Tag: irksome-prick-bastard

Fireworks by Sarina Bowen

Fireworks by Sarina BowenFireworks by Sarina Bowen
Series: True North #6
Published by Tuxbury Publishing LLC on 13th November 2018
Pages: 293
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two-stars

Skye Copeland is on paid leave from her broadcasting job after accidentally drawing a pecker on the traffic map.

Let that sink in. Like it’s her fault the traffic pattern that day created a perfect schlong?

Skye isn’t laughing. She needs this job. And that’s the only reason she’s agreed to chase down a story in her least favorite place—that hell on earth known as Vermont.

A quick trip. In and out. Much like - never mind. Skye can sneak into the town that once tried to break her, get the story and get back into the good graces of her producer. Easy peasy.

Except things go sideways even as she sets foot over the county line. Her step-sister is on the run from a violent drug dealer. And the cop on the case is none other than Benito Rossi, the man who broke her teenage heart.

His dark brown eyes still tear her apart. And even as she steels herself to finally tell him off after twelve years, the old fireworks are still there.

Things are about to go boom.

‘Fireworks’ is Sarina Bowen’s ever-growing ‘Truth North’ series as we’re taken back on the ride to Vermont where Skylar and Benito meet again after 12 years. Their history is slowly revealed in flashbacks over the course of the story, enveloped lovingly by the rustic Vermont small-town community and memories that don’t just seem to fade.

If this starts out rather light-hearted, Bowen inserts a little more suspense here along with the quirk and in this way, this particular instalment is a little different from the rest of the books, as a large part of the plot is being driven by an impending drug bust and a sexual predator who’d already left some stains in the characters’ lives.

‘Fireworks’ had some bits that bothered me, in fact—but this was what I’d expected of the ‘True North’ series which has so far, brought my own reactions to extremes. But I like Bowen’s style of writing (though not her characters always), so perhaps this still makes me a glutton for punishment.

I found Skye a sympathetic character mostly; Bowen’s portrayal of a hapless teenager facing down a sexual predator is terrifying and I can certainly understand how these experiences shaped her future though there seemed to be contradictory parts of Skye (practical, wry, yet a complete pushover where her rather dumb stepsister and Benito were concerned) that I couldn’t reconcile with the picture that I’d formed early on of her.

But the late insertion of the classic ‘other woman/hookup’ plot device coming into play later honestly bothered me as much as it did Skye—that it’d taken a lot for her to be naked and vulnerable for Benito, only for him to call that very act casual with another woman—because it simply felt disrespectful and somehow cheapening of their growing romance.

A 12-year separation is a long time and having Benito claim Skye is the only girl he’d ever loved while not actively doing a thing to find her again (as well as hooking up with others in the meantime, with the most recent one being Skye’s rival) felt hypocritical to me. That Benito had been hooking up with a ‘mean-girl’ then flightily going straight onto professing his love for Skye whom he’s always wanted just made this part of the story way too hard to swallow. It’d made him seem like a player and one who simply messed around other women’s feelings even if it was because of his obliviousness.

This device is one that I’ve come to actively detest in recent years; more often than not, it’s used too commonly to create conflict and have one protagonist doubt the other’s devotion or fidelity, only for some grovelling to ensue before the usual trite platitudes (‘it was only sex’, ‘it was only casual’, ’she/he means nothing to me’, ‘it’s only you for me’ or some other phrases with the same flavour) that’ll be thrown out and easily accepted. Yet as a reader, coming back from this type of comparison no matter what the character in question says, is damn near impossible. Like Skye, it’s something that can’t be un-read, or un-heard and thereafter serves as a niggling reminder of the past which pretty much killed the rest of the book for me.

‘Fireworks’ as a result, left me conflicted. I probably would have liked it way, way better minus the Jill Sullivan/mean-girl hookup nonsense which made me stumble irrecoverably, which in turn would have had me more wholeheartedly rooting for this particular second-chance romance—a trope that I already find myself sceptical about.

two-stars

Consumed by J.R. Ward

Consumed by J.R. WardConsumed by J.R. Ward
Series: ,
Published by Piatkus on 2nd October 2018
Pages: 416
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one-star

Anne Ashburn is a woman consumed...

By her bitter family legacy, by her scorched career as a firefighter, by her obsession with department bad-boy Danny McGuire, and by a new case that pits her against a fiery killer.

Strong-willed Anne was fearless and loved the thrill of fighting fires, pushing herself to be the best. But when one risky decision at a warehouse fire changes her life forever, Anne must reinvent not only her job, but her whole self.

Shattered and demoralized, Anne finds her new career as an arson investigator a pale substitute for the adrenaline-fueled life she left behind. She doesn't believe she will ever feel that same all-consuming passion for her job again--until she encounters a string of suspicious fires setting her beloved city ablaze.

Danny McGuire is a premiere fireman, best in the county, but in the midst of a personal meltdown. Danny is taking risks like never before and seems to have a death wish until he teams up with Anne to find the fire starter. But Danny may be more than a distraction, and as Anne narrows in on her target, the arsonist begins to target her.

‘Consumed’ is my first ever-read by J.R. Ward but I can’t say it made much of an impression. I picked this up because I generally like firefighting stories, but this being a long-awaited non-vampire book that had some romantic suspense in it…it would seem like a book right up my alley.

But…where do I even begin?

Ward’s writing style took a lot to get used to for some reason and I did struggle through the book for most of it, then ended up skimming it because of the numerous switches in the POVs that kept coming up.

The drama surrounding Anne and Danny—first shown in the first 2 novellas where they had a one-night stand despite Danny’s manwhore reputation—seemed endless at times with the same litany of issues repeating themselves. Generally, one’s plagued with guilt, the other’s just down and out because she’s lost her career. There’s also the constant reminder of how Danny Maguire’s pining after Anne, though it seems as if he’s had no problem taking it up with other ladies in the meantime, one of them being his best friend’s now-fiancée.

‘Consumed’ had little going for me, sadly. I’m quite convinced that the book could be halved and still be equally (or even more) effective, where pages of filler dialogues and long descriptions of place, people and emotions didn’t go on and on and on. There were too many scenes that had Danny and Anne trying to get by on their own, instead of together and it never quite felt they were in each other’s orbit enough to help their non-relationship, as there were just too many insertions of secondary characters that broke the momentum of the plot.

Danny’s and Anne’s toxicity around each other made it hard to read especially after they both hit rock-bottom (the former going back to his old ways) and the drama that surrounded them became more like a soap-opera that went on simply because the series couldn’t end. Both were generally unlikeable, too caught up in a cycle of negativity to see anything past their own arses, and I was actually relieved when I decided I couldn’t go on with it.

one-star

Worth the Risk by K. Bromberg

Worth the Risk by K. BrombergWorth the Risk by K. Bromberg
Published by JKB Publishing, LLC on 15th May 2018
Pages: 362
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two-stars

This whole contest was supposed to be easy. I know, I know. Famous last words.

It’s a long story, but I messed up at work. Big time. To earn back the trust of my boss, I promised to save one of our magazines. Yep. That Hot Dad contest you’ve seen advertised all over the place was my idea. And if I’m successful, if I’m able to increase our online readership, then I get a shot at my dream job.

But the one thing I never expected to happen, happened: Contestant number ten, Grayson Malone. Hello, Mr. Difficult. And did I mention sexy as hell?

Unfortunately he knows me. The old me, anyway. And while we might be older now, I remind him of before. Of the woman who broke his heart, who hardened him, and who left him alone to raise the cutest little boy I’ve ever seen.

But I don’t want a relationship. And I definitely don’t fall for single dads with baggage. Even ones with chiseled abs and killer smiles.

But he got to me. They got to me. Him and his son and their messy, crazy life. But I got to him too. I see the stolen glances. I feel the walls he built start to crumble. I recognize that there’s an unexpected beauty to the chaos in his life.

And now that the contest is about to end, we’re left to decide whether the last six months were just fun or if what we have is worth risking it all?

‘Worth the Risk’ begins with the eating of humble pie for a socialite-magazine princess who’s never quite had to work for anything in her life. Sidney Thornton has gotten by because of her famous name—in a somewhat fickle manner—until her magnate father puts his foot down and insists she dislodges the silver spoon in her mouth and work for her salary and the position in the company she’s always wanted.

Grayson Malone is her very reluctant target for the magazine she’s been relegated to working for—a magazine that runs outside her kind of social life—and already, she’s his target for everything wrong in his life. Apparently.

Their history however, with him as the scorned, middle-class kid and her upper-class snooty ways, isn’t one Grayson has forgotten and in many ways, he makes her pay for it. With a chip so large on his shoulder about the woman who left him and his own social-class hang-ups, he can be a bit of an arse as he holds Sidney to the unpleasant memories he has of her as gospel truth.

Basically, he hates her, but wants her.

On the contrary, Sidney’s painted constantly into a corner while crying not fair at everyone (though not without her fair attempt at manipulation, several instances of shallow behaviour and wimpily keeping things from him) and acting like a whipped puppy coming back for more.

Bromberg lays Grayson’s and Sidney’s issues bare from the very start and her writing is compelling enough that it makes you stay the course. Somewhat.

But just as there’s a little progress between them, we’re back at square one, with this push-pull getting rinsed and repeated so much that I thought it stretched the book longer than it should have been. The long and short is, I read this through somehow, but couldn’t find it in myself to sympathise with either Grayson or Sidney at all, too lost as they were in their own heads with their own personal hang-ups and the kind of lifestyles they were determined to lead. Neither quite really fought for each other it seems, so this simply ended up as a story with a pairing I couldn’t get behind at all.

two-stars

It Seemed Like a Good Idea at the time by Kylie Scott

It Seemed Like a Good Idea at the time by Kylie ScottIt Seemed Like a Good Idea at the Time by Kylie Scott
Published by Createspace Independent Publishing Platform on 7th August 2018
Pages: 185
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two-half-stars

Returning home for her father’s wedding was never going to be easy for Adele. If being sent away at eighteen hadn’t been bad enough, the mess she left behind when she made a pass at her dad’s business partner sure was.

Fifteen years older than her, Pete had been her crush for as long as she could remember. But she’d misread the situation—confusing friendliness for undying love. Awkward. Add her father to the misunderstanding, and Pete had been left with a broken nose and a business on the edge of ruin. The man had to be just as glad as everyone else when she left town.

Seven years on, things are different. Adele is no longer a kid, but a fully grown adult more than capable of getting through the wedding and being polite. But all it takes is seeing him again to bring back all those old feelings.

Sometimes first loves are the truest.

‘It Seemed Like a Good Idea at the Time’ is quite a mouthful, but it’s hard to put down with the wrenching pain of unrequited love being the driving factor here, given the somewhat forbidden trope of much older man and younger woman, who reunite after the latter pretty much blew up their friendship by making a pass at him 7 years ago. The stupid things teenage girls do when faced with their crushes are what I remember (cringingly fondly?) as well, nonetheless and this was the basis that kept the pages turning. That and that an age-gap like 15 years doesn’t bother me—so I was on it like white on rice.

But Adele’s and Pete’s history is inked in such a way that makes me question the age-gap issue: would a teenager really find a best friend in a 30-year-old man? (As a teen with a limited perspective, I simply remembered that anyone past 25-ish or so, to be naively considered middle-aged and didn’t have much to talk about with them apart from school and, well, nothing much else) How did Pete transition from seeing Adele as the ‘kid’ to a romantic partner and how on earth did Pete and Adele suddenly regress to being teenagers in their interactions when the former couldn’t seem to deal with something that happened years ago?

Adele comes across, as a result, as the more mature, thinking adult, and for some reason, so forgiving of Pete’s indiscretions and indecisiveness. Or at least, with the whole novella written in Adele’s POV, it is so much easier to see her own insecurities and flaws exposed while I felt too kept in the dark about what Pete is thinking. It’s also quite inconceivable that, as Adele mentioned herself, a man at 40 hadn’t seen the light enough to deal with his own abandonment and emotional issues to remain a closed-off player that he goes about it by blowing hot and cold numerous times…all of which suddenly gets shrugged off at the end.

I would have been probably more mollified however, without the ending twist that seemed to forced a happy ending for all involved—2 people hashing it out and dealing with what’s between them would have worked better, instead of the dependence on external circumstances to speed things along quite unbelievably. Honestly, it’s hard to rate this story like this, where I got through it effortlessly – Kylie Scott’s writing is pretty good that I could empathise mostly with Adele – yet detested the slide into the New Adult feel of it when I’d clearly expected the protagonists to behave their own ages.

two-half-stars

Up in Flames by Jennifer Blackwood

Up in Flames by Jennifer BlackwoodUp in Flames by Jennifer Blackwood
Series: Flirting with Fire, #2
Published by Montlake Romance on 9th October 2018
Pages: 300
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one-half-stars

Sloane Garcia has butted heads with Reece Jenkins ever since he was a colossal jerk of epic proportions on a night she’d rather forget. So what if he’s overconfident, ultramasculine, and hard muscled? When she finds out he’s on the auction block at the annual firefighter’s charity event, she decides to give this cocky firefighter a dose of his own medicine. Now that she’s won the hunk, he’s on call—to do whatever Sloane wants.

Sure, Reece and Sloane had a rocky start, but he had his reasons. None of that matters now that he’s the bachelor at her beck and call, tasked with granting her four wishes in four weeks. He runs into burning buildings for a living, but nothing will be as tough as dousing the flames Sloane ignites in him. What started out as just a game might end up with Reece losing the one thing he swore he’d never give up: his heart.

Somehow I feel as though I need this caveat, as always, before I begin this review. My expectations, when it comes to romantic fiction are tuned differently when when I read general fiction; better put, the very classification of the genre shapes what I naturally want to read of my protagonists, so their traits are looked at not just in terms of their social contributions (good soldier/cop/firefighter), or their generosities to their families, or how often they mow the lawn for their blind neighbours, for instance, which many authors love to highlight.

In contrast, I typically look at romantic heroism through the lens of other qualities, such as integrity, commitment, the care and concern because this genre is precisely one in which such things seem necessary for the guaranteed HEA that is its peculiar characteristic. I’ve been confronted with too many protagonists who fall out of this framework of late, and instead conform to stereotypes that have me rolling my eyes, which accounts for my inability to like a book more because of it.

Jennifer Blackwood’s ‘Up in Flames’ was unfortunately, yet another one of those for me. It’s certainly a story that will appeal to others: the rather light-hearted feel, the slight bit of angst to stir up some emotions about a backstory accounting for present-day terrible behaviour and the eventual but rocky road to redemption and a HEA.

What stood out for me was the very relatable Sloane, but then I’ve always liked seeing this sort of scrappy strength in a romantic heroine: somewhat bitter about a breakup but still digging in, hanging on in control, refusing to be vulnerable, with her brain turning to mush at the sight of Reece’s body being the only cringeworthy characteristic I found.

In contrast, Reece felt like too much of the clichéd, ego-filled, manwhore arsehole player for me—doing the rounds with eight of the nurses in Sloane’s workplace first made him beyond distasteful (armed with the usual excuse of having been hurt so long ago and thus is into emotionless hooking up from now onwards) in contrast to Sloane’s impressive sticking it through with her one and only long-term relationship despite it ending badly. Adding the fact that he’d always had a thing for her on and off throughout most of their lives, was waffling about the idea of ‘them’ up until quite literally the last few lines in the second-last chapter…well, I couldn’t quite find too much of a basis to even root for this pairing when there didn’t seem to be that much of an active push for both to be together.

The enemies-to-lovers trope is a deliciously cool one (which had me jumping on this) but with constant thoughts intruding about Sloane deserving way better than settling for what I honestly thought was a chemistry-less relationship, this is clearly not a book that worked for me.

one-half-stars

Major Crimes by Janie Crouch

Major Crimes by Janie CrouchMajor Crimes by Janie Crouch
Series: Omega Sector: Under Siege #4
Published by Harlequin Intrigue on 19th June 2018
Pages: 288
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three-stars

Working together would bring down a killer

But her secrets could tear them apart…

Hayley Green never wanted to see Omega special agent Cain Bennett again. Ever. He seduced her, then sent her to prison for hacking, and Hayley’s only just started piecing her life back together. Except now Cain needs Hayley’s help to catch a murderer. Their past is colliding with their still-smoldering attraction…and the only thing more dangerous than the killer is the secrets Hayley’s been keeping.

It isn’t often that I do up a review for a category book, not because they don’t work for me, but because the formulaic writing that seems to be dictated by length also tends to bring what could have been a stellar story down to a mediocre read. Too often this happens, even with authors that I like writing under such particular imprints.

The blurb of Janie Crouch’s ‘Major Crimes’ is exactly what I wanted to read—there was I knew, a huge amount of emotional distance to cover and loads of trust to regain on one side—because I had a gut feeling that I could sympathise strongly with a female protagonist who’d already gone through so much. And that happened in fact, to the point where I wondered if Hayley should have been stronger to fight off her attraction to the man who’d thrown her in jail and did nothing but hang on to his righteous attitude for the whole time.

Sailing through this however, left me a little less than satisfied. This is where the brevity of a typical Harlequin read works against the story: for Hayley’s traumatic past and her (rightful) hurt and anger at Cain, I’d expected more grovelling, more insight, more regret; instead, these were relegated to single-sentence telling rather than showing, leaving out the bits that could have made the emotions rawer and the forgiveness less easy to come by. (Vindictive self speaking here)

Coupled with the suspense and the action which overtook the emotional weight of their past that I badly wanted to read about, ‘Major Crimes’ wrapped up too easily and quickly for me, particularly when it came to kissing and making up. The wrongs were righted, the bad guy was shot and the HEA were all delivered of course, but I couldn’t nevertheless, imagine Hayley/Cain moving forward without the huge load of past hurts and resentment popping up from often in their future…and that sort of dragged the happy ending from under my feet.

three-stars

Break Your Heart by Tracey Alvarez

Break Your Heart by Tracey AlvarezBreak Your Heart by Tracey Alvarez
Series: Bounty Bay, #5
Published by Icon Publishing on 15th June 2018
Pages: 227
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two-stars

Fake girlfriend. Real sizzle. What could possibly go wrong?

Sam Ngata has the talent of creating something out of almost nothing in his successful wood carving business, Kauri Whare. That talent doesn’t extend to producing a serious girlfriend out of nowhere when he implies to a huge overseas investor that he’s a one-woman kind of man. Big on domestic bliss and honesty, the investor is due to arrive in less than ten days time with a deal that’d provide Sam’s family-operated business with invaluable future security. Now Sam just has to find a woman willing to fake it until they make it — the deal, that is — with no strings attached.

Single mum Vee Sullivan needs a man in her life like a flightless kiwi bird needs wings to soar. She has a precocious little girl to provide for and she’s in the middle of expanding her clothing business — with an eye on Kauri Whare’s newest retail space. Unfortunately, it’d take a small miracle for her to afford the lease. So when childhood crush, Sam, offers her a one week only role of pretending to be his ‘serious’ girlfriend in exchange for three months waived lease, Vee is sorely tempted. But saying yes to fake girlfriend means she might not be able to say no to real passion. Someone’s going to get their heart broken…

Surfer-dude-player-slash-artisan badly needs to convince an overseas investor to get his business made. Cue the fake girlfriend (who so happens as well to be a childhood acquaintance that didn’t exactly run in his circles) to help project a wholesome reputation that’s so far from what he’s been. Add the dog and the child as well, since the fake girlfriend just so happens to be a single mum who is so far from his regular hookups. And of course, it all goes sideways towards the end, forcing this farce out into the light.
I was a little hesitant when I saw the direction in which Tracey Alvarez was going to take Sam Ngata’s story, but Alvarez’s writing is one that I always come back to, so it was with some apprehension that I dove into this book.
But after the high of Isaac’s book which I loved to bits, ‘Break Your Heart’ sadly, brought me to a new low. While I loved all the descriptions of the Kiwi landscape, I didn’t quite enjoy this as much as Sam’s brother’s (Isaac) story, since it felt a little more clichéd-driven (though there’s plenty of heat and lust which somehow get mistaken for falling in love) and more of a playing-to-stereotypes kind of read with the player, non-committal bachelor suddenly looking for a fake girlfriend for his business to perk up.
I thought Sam was too cocky, too full of himself—a veneer that he didn’t quite seem to shrug off anyway—while Vee simply sought to protect her daughter and her own heart. The admission that he’d hooked up with every girl but her because he wanted her so much over the years was simply an explanation I couldn’t and wouldn’t buy into in any case; most of all, it simply painted Sam in an awful and hypocritical light, period. How could he have always wanted her when they’d moved in different circles anyway? And then, saying that he’s always been hers, always wanted her when he’s gone around with other women in sight for decades?
What made this a particularly hard review to write was this pervading sense of disappointment (and some disgust) that I was left with after finishing an Alvarez book, more so because I typically do like what she writes: the style and her obvious love for her country make Alvarez that kind of stand-out author. But ‘Break Your Heart’ trod repeatedly on my triggers and left me foaming at the mouth despite the jaunty writing that Alvarez is known for and it became a book that I couldn’t wait to forget. Admittedly, this is all me, though, and my review is most likely one that will be the anomaly.
two-stars