia started out as a protagonist whom I admired, this soon changed after the extraordinary lengths she went to obfuscate what she’d been doing all along in Mayhem when it became clear at a certain point that full disclosure (to the right parties) was needed.

I’m all for strong and independent heroines, don’t get me wrong. But having said this before, I think this merits it being said again: such a character isn’t afraid to ask for help, is brave enough to know when she is out of her depth and doesn’t play games when time is of the essence—all of which I thought Adelia fell alarmingly short of when the situation called for it. Calling for blind trust from Colin when she wouldn’t give hers stank of hypocrisy, not to mention the mind-boggling idiocy she showed when she stubbornly decided to go at things on her own without asking for the support she knew she so badly needed. Acting the martyr (yes, a goodbye note was included) was not only unnecessary at this point, but the stupidity of it threw me off so much that I stopped reading completely as ‘Ricochet’ neared its climax.

From a fantastic start to a muddling finish that soured quickly, ‘Ricochet’ capped off what has been a disappointing series for me, more so because Harber’s earlier books had made me a stalwart fan of hers. Thus far, the later Titan books and the Delta series haven’t run any bells for me to the point where I’m almost wary to pick up another book of hers…for fear of being disappointed once again.


Maybe This Time by Nicole McLaughlin

Maybe This Time by Nicole McLaughlinMaybe This Time by Nicole McLaughlin
Series: Whiskey and Weddings #2
Published by St. Martin's Press on February 27th 2018
Pages: 300
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Jen Mackenzie has been knocked down more than a few times, but she always gets up and makes sure she has the last word. It’s the reason she now considers herself equal parts self-sufficient and free-spirit. But since losing her job and trying to help her mother beat cancer, real life―and her occasional careless choices―have begun to catch up with her. Her one saving grace: The Stag, a boutique distillery that has become Kansas City’s go-to wedding venue. The only catch: One of the owners, TJ Laughlin, happens to be the one man who somehow manages to make Jen feel inadequate.

TJ has secretly had a thing for Jen since high school. Now, as her new boss, it’s a daily struggle between revealing his feelings and wringing her beautiful neck. Only one thing is for certain: he can’t stand idly by and watch the woman he cares for struggle. She may be convinced that accepting TJ’s help is a weakness. But all he sees in Jen is beauty and strength, inside and out. As things finally heat up between them, can TJ find a way to convince Jen that love is about give and take―and having it all, together?

While I definitely liked Nicole McLaughlin’s first book in this series, ‘Maybe This Time’ was a different kettle of fish unfortunately. Perhaps what made it worse was that I’d been wanting TJ to find his HEA particularly after pining after someone who absolutely didn’t deserve him at all.

There were so many aspects of the story that simply didn’t gel with me, though my primary issue lay with Jen, who rubbed me the absolute wrong way from the start. It began with the childish taunting she did of TJ—if this isn’t the childish equivalent of taunting the one you secretly have a thing for like—, the self-pity, the lashing out at people who didn’t deserve it all because she felt trodden down by life.

If I had any sympathy for the acrimonious struggles she faced with her mother and being stretched in all ways, that wore off quickly enough in her overcompensation for it by generally being a bitch to others, particularly TJ, who had (inexplicably) been panting after her for so long. That she tried to measure against herself against the women she thought TJ liked, then justified her own insecurities by putting TJ’s date down convinced me that this wasn’t a ‘heroine’ I could ever root for, much less even grow to like when she’d actually thrown her hookups in his face in the previous book and then being defiant about being late at work because of it.

For most part, I thought Jen pretty much acted like the whole world owed her something, and seemed petty over almost everything. And lordy, how I loathed her. I didn’t like how TJ had given up his own job for her, when she’d all but selfishly left him to pursue her own dreams. Mostly, I felt sorry for TJ, who seemed to be at the losing end of the deal, couldn’t understand what the hell he actually saw in her, and generally thought of their romance as a lacklustre one that I couldn’t see working out down the line.

And that pretty much clinched it for me. I couldn’t quite go on anymore after that, especially when I detested this so, so much. It’s a review that’s clearly against the grain, and admittedly, my strong reaction is one that shows my own issues with the type of characters I can and want to get on board with in romantic fiction. That said, I think I’m still cautiously optimistic about Jake’s story though—he and Alexis do seem to be headed down a path that isn’t pretty—though I’m still feeling burnt by this particular installment.


Playing House by Amy Andrews

Playing House by Amy AndrewsPlaying House by Amy Andrews
Series: Sydney Smoke Rugby #5
Published by Entangled: Brazen on February 12th 2018
Pages: 250
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Eleanor is content with her boring life—mostly. She’s even fine being the quirky sister in a bevy of beauties. So imagine her surprise when one of her brother’s Sydney Smoke mates hits on her at an engagement party. Her. The weird sister, who wears vintage dresses and prefers her books to parties.

Bodie is shocked the next morning to find the soft, sexy virgin who seduced him with corsets is his best friend’s little sister. If he could kick his own ass, he would. And two months later, she’s got an even bigger surprise for him. Now he needs to convince the corset-loving wallflower that he loves her uniqueness if they’ve got a chance at forever.

He always did love a challenge…

‘Playing House’ did kind of fall flat for me with the stereotypes that Amy Andrews played with here—the virgin and the supposed ‘accidental’ manwhore who used to be a committed boyfriend but was cheated on—but I’m writing this review with the understanding that this imprint is more to do with smexy times than anything else. Much of Bodie/Nell’s interactions were unsurprisingly, sex-based, so their time in between the sheets were prioritised over the harder and difficult issues that crop up in romance.

Andrews’s writing is superlative as always, so if you could adjust your expectations about this imprint, then Andrews definitely delivers, objectively speaking. Nell and Bodie did scorch the sheets via a deception Nell played because she just couldn’t wait any longer to lose her virginity.

Personally, I didn’t exactly buy into this pairing somehow—not when it seemed more about animal attraction and lust that apparently overrode every ounce of common sense and worse yet, when Nell simply delayed telling Bodie about the accidental pregnancy because they frustratingly did everything else and got on with sex except to deal with the actual issue at hand. In fact, I found myself skimming the sex scenes and that was when I knew I’d completely missed the point of the Brazen line.

I’m afraid that this book isn’t for me—too many bodily functions seemed to have gone into feeding frenzy along with a heroine whom I couldn’t sympathise with at all for her dodging and running away—at all, though I probably should have known better going into this particular imprint of Entangled’s.


Virgin Territory by Lia Riley

Virgin Territory by Lia RileyVirgin Territory by Lia Riley
Series: Hellions Angels #3
Published by Avon Impulse on March 6th 2018
Pages: 131
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Practice Makes Perfect

Patrick “Patch” Donnelly has what it takes to be the best goalie in the NHL…if only he could learn to control his temper. When Coach orders him to get his head in the game with private yoga classes, Patch isn’t having it. There’s no way this tough Boston guy would be caught dead downward dog-ing his way to inner peace. But if he refuses, he risks his starting position and the dream he sacrificed everything for, including joining the priesthood.

Yoga instructor Margot Kowalski is over men. After yet another toxic relationship, she’s eager to forget love and focus on growing her business. Doing the Hellions head coach a favor by helping out a troubled player can't hurt, and it might give her career a high-profile boost. But free-spirited Margot is soon charming the pants off Patch. Literally. Her sassy combination of sweet and sexy proves irresistible to the goalie. Before Patch can give into temptation though, he’ll have to confess his biggest secret:

He’s a virgin.

But Patch is hiding more than sexual inexperience, and his dark past soon threatens to destroy his shot at true love.

I like Lia Riley’s writing—which strangely reminds me of the cocksure voices of authors like Kimberly Kincaid, Avery Flynn and a few others—and the self-assured tone that’s found throughout makes the reading process a breeze. And that was enough to request for an ARC of this book, though the premise of the story when I first read it, admittedly made me very wary of it, particularly when this thing called ‘virginity’ comes into question.

So this is all me, my own writerly and readerly hang-ups, that are being reflected in this review.

The imbalance of sexual experience, for want of a better way of putting it, isn’t exactly trope I like to read about; the role reversal here didn’t make much of a difference—the sexually-experienced woman and the virgin man, with the former going as far as to instruct the latter. And that makes me cringe, because reading romance novels has never been a tit-for-tat issue for me; I don’t purposefully go for books that deliberately try to turn the tables on supposed stereotypical gender roles simply because there have been too many manwhores and inexperienced women. While readers may crow about and love the role reversal here, my own reason deviates somewhat: I delve into romance to actually root for a couple that I think I can genuinely get behind and for a few hours of escapism from reality which good writing has the capability of doing, rather than for the purpose of gender shaming or the robust defence of one over the other.

Unfortunately, ‘Virgin Territory’ felt like that for me from the start—too much of it like a woman’s slamming rant against sexist men in order to reinforce what women should be allowed to do/believe in the 21st century. Like in ‘Head Coach’, there was a tad bit much of what sounded like meta-speak for women’s rights: why slut-shaming is wrong, why women should be free to have the sex they want, yada yada and it did come across as somewhat preachy at times…all through the mouth of Margot, whose repetitive, defensive insistence of it felt annoying after a while, particularly when it stemmed from a position of insecurity and loneliness.

There’s also the problem that seems inherent in ‘virgin’ romances, whether the virgin character is male or female—that a huge, huge deal is made out of it, or that it is either a huge stumbling block that makes people pause or that virginity is something pesky to be gotten rid of. Admittedly, that Patch’s religion had a part in this story, that he wanted sex to mean something and for once, I could actually appreciate how the church had been an anchor in his life, rather than the usual interpretation of toxic religion that much of romantic fiction uses as a crutch against love and sex. I felt for Patch, the difficult history he’s had, and the self-awareness he had of himself, which already put him far above many heroes I’ve read about.

Needless to say, for reasons that are clearly my own, ‘Virgin Territory’ was an excruciating read. I found that I couldn’t go on past the halfway mark, not because I don’t like Riley’s style, but because the subject matter put me off too much.


Run to Me by Cynthia Eden

Run to Me by Cynthia EdenRun To Me by Cynthia Eden
Series: Lazarus Rising #4
Published by Hocus Pocus Publishing, Hocus Pocus Publishing inc. on January 23rd 2018
Pages: 223
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He’s used to getting what he wants…

Jennings “Jay” Maverick is a tech billionaire. He has the world at his feet, and he thinks he can buy anything…but he can’t buy her. One look at the mysterious Willow, and Jay knows that he is a goner. He wants to give her anything and everything she desires, but he’s the man responsible for the pain in Willow’s life, and getting close to her—well, that’s not going to be easy.

Her life is a nightmare that she can’t escape.

Willow woke up in one of the “Lazarus” research facilities. She now has increased strength, incredible speed, and some scary psychic bonuses. Because of the danger associated with her new gifts, she’s afraid to touch anyone. One touch from her, and a man’s darkest fears will seemingly turn into reality. But Jay isn’t afraid of her touch. Instead, he seems to…crave it. To crave her.

She can’t trust him, and he won’t let her go.

Willow knows that Jay has been involved with Lazarus in the past, but he swears he only wants to help her. She never expects the white-hot desire that burns between them, a desire that grows more with every moment that passes. Thrust together as allies, Willow finds herself wanting to put her faith in Jay, wanting to find someone she can rely on, but Jay may still be keeping secrets from her. Secrets that could get them both killed.

When darkness and danger close in…RUN TO ME.

There’s undoubtedly a darkly seductive, nightmarish insane edge to Cynthia Eden’s super soldiers engineered to always come back from the dead. And that keeps <i>me</i> coming back.

However, this far down the series, I’ve found things that I both like and dislike about the narrative arc and Eden’s peculiar characterisation of her protagonists here in particular—which I suspect I’ve mentioned in previous reviews of this series—bugs me quite a bit. So this puts me in the minority (what’s new?), having found ‘Run To Me’ a disappointment, all the more so because I was looking forward to Willow’s and Jay’s book.

Willow runs; Jay tries to chase and atone; the baddies aren’t too clear-cut and the race for ‘normalcy’, if there’s ever such a thing, continues—my gross oversimplification, of course. The non-stop action is a draw, as are the twists and turns in this story, though having gone through all the books in the series thus far, I find myself running into several issues that I can’t seem to ignore.

One thing that personally irks me in this book is that there are entanglements or conflicts built around ex-lovers who are still in the picture, and that these drive a wedge—no matter how big or small—between the pairing that Eden tries to bring together. Somehow the involvement of other women/other men diminishes the impact or the force of the pairing that I want to get behind…and now can’t exactly quite because of this particular white elephant that shines rather brightly in the room with them.

For this reason, I actually think it’s darkly ironic that all the other characters kept inadvertently saying things that further damned Jay in Willow’s eyes, when all he wanted was to protect her and atone for his misdeeds in the Lazarus project. Jay/Willow’s relationship is an uphill battle as a result, which after a while, becomes a repetitive push-pull of chasing and running away. Yet if I expected a hard, kickarse heroine, Willow seemed the opposite, never quite able to get past her own demons to rise above them.

Something else that niggles: there isn’t much that differentiates one alpha male from another, apart from the possession of a super power or whether they wear a suit or not. I find myself struggling here Eden’s heroes after a while, as they tend to meld into each other. Jay Maverick—who isn’t a super soldier—suddenly acts like one instead of the technological-baron billionaire he is and his stepping up as alpha—not that I don’t appreciate the possessive and protective vibes he gives out—just didn’t set him apart anymore from the behaviour of other protagonists like Sawyer or Flynn, minus the superpower.

I think I keep coming back to this series in the hope that the overall plot would get better and better, but they haven’t yet worked out too well yet. ‘Run To Me’ is the weakest of the series so far however, and I’m still wishing—or is it wishful thinking?—that the waters would be less muddied the next time around.


Scoring with the Wrong Twin by Naima Simone

Scoring with the Wrong Twin by Naima SimoneScoring With the Wrong Twin by Naima Simone
Series: WAGS #1
Published by Entangled Publishing, LLC (Brazen) on January 15th 2018
Pages: 236
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Shy, awkward Sophia Cruz has a hard time telling her vivacious identical twin “no.” But when her sister begs her to swap places for a modeling shoot, she caves … again. Then Zephirin Black walks onto the set. The brooding, aloof, and gorgeous tight end for the Washington Warriors. But she can keep it professional… She has to. Because the adorkable Cruz twin has no luck with guys once they compare her to her sister.

After a bad break-up, Zeph hasn’t been big on second chances—and even less with trust. But he finds himself giving please-call-me-by-my-middle-name-Sophia both. The woman he’d dismissed as a spoiled cover model is different from the first time he met her. Quirkier. Funnier. Definitely sexier. What started as one night turns into another…and another…and another…

Still, Sophia can’t go on keeping her secret from him. But telling Zeph the truth will mean losing him for good.

Giving a 1-star review to a Naima Simone book is shocking even for me, particularly because I do like Simone’s writing and her play of emotions that tends to jump out at every turn of the page.

Where do I even start?

I went into ‘Scoring with the Wrong Twin’ knowing that deception was going to play a part in this story, though I’d hoped it wouldn’t be the primary source of the conflict that carried the plot. Or that the story would have taken a different turn after their one-night stand, where Sophia admitted early on that she simply wasn’t who she was.

Unfortunately, this turned out exactly the way I wish it didn’t, as Sophia allowed her identity deception to continue for a multitude of reasons, all of which that had to do with her supposed inability to be comfortable in her own skin and her low esteem that badly needed bolstering by a celebrity football player who would apparently, otherwise, have never turn her way. If I’d initially felt sorry for her, as the girl who’d been left in the shadow of her more glamorous model sister, my sympathy turned into irritation when she deliberately led Zephirin on, without having the courage to face up to her lie. Having the self-awareness of her own guilt, then ignoring it just made matters worse for me.

Too many times have such ‘heroines’ given such excuses and as time goes on, I’ve found myself getting more and more intolerant of behaviour that was simply too irksome to ignore. In fact, Sophia irked me so much that I couldn’t continue reading, leaving me sputtering at not just her delaying telling him the truth, but also her justification of her behaviour after her apologies, even after finding out that what she’d done was to strike precisely at Zeph’s achilles heel.

I stopped reading there and then; how Zeph and Sophia finally patched things up simply didn’t interest me anymore, especially not with a ‘heroine’ I merely thought of as cowardly and defensive.