Tag: Eyeballs rolled into my head

The Chase by Elle Kennedy

The Chase by Elle KennedyThe Chase by Elle Kennedy
Series: Briar U, #1
Published by Elle Kennedy Inc. on 6th August 2018
Pages: 377
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three-stars

Everyone says opposites attract. And they must be right, because there’s no logical reason why I’m so drawn to Colin Fitzgerald. I don’t usually go for tattoo-covered, video-gaming, hockey-playing nerd-jocks who think I’m flighty and superficial. His narrow view of me is the first strike against him. It doesn’t help that he’s buddy-buddy with my brother.

And that his best friend has a crush on me.

And that I just moved in with them.

Oh, did I not mention we’re roommates?

I suppose it doesn’t matter. Fitzy has made it clear he’s not interested in me, even though the sparks between us are liable to burn our house down. I’m not the kind of girl who chases after a man, though, and I’m not about to start. I’ve got my hands full dealing with a new school, a sleazy professor, and an uncertain future. So if my sexy brooding roomie wises up and realizes what he’s missing?

He knows where to find me.

Elle Kennedy’s is always a curious choice of an author for me. Very often, her books can go either very well or sideways—yet this is pitted against the readablity of her writing—so it’s this unpredictability that always makes me nervous to start any book of hers.

The blurb of ’The Chase’ sold me really, since it began on the assumption that most surface-level things tended to hide something deeper. But the type of college-life Kennedy portrays—the world of college athletes, sororities, the drug/party-scene and the casual hook-up culture—is one that I’m quite tired of (given the large number of books perpetuating this same worldview, where everyone seems obsessed with only cock-and-boob size and not much else), so picking up this book was done with more than a tad bit of apprehension.

I can’t really remember Summer’s and Fitzy’s flirtation at all but the setup is quite an intriguing one, with opposites-attracting being the main trope…with the moral of the story typically ending with looking past the very shiny veneer.

And I tried very hard to find the deeper bit, though honestly, I can’t say I was entirely successful in plumbing the depths of the protagonists or the superficial world that seemed to be perpetuated here. Even with her learning disability, Summer still did come off as an exhausting, spoilt, over-the-top airhead, full of the drama she tended to create around herself, and trying with words to convince others she has substance rang a little hollow with actions that felt contradictory.

While I liked reading a lot more about were both Summer’s and Fitzy’s interests and plans past their college years rather than the constant focus on hooking-up—even though that seems to be the main theme of N/A books these days? Yet there wasn’t too much of it at all; in fact, the bits about sexual harassment, disabilities and all the other shady little things that tend to get shoved under the carpet were the things that I found too little of as though these were just side issues mentioned, and rushed through because Kennedy focused on who was trying to jump into bed with whom.

Not tackling the hard topics left me disappointed as a result, and the creation of a sort-of love-triangle stuttered what could have been a more convincing effort to build on Summer’s and Fitzy’s connection instead of the mixed messages that kept pinging across (while bulldozing over other people). That the actual romance began much, much later in the book just made the first half feel like filler, or rather, time spent to set-up the rest of the characters and potential pairings in the rest of the series.

So I’m mixed really. Reading ‘The Chase’ wasn’t a hardship at all. The pages flew, the drama (never-ending at times) went on. But I finished it all still wishing, nonetheless, that I had something more solid to take away.

three-stars

Worth the Risk by K. Bromberg

Worth the Risk by K. BrombergWorth the Risk by K. Bromberg
Published by JKB Publishing, LLC on 15th May 2018
Pages: 362
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two-stars

This whole contest was supposed to be easy. I know, I know. Famous last words.

It’s a long story, but I messed up at work. Big time. To earn back the trust of my boss, I promised to save one of our magazines. Yep. That Hot Dad contest you’ve seen advertised all over the place was my idea. And if I’m successful, if I’m able to increase our online readership, then I get a shot at my dream job.

But the one thing I never expected to happen, happened: Contestant number ten, Grayson Malone. Hello, Mr. Difficult. And did I mention sexy as hell?

Unfortunately he knows me. The old me, anyway. And while we might be older now, I remind him of before. Of the woman who broke his heart, who hardened him, and who left him alone to raise the cutest little boy I’ve ever seen.

But I don’t want a relationship. And I definitely don’t fall for single dads with baggage. Even ones with chiseled abs and killer smiles.

But he got to me. They got to me. Him and his son and their messy, crazy life. But I got to him too. I see the stolen glances. I feel the walls he built start to crumble. I recognize that there’s an unexpected beauty to the chaos in his life.

And now that the contest is about to end, we’re left to decide whether the last six months were just fun or if what we have is worth risking it all?

‘Worth the Risk’ begins with the eating of humble pie for a socialite-magazine princess who’s never quite had to work for anything in her life. Sidney Thornton has gotten by because of her famous name—in a somewhat fickle manner—until her magnate father puts his foot down and insists she dislodges the silver spoon in her mouth and work for her salary and the position in the company she’s always wanted.

Grayson Malone is her very reluctant target for the magazine she’s been relegated to working for—a magazine that runs outside her kind of social life—and already, she’s his target for everything wrong in his life. Apparently.

Their history however, with him as the scorned, middle-class kid and her upper-class snooty ways, isn’t one Grayson has forgotten and in many ways, he makes her pay for it. With a chip so large on his shoulder about the woman who left him and his own social-class hang-ups, he can be a bit of an arse as he holds Sidney to the unpleasant memories he has of her as gospel truth.

Basically, he hates her, but wants her.

On the contrary, Sidney’s painted constantly into a corner while crying not fair at everyone (though not without her fair attempt at manipulation, several instances of shallow behaviour and wimpily keeping things from him) and acting like a whipped puppy coming back for more.

Bromberg lays Grayson’s and Sidney’s issues bare from the very start and her writing is compelling enough that it makes you stay the course. Somewhat.

But just as there’s a little progress between them, we’re back at square one, with this push-pull getting rinsed and repeated so much that I thought it stretched the book longer than it should have been. The long and short is, I read this through somehow, but couldn’t find it in myself to sympathise with either Grayson or Sidney at all, too lost as they were in their own heads with their own personal hang-ups and the kind of lifestyles they were determined to lead. Neither quite really fought for each other it seems, so this simply ended up as a story with a pairing I couldn’t get behind at all.

two-stars

Ache for You by J.T. Geissinger

Ache for You by J.T. GeissingerAche for You by J.T. Geissinger
Series: Slow Burn #3
Published by Montlake Romance on 6th November 2018
Pages: 362
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one-star

In this fairy tale with a sexy twist, she’s a penniless San Francisco seamstress. He’s the king of Italian couture. Who’s got designs on whom?

Boutique owner Kimber DiSanto has seen better days. She’s been dumped at the altar by Prince Charmless, her business went up in flames (literally), and now she’s stuck in Florence, Italy, with an ice-queen stepmother, to try to save her late father’s failing dress shop. Only one thing could make it worse: another man in her life. The arrogant Italian fashion tycoon offering to buy her father’s shop is as rich as he is sexy, and their attraction is off the charts. But Kimber’s not about to get burned again.

Women don’t say no to Matteo Moretti—and certainly not with Kimber’s stinging precision. With all the heat and fury sparking between them, Matteo can’t resist baiting the gorgeous American. His plan? Win her over one scorching kiss at a time.

Kimber tells herself it’s all just a game. That her broken heart isn’t in danger, and that Matteo’s touch does not make her Lady Land dance with joy. But sometimes it takes the fieriest of enemies to turn a fantasy into a real-life romance.

Down-on-her-luck Kimber—dumped by a wealthy fiancé at the altar—makes it to Italy, though not without more drama following her around, mostly in the form of another rich Italian tycoon. Only to realise that her dying father has remarried a calculative barracuda, left her with 2 stepsisters, and an evil stepmother.

If this rings familiar, that’s because ‘Ache for You’ is a Cinderella tale of sorts from riches to rags and riches again, only that it involves a truly unlikeable heroine and a mysterious Italian fashion magnate who somehow gets turned on by rudeness and a judgemental attitude.

Kimber’s tendency to overreact, her exaggerated hysteria and self-pity pouring through the pages from the start as she makes everything all about her and her misery had me wondering if I’d accidentally stumbled onto a bitchy reality series instead of a reconstructed fairytale romance. Gritting my teeth, I hoped it would get better as I read on but instead, it became more and more farcical to be believable. I just couldn’t get the connection between Kimber and Matteo—are sparks supposed to fly if the latter gets off on being verbally abused?

In essence, as much as fairytales are supposed to be much-beloved archetypes, I thought Geissinger’s own characters felt too ‘locked’ in their stereotypes (the rom-com, first person POV style of writing confirms this) to be anything more than caricatures flitting through the winding plot.

As much as I liked the first book in the series, which did actually seem promising, I’m unfortunately going to count this as a total bust for me: the signs couldn’t be clearer when I found myself simply more exasperated than enthralled just a quarter way through.

one-star

It Seemed Like a Good Idea at the time by Kylie Scott

It Seemed Like a Good Idea at the time by Kylie ScottIt Seemed Like a Good Idea at the Time by Kylie Scott
Published by Createspace Independent Publishing Platform on 7th August 2018
Pages: 185
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two-half-stars

Returning home for her father’s wedding was never going to be easy for Adele. If being sent away at eighteen hadn’t been bad enough, the mess she left behind when she made a pass at her dad’s business partner sure was.

Fifteen years older than her, Pete had been her crush for as long as she could remember. But she’d misread the situation—confusing friendliness for undying love. Awkward. Add her father to the misunderstanding, and Pete had been left with a broken nose and a business on the edge of ruin. The man had to be just as glad as everyone else when she left town.

Seven years on, things are different. Adele is no longer a kid, but a fully grown adult more than capable of getting through the wedding and being polite. But all it takes is seeing him again to bring back all those old feelings.

Sometimes first loves are the truest.

‘It Seemed Like a Good Idea at the Time’ is quite a mouthful, but it’s hard to put down with the wrenching pain of unrequited love being the driving factor here, given the somewhat forbidden trope of much older man and younger woman, who reunite after the latter pretty much blew up their friendship by making a pass at him 7 years ago. The stupid things teenage girls do when faced with their crushes are what I remember (cringingly fondly?) as well, nonetheless and this was the basis that kept the pages turning. That and that an age-gap like 15 years doesn’t bother me—so I was on it like white on rice.

But Adele’s and Pete’s history is inked in such a way that makes me question the age-gap issue: would a teenager really find a best friend in a 30-year-old man? (As a teen with a limited perspective, I simply remembered that anyone past 25-ish or so, to be naively considered middle-aged and didn’t have much to talk about with them apart from school and, well, nothing much else) How did Pete transition from seeing Adele as the ‘kid’ to a romantic partner and how on earth did Pete and Adele suddenly regress to being teenagers in their interactions when the former couldn’t seem to deal with something that happened years ago?

Adele comes across, as a result, as the more mature, thinking adult, and for some reason, so forgiving of Pete’s indiscretions and indecisiveness. Or at least, with the whole novella written in Adele’s POV, it is so much easier to see her own insecurities and flaws exposed while I felt too kept in the dark about what Pete is thinking. It’s also quite inconceivable that, as Adele mentioned herself, a man at 40 hadn’t seen the light enough to deal with his own abandonment and emotional issues to remain a closed-off player that he goes about it by blowing hot and cold numerous times…all of which suddenly gets shrugged off at the end.

I would have been probably more mollified however, without the ending twist that seemed to forced a happy ending for all involved—2 people hashing it out and dealing with what’s between them would have worked better, instead of the dependence on external circumstances to speed things along quite unbelievably. Honestly, it’s hard to rate this story like this, where I got through it effortlessly – Kylie Scott’s writing is pretty good that I could empathise mostly with Adele – yet detested the slide into the New Adult feel of it when I’d clearly expected the protagonists to behave their own ages.

two-half-stars

Check by Mimi Jean Pamfiloff

Check by Mimi Jean PamfiloffCheck by Mimi Jean Pamfiloff
Series: Mr. Rook's Island #3
Published by Paper & Silver, Inc. on 21st August 2018
Pages: 137
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two-stars

Mr. Rook, eccentric billionaire and owner of the most exclusive island resort in the world, has a secret. Hint: Legends say it can make you young again. But when he’s no longer willing to pay the dark price to keep eternal youth on the island’s menu, the very thing that once kept him young is now turning on him.

With only hours left to live, the woman he loves is taken by the worst kind of man this world has to offer. Turns out she’s been keeping dark secrets of her own, and getting her back won’t be as simple as writing a check.

The cost will leave her broken hearted, hating him forever.

(Morbid?) Curiosity brought me here.

In ‘Check’, things do come to a head and with several twists and turns—this can range between absolute nuts and sort of believable if you squint—, somehow Stephanie and Rook break free of their curse, the bad guys miraculously get what they deserve and all’s well that ends well.

There’s no secret really, that I’ve found this series of Mimi Jean Pamfiloff’s a little too zany for me, but the odd licks of the paranormal and the mysterious here and there keep me coming back. There are tantalising ideas here—with part-gothic, part-supernatural vibes, with the sacred and the profane crossing so many times that this should be a sultry and deliciously forbidden read—but they aren’t fully realised or deeply explored enough given the novella-length stories in this entire series.

But ultimately, too much of this story I think, depends on having a huge suspension of disbelief here in the existence of the paranormal, which is all well and good. Still, Pamfiloff’s implicit insistence that some things should stay unexplained (skirting paranormal explanations by simply having the characters choosing to not want to know more for the sake of their own sanity) just might not be good enough when it comes readers like me needing a semblance of explanation for events that don’t entirely really make sense in a story because well, it still needs to be satisfactorily coherent and not cross the line into the ridiculous.

Still, what kept me on the back foot really, was also a ‘heroine’ whom I absolutely loathed by the end of the series. While Rook himself isn’t all that innocent, the self-sacrifices he made in contrast, simply showed Stephanie up as petty, vindictive, petulant and fickle by the end of it all…too small-minded not to grasp the bigger picture and made things all about herself and her own tragedy.

In any case, it’s been quite a ride. I’m not too sure still what to make out of this, but this series simply felt like it could have done much more and reached so much higher than it did.

two-stars

Water Under the Bridge by Lily Malone

Water Under the Bridge by Lily MaloneWater Under The Bridge by Lily Malone
Series: Chalk Hill #1
Published by Harlequin MIRA on 19th February 2018
Pages: 268
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three-stars

Ella Davenport hasn’t been in a swimming pool since a bad decision ruined her chance of Olympic gold. So when Ella decides on a new career selling property, she chooses Chalk Hill. The country town is a long way from the water, with no pool in sight. Perfect!

Jake Honeychurch doesn’t want to sell his Nanna’s house, but circumstances force his hand. Listing the property with the rookie real estate agent in town, and asking a hefty price means it shouldn’t find a buyer. Perfect!

But determination and persistence are traits Jake admires, and Ella has them in spades. After all, no one ever made an Olympic team by being a quitter.

When news breaks of a proposed waterski park, a local developer starts sniffing around Honeychurch House. Ella’s first sale is so close she can taste it, until a sharp-eyed local recognises her.

Between sale negotiations with Jake that keep getting sidetracked, and a swimming pool committee hellbent on making a splash, Ella has more to contend with than kisses and chlorine.

Can she throw off the failures of the past and take the chance of a new start? Or will her dreams of a new life be washed away again?

I’ll say something from the outset and that has to do with how much I normally love Lily Malone’s writing. It’s just ‘Water Under the Bridge’ that didn’t quite work out right for me, despite the wonderful setting of a part of Western Australia so little explored in rural fiction and the unique rhythms of life that Malone captures very nicely here.

There’s something so wistful and close to my heart here about Ella’s new career direction and her past trauma after all—a hundred and eighty degrees somewhere else, where all hopes are pinned onto having something noteworthy marked into a new career; in Ella’s case, the sale of an overpriced home which is listed by an owner out of grumpy pretence.

That much got me through a third of it, where I soon found myself flagging. Admittedly, Ella and her constant hedging about her son’s real parentage when I thought she owed it to Jake *and* her son to be open with them tested my patience sorely; that much reduced my enjoyment of the story which inched forward only because it became a test of Ella’s inability to be honest and open with many moments that seemed deliberately engineered to stop her from doing so as well.

Ultimately, it became an exercise in frustration because it was road block after road black of stubbornness rearing its head in so many places: Ella’s reticence and overreactions and self-pity, Sam’s obstinate acting out, Abe’s refusal to talk, and the list goes on. I’m usually out to root for the protagonists in romantic fiction—if I can’t ship a pairing, then it’s pretty much useless—but the difficulty I had getting behind a female protagonist who kept blowing hot and cold (and made it so effective such that inroads were just simply impossible) definitely deterred this.

So frankly, I’m not too sure how to place my own feelings about the book. There were parts which I was enthralled with, parts that I really didn’t like, yet I’m still eager for the next book in the series because, well, Malone’s writing isn’t something I can resist.

three-stars

Hidden by Rebecca Zanetti

Hidden by Rebecca ZanettiHidden by Rebecca Zanetti
Series: , #1
Published by Zebra on 25th September 2018
Pages: 400
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three-stars

Hide. That’s all Pippa can do to escape the terror chasing her. But now that she’s off the grid in a safe house, she finds plenty of interesting things to watch through the window. Like her new neighbor, with his startling green eyes, killer smile, and sexy bad-boy tattoo . . .

Run. Malcolm West is fleeing the hell he unleashed in his last assignment as an undercover cop. A backwoods bungalow sounds like the perfect place to start over. Until he discovers he’s been set up . . .

Fight. Someone’s gone to a lot of trouble to bring them together. No matter how much he resents that, and his own driving needs, Malcolm will have to dig deep and let loose the banished killer inside himself, or Pippa’s fears could come true faster than the flip of a bolt in a lock . . .

When burnt-out, former undercover cop Mal West gets sucked into a strange unit, his first task with them is to investigate his seemingly sweet, innocent but squirrelly neighbour who’s hiding a deadly secret. But Pippa Smith is covering up something as well, and their paths collide in a way that’s unexpected and dangerous.

Told in a few flashbacks, we learn of Mal’s and Pippa’s personal histories that led them to where they are now; both are tortured in their own ways by memories too scarring for them to forget. First as neighbours, then later as lovers, both clearly battle the same crazies, though from different and opposing angles,.

As a grounding book that introduces the rest of the Requisition Force, ‘Hidden’ is a good hook in itself in pulling out the cracked-up, damaged unit that I can’t wait to see more of. Severely defective in their own ways (even the dog’s included in this) though it’s ripe for Zanetti to insert some humour here, there’re sufficient seeds planted here that makes me want each of their stories.

The frustration I have nonetheless, with such undercover stories simply lies with the deception that forms (in this case, on both sides) the foundation of a romantic relationship and becomes the major part of the conflict that you know is just coming because of this very thing that gets stretched longer than it should have.

The pitfall that typically follows is the use of sex that delays communication and disclosure, or some other event/circumstance that deliberately blocks this—which then forms a large part of the romantic pairing’s misunderstanding, with lots of running involved—along with some TSTL behaviour—because there just isn’t enough trust between the both of them to go around. It’s precisely because of this that I find the love/romantic connection between Mal and Pippa difficult to swallow, especially if trust and respect (apart from the scorching sex) are supposed to be foundational for their relationship.

The pace and action do pick up after this though, which eventually made the story a lot more engaging. And even if Mal/Pippa do sort of work out their issues in a rush before the climax happens, I probably would have liked this a lot more if less time had been spent on deceit and the copious amount of sexual tension (and later on, raunchy sex instead of talking) simply taking up the first three-quarters of the plot.

three-stars