Tag: Not interesting enough

Hard Night by Jackie Ashenden

Hard Night by Jackie AshendenHard Night by Jackie Ashenden
Series: 11th Hour #3
Published by Kensington Publishing Corporation on 27th November 2018
Pages: 304
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two-stars


It's their pleasure to serve . . .

Made up of former soldiers, the men of the 11th Hour play by their own rules to protect the innocent, capture the guilty, and stay in fighting shape for whatever--and whoever--comes their way . . .

Jacob Night, ex-Black Ops, owner of a billion-dollar security company, and leader of the 11th Hour, spends his life completing dangerous missions for others. But there's one personal mission he has yet to complete: Finding his missing brother, who was betrayed by the woman he should have been able to trust. But when he finally tracks down his brother's ex, there's one surprise: she can't remember a thing.

Faith has no memory of who she is. She can't remember life before she came to work for Jacob Night, and she's not sure she wants to. But when she and Jacob are ambushed by men who have come to kill her for sins she can't recall committing, she has no choice but to face the past. Yet once she does, and Jacob's identity--and her own--come to light, they may not survive with their lives intact, let alone their hearts.

‘Hard Night’ starts off odd and somewhat implausible, with a writing style that takes a while to get used to.

So odd that it took me a while to grasp the even stranger relationship that Faith has with Jacob that Jackie Ashenden sets out to write: a woman suffering from memory loss whom he takes in because of several conflicting reasons that are given in the search for his brother.

Mostly, it’s the suspension of disbelief that I had a problem with, which lasted quite a bit of the book at least: that Faith hadn’t questioned very much about Jacob’s intentions and her own circumstances, or that Jacob really couldn’t quite decide if she was the enemy or a tool to use or the time lapse for things to start happening. There’s also the uncomfortable hint of double-dipping, until at least Faith regains her memory, with a sort of split personality coming in here as she finally finds herself at odds with Jacob and his search for his brother.

As far as romantic suspense goes, there’s action from the beginning that thrusts Jacob and Faith in a situation where they are forced to get close despite their living situation, though it quickly dives into erotica after that, with possessive domination and roughness that characterise how sex happens between them.

Most of all however, I think I was simply left flailing, unable to get a foothold in what Jacob/Faith are supposed to be, in the contradictory ways they react to each other, in the push-pull that says one thing at first then another. With a ‘connection’ so physically superficial that it rides more on ideas of ownership—and fighting each other into bed—than anything remotely resembling caring/love, I was likewise, trying (but not really succeeding) to get invested in this pairing, let alone the plot that stuttered because of the exhausting number of pages of rough-and-clothes-ripping-type-sex. Needless to say, this just isn’t a book that worked for me.

two-stars

Got It Bad by Christi Barth

Got It Bad by Christi BarthGot it Bad by Christi Barth
Series: Bad Boys Gone Good #3
Published by Avon Impulse on 18th September 2018
Pages: 384
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Kellan Maguire's on the run from the mob, living a secret life. The only bright spot is his U.S. Marshal handler. Yeah, he wants to handle her....a lot. And in spite of all the rules it would break, Federal Marshal Delaney Evans secretly fears she’d risk everything for one night with Kellan. Even though Delaney’s career, her entire world, could implode if she admits how important he is to her. And all that is before the biggest complication of all hits...

3 brothers, all in Witness Protection and their ways of coping with new lives foisted on them when they run into trouble with the mob: that’s what Christi Barth’s Bad Boys Gone Good series is built on. Not having read the entire series, ‘Got it Bad’ does take time getting used to, though it’s clear that Kellan Maguire has the hots for the US Marshal in charge of his and his brothers’ case, an attraction which starts just as he is forced into Witsec.

But the story went off the rails for me about a third through. I lost sight of the grander scheme of things in what felt like page-fillers about Kellan’s other activities in a clubhouse, the sudden number of secondary character insertions and pages of dialogue that seemed to go nowhere. Consequently, the slow-going story also felt as though it was pulled in several directions, apart from the secret affair Kellan and Delaney decided to have because they really couldn’t stand the constant pining/burning anymore (there’s a lot of repetitive talk about how their first kiss is making her panties wet), when I really wanted to read how the Maguire brothers finally got free of the mob’s hold on them.

As the youngest brother forced out of law school, Kellan’s first encounter with Delany Evans made me rethink whether the former could even be considered some kind of romantic hero—smarmy, cocky and oozing collegiate testosterone at the very start with a strong NA bent in his character which felt out of place here. Understandably, Kellan’s dissatisfaction and boredom with life prompted some kind of soul-searching but his level of maturity or lack thereof was somehow reinforced when he realised he could make a difference every day apart from law school—which sounded like a slogan for the education industry—or in the way he thought about women guaranteed to put out after a nice date or his constant thoughts of getting Delaney into bed. But these were also peppered with moments where he did feel ‘older’ in a way, more like an equal to Delaney when he had to be.

In short, the contradictory bits of Kellan threw me off and as one who doesn’t normally bother about the age gap between romantic protagonists, the one between Delaney and Kellan still felt marked anyhow, given the different stages they were at their lives, but especially in the way they both approached their careers (with the latter’s one not even started when he’d not even finished school). For the first half, this was what I’d gotten, which made it hard to buy into the pairing given this gap between them.

That said, ‘Got It Bad’ isn’t badly written at all; this is clearly a case of just me not being able to connect with the story and characters and a rating that reflects this admission.

Entropy by Jess Anastasi

Entropy by Jess AnastasiEntropy by Jess Anastasi
Series: Atrophy, #4
Published by Entangled Publishing, LLC on 23rd July 2018
Pages: 271
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Captain Qaelan Forster is used to trouble. He lives on the wrong side of the law and he’s on the most-wanted lists. He’s mixed up in his cousin's mess who has problems on a cosmic level—like shape-shifting aliens who want them dead. But Qaelan’s not prepared for the cheeky kind of trouble called Camille Blackstone, whose infamous father has any man interested in his daughter executed.

After Camille drags Qaelan into an impulsive act of rebellion, she finds herself trying to defend the sexy captain from her overprotective father's wrath, even if she has to handcuff herself to the captain to keep him alive. However, it soon becomes apparent there are much more dangerous things lurking in the dark corners of the universe than a vengeful pirate lord. And she's just landed in the middle of it.

Qaelan Foster’s latest outings with his cousin have been more misadventures than adventures and mostly of the dodgy variety. But then he gets entangled with the likes of Camille Blackstone, which brings a whole new meaning of trouble.

But first, context is king: ‘Entropy’ isn’t exactly a standalone and there’s quite a backstory as to how this book begins. Basic knowledge of Jess Anastasi’s world-building surrounding the Imojenna and its ragtag crew would provide a fuller appreciation of Qae/Camille’s relationship and why we keep getting teased with Rian’s own ‘will-they-won’t-they’ relationship with Ella). And that’s as much as I should say, without needing to go into any longwinded recounting (which a book review isn’t supposed to be anyway) of the whole story.

Sadly, I wasn’t too sold on Qae and Camille to begin with: their (sort-of?) one-night stand, without the buildup or chemistry didn’t do much for me so very early on in the story, though it was a clever twist on how things ended up—Anastasi leaves a little bit to anticipate—before the story really kicks in.

Unlike the trajectory that the Atrophy series has been taking, ‘Entropy’, with the story of Qae/Camille, is like a diversion, steered towards a different path of space adventures because it isn’t directly focused once more on Rian, his demons and his endless chasing after an enemy that he may never overpower. Whatever few scenes with Rian/Ella/others I lapped up; the rest with Qae/Camille, I read with a bit more lukewarmness and frustration. Because despite their flirty push-pull, foreplay-esque tussles which I probably would have liked more if there weren’t the weight of the narrative arc already written into the series, all I could keep thinking about was Rian and when he’d finally get his own story straightened out. It’s that heavy of a presence he has in ‘Atrophy’, which I find impossible to shrug off.

Even if Qae/Camille’s tale and their frolic with the space pirates didn’t exactly keep me engaged, I still like the organic whole of the ‘Atrophy’ series and that isn’t often that I can say this. Reading any book of Anastasi is like having a mish-mash of scenes from syfy-series that I’ve enjoyed over the years flash fondly through my mind. There’re parts of everything I love/hate, along with the understated dashes of humour which make me laugh not only because they always serve as shadows of what I miss in those—like new wine continually put in old wine skin.

But until Rian’s story comes, I suspect I’ll be in a well of frustration.

A Daughter’s Choice by Lee Christine

A Daughter’s Choice by Lee ChristineA Daughter's Choice by Lee Christine
Series: A Mindalby Outback Romance Series #4
Published by Escape Publishing on 31st July 2018
Pages: 190
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two-half-stars

Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

Lynsey Carter's relationship with her father is fraught, so when she hears that the cotton mill that is her birthright has closed down (and her father is lying low), she returns to Mindalby to support her mother and seek out answers. She hasn't been back since high school, since she left her heart behind with Julian Stone. But Julian didn't want it, or her; he wanted a life in Mindalby.

Torn between family loyalty and duty to the community, between the life she's built for herself and the passion for Julian she just can't seem to shake, Lynsey needs to decide if her home–coming is for a visit – or for real.

I’ve always like Lee Christine’s writing and ‘A Daughter’s Choice’ is no different. The context and the circumstances in which this story are unusual to say the least, though distilled, it’s one of a girl returning home to the Australian Outback to take care of affairs that have gone awry (thanks to a corrupt, deadbeat father), then meeting an old flame who’d broke her heart. With a narrative built around the failure of a mill on which the livelihood of a small community depends, Lynsey and Julian reunite out of necessity—returning home does that in a small town—and it takes only just a few days together to remind them how good they could be and have been.

But more on that later.

Pacing-wise, I thought the story did drag on a bit when it became slower going than I expected (Christine is an author I read for romantic suspense after all) and the slower pace did throw me off a bit. That translated to me put this down and taking it up numerous times, and when I took it up, there were parts I trudged through just trying to stay interested in the subject matter.

Apart from following the developments and the slight suspense written into this (which perked me up), I was baffled how Lynsey and Julian fell into bed when nothing between them was resolved, all within a few days after a separation of 9 years. Julian’s supposed friends-with-benefits situation with another woman seemed to become a non-issue when I’d actually hoped for that particular casual relationship to be dissolved even before Lynsey/Julian got together again. Admittedly, second-chance romances don’t necessarily sit all too well with me when the slightest thing give me cause to question the validity of the reunion. Essentially, I thought there were relationship issues which needed ironing out but felt glossed over in favour of the suspense despite both protagonists trying to be mature about themselves.

In all, the dive into the Australian Outback is always a cultural shift that I love to read about after all because such writers—and I’ve gone through quite a few of them—offer such different perspectives especially in the romance genre, I think I surprised myself most of all by not really feeling this story at all.

two-half-stars

You Send Me by Jeannie Moon

You Send Me by Jeannie MoonYou Send Me by Jeannie Moon
Series: Compass Cove, #2
Published by Tule Publishing on 29th May 2018
Pages: 224
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two-stars

Jordan Velsor didn’t want to need anyone. After dumping her cheating fiancé, caring for her sick dad, and nearly being crushed along with her car during a violent storm, she’s pretty much at her breaking point. If anyone needs some luck, it’s Jordan, but the last thing she wants is gorgeous Nick Rinaldi, her landlord’s grandson, hovering over her while she nurses a bad cold. The wounded Navy doctor seems too good to be true… which means he probably is.

Nick Rinaldi left the Navy broken and adrift, wondering if he would ever practice medicine again. When his grandparents’ tenant is almost killed by a falling tree during a storm, he discovers Jordan is not only in shock, but suffering from pneumonia. Not one to miss an opportunity to play white knight, Nick arrives at her cottage to take care of her during the storm… But the lovely teacher has a a fierce independent streak, and as he learns more about her, he wants to do more than merely help.

Can Jordan and Nick let go or their separate pasts and seize their future together?

‘You Send Me’ started out well enough with the kind of drama that sounded promising: a sick woman (who’s also warily heartbroken from a failed engagement), a doctor who goes above and beyond the call of duty and a snow storm that comes at the most convenient timing. Cue the tension and the hot and heavy sparks, right?

The problem was that I got bored when things began to crawl as I read on, made worse by the rather harebrained scheme of Nick—it felt so far-fetched and out of the realm of adult-behaviour, but then, it’s romancelandia here—that obviously snowballed into a situation that neither protagonist wanted nor expected. Add that to the number of nosy characters slipping in and out of the story (because it just seems to be a feature of small-town behaviour), it was just harder and harder to keep my interest up when Nick and Jordan went round and round the merry-go-round of ‘should we, shouldn’t we’ and going through the repetitive reasons of why they could or couldn’t.

While the level of angst was low with a clear number of small-ish obstacles to leap over, it wasn’t too hard to see Nick and Jordan get to where they were supposed to be, despite the overly-tortuous process which did fill like page-filler more than necessary. Admittedly though, I did end up skimming quite a bit before the halfway mark when Nick/Jordan went in circles instead of forward as my initial investment in them waned.

In all, ‘You Send Me’ feels like a simple, while-away-the-afternoon easy read without the startling dramatic, emotional highs and lows, but for something more than overall small-town sweetness and a faster-moving plot, it’s best to look elsewhere.

two-stars

Speakeasy by Sarina Bowen

Speakeasy by Sarina BowenSpeakeasy Series: True North #5
Published by Sarina Bowen on May 29th 2018
Pages: 235
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two-stars

Sometimes you fall for Mr. Right. And sometimes for Mr. Right Now…

May
Did you hear the one about the girl who walks into a bar and catches her live-in lover kissing someone else? No? You’re the only one in town who missed it.
Luckily Alec is there to wrap me up in strong arms and carry me out the door before things get too ugly. And that’s not all Alec is good at. Our unexpected chemistry makes him the perfect rebound guy.

Alec
I should know better than to hook up with my rival’s little sister, but the fiery look in May’s eyes really turns my crank. She needs cheering up, and I’m just the guy for the job.

It’s not like I’ll fall in love. Not even after a string of scorching hot trysts, and the realization that we’re good at the same things: wild nights and familial disappointment. I don’t do love, never have, never will. So this is the perfect arrangement, for both of us.

Nobody would approve, but nobody has to know…

A straight-out confession here: ‘Speakeasy’ isn’t my favourite in Sarina Bowen’s ‘True North’ series, unlike Jude’s and Sophie’s story that wore me to the ground.

I’m lukewarm about May and Alec—that is to say, I wasn’t invested very much in them for some reason—with the former’s issues getting me to shake my head while I winced at the latter’s lack of substance. May Shipley, however, was a more fleshed-out character than Alec Rossi and in turn, I felt that I could understand and appreciate her more than I could the easy-going party playboy who owned a bar and pretty much flailed at everything else. Alec’s lack of balls as he juggled May and his other hookup didn’t win him any points on my end however and I was still left by the end of things wondering why he’d picked May to signal the end of his commitment-free life.

But I’ll say this in defence of Sarina Bowen, who isn’t an author who shies away from the difficult topics while using the ‘softly softly’ approach. She handles all forms of sexuality/addiction with a confidence (and a lot of heart) that I admire and here, taking on the fluidity of this concept with May Shipley is yet another shining example of how she does it. Her characters are flesh-and-bone real and they far from have things together, yet ‘Speakeasy’ still manages to rank low on the angst scale, with the characters pretty much working themselves out without the high emotional spikes.

No book in this series has however, come close to how much I loved Bowen’s ‘Steadfast’, and I guess I’m still waiting for one to outdo that.

two-stars

After We Break by Katy Regnery

After We Break by Katy RegneryAfter We Break by Katy Regnery
Published by Katy Regnery on January 8th 2014
Pages: 304
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one-star

She was the girl.
The only girl.
The only girl I ever wanted.
The only girl I ever loved.
The only girl I could ever love.
And I killed it.
I destroyed it.
I threw her love away.
For nine years, I've kept the memory of her locked in the deepest corner of my heart...all the while hating myself for what I did to her.
To us.
Now, without warning, she's walked back into my life.
I'm covered in tats.
She's covered in Polo.
I write heavy metal songs.
She writes chick-lit.
My eyes are angry.
Her eyes are sad.
I still long for her with every fiber of my being.
But I have no idea if she feels the same.
I guess it's time to find out.

What kind of masochist would take part in this? Apparently the answer seems to point back to me.

Having been scorched and thoroughly burnt by a book I read recently, I fell back into what appears to be the exact plot and trope rehashed here, which left me beyond incredulous and unimpressed with the compendium of clichés and the laughably predictable behaviour of protagonists who simply acted the way I thought they would.

I’m tempted to sentence the second-chance romance to the death penalty.

Katy Regnery’s ‘After We Break’ is essentially an exercise in grovelling, where a decade ago, a scared-of-true-love male hero runs away from a woman declaring her love. Fast forward this nearly 10 years, the woman moves on with 1 man for a long time and the hero devolves into a tatted, metal-loving songwriting manwhore who has never forgotten his mistake and the first love that he can’t acknowledge.

I don’t think there’s much more to say as I skimmed through cliché after cliché where both characters have apparently never stopped loving each other, where a spineless heroine, despite her reservations, falls back into bed with the hero because he’s hot and can’t resist his newly-formed rough-edged sex appeal. The latter spends most of the time trying to convince her of his love as well as the idea of fate bringing them back together, when all along, never quite satisfactorily addresses the idea he would have been happy going on not searching for her or fighting for what he supposedly always wanted.

Believability, apart from being the core issue, ranks low on my scale here, more so when all I got was immense frustration with a malleable, weak-ish ‘heroine’ (who couldn’t move on from him properly) and an even weaker ‘hero’ (who downplays his numerous flings and then has the nerve to accuse the former of having slept with her boyfriend for years) whom I thought were better apart.

one-star