Tag: Bored boneless

Josh and Hazel’s Guide to Not Dating by Christina Lauren

Josh and Hazel’s Guide to Not Dating by Christina LaurenJosh and Hazel's Guide to Not Dating by Christina Lauren
Published by Gallery Books on 4th September 2018
Pages: 320
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two-stars

Hazel Camille Bradford knows she’s a lot to take—and frankly, most men aren’t up to the challenge. If her army of pets and thrill for the absurd don’t send them running, her lack of filter means she’ll say exactly the wrong thing in a delicate moment. Their loss. She’s a good soul in search of honest fun.

Josh Im has known Hazel since college, where her zany playfulness proved completely incompatible with his mellow restraint. From the first night they met—when she gracelessly threw up on his shoes—to when she sent him an unintelligible email while in a post-surgical haze, Josh has always thought of Hazel more as a spectacle than a peer. But now, ten years later, after a cheating girlfriend has turned his life upside down, going out with Hazel is a breath of fresh air.

Not that Josh and Hazel date. At least, not each other. Because setting each other up on progressively terrible double blind dates means there’s nothing between them...right?

Josh and Hazel are apparently undateable together—that much power-writing duo Christina Lauren wants to bring across. But the irony is that they are never better matched despite their opposite ways, as the story trundles on. Both go on blind double dates (mostly disasters), get on as good friends (loads of banter and nonsense talk), then finally realise that they do actually belong together.

After having quite a good time with a few of this duo’s books, jumping into Lauren’s ‘Josh & Hazel’s Guide to Not Dating’ was something I eagerly did…that is, until the very first chapter caught me out with the antics of a female protagonist I had a bad feeling about.

There’s no other way for me to say this, but I simply found Hazel cringe-worthy. At least, there’s the part where the adorable, bumbling fool kind of woman would probably find purchase with many readers because it’s so obvious how flawed she is. Unfortunately, she simply read like a protagonist who couldn’t grow up and stayed that way so as to become as a plot device mirroring the loud, clueless millennial—as reported about with derision in the newspapers these days—who stumbles over everything and says whatever her mouth decides to say without engaging her brain.

But unlike Bridget Jones, she appears fully formed, owns her quirks, and pretty much heads the movement for how women should be themselves (and proud of it for going through men, not wanting commitment) without changing for anyone…which is a good thing right?

Um.

For me, it was too much, too hard, too affected because it felt like the authors were trying too hard to make her the kind of woman who’s just like a commitment-phobic male protagonist unable to hold a relationship. Written as larger than life because it’s fiction and drawn up so deliberately like a character in a sitcom or as a mirror of this kind of male hero, Hazel simply made me sigh in resignation and not in a good way.

Unlike the usual style of Lauren’s that compelled me to read what this writing duo has done so far—the first person narrative, the huge touch of the insane in this romcom—this book started as a rough ride for me, oddly so because of its very lighthearted feel that just didn’t leave me clutching my sides in laughter. It did get somewhat better as Josh and Hazel find their groove together first as good friends, but I couldn’t really hold an interest in a book where the protagonists obliquely get closer together while dating others.

In short, it’s a story that will appeal to many, but it isn’t one for me.

two-stars

A Daughter’s Choice by Lee Christine

A Daughter’s Choice by Lee ChristineA Daughter's Choice by Lee Christine
Series: A Mindalby Outback Romance Series #4
Published by Escape Publishing on 31st July 2018
Pages: 190
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two-half-stars

Mindalby, a small town, a community, a home. But when the mill that supports the local cotton farmers and employs many of the town's residents closes unexpectedly, old tensions are exposed and new rifts develop. Everyone is affected and some react better than others, but one thing is certain: living on the edge of the outback means they have to survive together, or let their town die.

Lynsey Carter's relationship with her father is fraught, so when she hears that the cotton mill that is her birthright has closed down (and her father is lying low), she returns to Mindalby to support her mother and seek out answers. She hasn't been back since high school, since she left her heart behind with Julian Stone. But Julian didn't want it, or her; he wanted a life in Mindalby.

Torn between family loyalty and duty to the community, between the life she's built for herself and the passion for Julian she just can't seem to shake, Lynsey needs to decide if her home–coming is for a visit – or for real.

I’ve always like Lee Christine’s writing and ‘A Daughter’s Choice’ is no different. The context and the circumstances in which this story are unusual to say the least, though distilled, it’s one of a girl returning home to the Australian Outback to take care of affairs that have gone awry (thanks to a corrupt, deadbeat father), then meeting an old flame who’d broke her heart. With a narrative built around the failure of a mill on which the livelihood of a small community depends, Lynsey and Julian reunite out of necessity—returning home does that in a small town—and it takes only just a few days together to remind them how good they could be and have been.

But more on that later.

Pacing-wise, I thought the story did drag on a bit when it became slower going than I expected (Christine is an author I read for romantic suspense after all) and the slower pace did throw me off a bit. That translated to me put this down and taking it up numerous times, and when I took it up, there were parts I trudged through just trying to stay interested in the subject matter.

Apart from following the developments and the slight suspense written into this (which perked me up), I was baffled how Lynsey and Julian fell into bed when nothing between them was resolved, all within a few days after a separation of 9 years. Julian’s supposed friends-with-benefits situation with another woman seemed to become a non-issue when I’d actually hoped for that particular casual relationship to be dissolved even before Lynsey/Julian got together again. Admittedly, second-chance romances don’t necessarily sit all too well with me when the slightest thing give me cause to question the validity of the reunion. Essentially, I thought there were relationship issues which needed ironing out but felt glossed over in favour of the suspense despite both protagonists trying to be mature about themselves.

In all, the dive into the Australian Outback is always a cultural shift that I love to read about after all because such writers—and I’ve gone through quite a few of them—offer such different perspectives especially in the romance genre, I think I surprised myself most of all by not really feeling this story at all.

two-half-stars

You Send Me by Jeannie Moon

You Send Me by Jeannie MoonYou Send Me by Jeannie Moon
Series: Compass Cove, #2
Published by Tule Publishing on 29th May 2018
Pages: 224
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two-stars

Jordan Velsor didn’t want to need anyone. After dumping her cheating fiancé, caring for her sick dad, and nearly being crushed along with her car during a violent storm, she’s pretty much at her breaking point. If anyone needs some luck, it’s Jordan, but the last thing she wants is gorgeous Nick Rinaldi, her landlord’s grandson, hovering over her while she nurses a bad cold. The wounded Navy doctor seems too good to be true… which means he probably is.

Nick Rinaldi left the Navy broken and adrift, wondering if he would ever practice medicine again. When his grandparents’ tenant is almost killed by a falling tree during a storm, he discovers Jordan is not only in shock, but suffering from pneumonia. Not one to miss an opportunity to play white knight, Nick arrives at her cottage to take care of her during the storm… But the lovely teacher has a a fierce independent streak, and as he learns more about her, he wants to do more than merely help.

Can Jordan and Nick let go or their separate pasts and seize their future together?

‘You Send Me’ started out well enough with the kind of drama that sounded promising: a sick woman (who’s also warily heartbroken from a failed engagement), a doctor who goes above and beyond the call of duty and a snow storm that comes at the most convenient timing. Cue the tension and the hot and heavy sparks, right?

The problem was that I got bored when things began to crawl as I read on, made worse by the rather harebrained scheme of Nick—it felt so far-fetched and out of the realm of adult-behaviour, but then, it’s romancelandia here—that obviously snowballed into a situation that neither protagonist wanted nor expected. Add that to the number of nosy characters slipping in and out of the story (because it just seems to be a feature of small-town behaviour), it was just harder and harder to keep my interest up when Nick and Jordan went round and round the merry-go-round of ‘should we, shouldn’t we’ and going through the repetitive reasons of why they could or couldn’t.

While the level of angst was low with a clear number of small-ish obstacles to leap over, it wasn’t too hard to see Nick and Jordan get to where they were supposed to be, despite the overly-tortuous process which did fill like page-filler more than necessary. Admittedly though, I did end up skimming quite a bit before the halfway mark when Nick/Jordan went in circles instead of forward as my initial investment in them waned.

In all, ‘You Send Me’ feels like a simple, while-away-the-afternoon easy read without the startling dramatic, emotional highs and lows, but for something more than overall small-town sweetness and a faster-moving plot, it’s best to look elsewhere.

two-stars

Darkest Night by Megan Erickson

Darkest Night by Megan EricksonDarkest Night by Megan Erickson
Series: Wired & Dangerous, #2
Published by Forever on 31st July 2018
Pages: 320
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two-stars

Bodyguard Jock Bosh has one job: keep Fiona Madden safe. Safe from the men who've been hunting her. Safe from the bastard responsible for ruining her life. And with the attraction sizzling white-hot between them, that means keeping Fiona safe from him too.

Fiona has spent the past decade on the run. Her survival is the single greatest weapon she's had against the men out to destroy her. Until Jock. Now, with him by her side, she finally has a chance to bring them down. But when her enemies make their next move and Jock puts himself in the line of fire, Fiona realizes that there's more at stake than just her life-she's also risking her heart.

There has been drama. There have been words (some very virulent ones) that have been flung around. I’m sort of aware of the drama that has surrounded Megan Erickson in the past few months, but not having any involvement in the debate that had ignited the entire community (and pretty much blew up over the course of a few days) means that I’m still kind of bewildered over the whole thing.

But that really isn’t a disclaimer on my part in any case. I’ve been graciously handed an ARC and that’s what this is going to be about—an assessment of what I felt about the plot, characters and the style. This review is going to be just that: a book review and nothing more as all my reviews have been.

So off we got onto a start that felt somewhat abrupt where ‘Darkest Night’ left me flailing for purchase. With the barest of context alluded to about the history of Fiona Madden and Wren Lee, to the magical and mysterious appearance of a stoic bodyguard named Jock, I struggled for the first quarter for some kind of purchase. With too many questions in mind—how this was related to the previous book being the first and foremost—it was hard not to feel as though I’d come in late to the game where a huge chunk of the back story had been reduced to a few sentences of vague explanation that Jock provided for his presence as well as the danger that Fiona was in. For this reason I’m not entirely sure if ‘Darkest Night’ worked well as a standalone; needing to go back to the first book for details can be tiresome but the appearance of Roarke’s hacker crew and the story arc that seemed to be carried over in this half necessitated it.

There wasn’t the geek-heavy type of plot with hardcore coding and tech-speak that I expected with a first half slowly revolving mostly around Fiona getting used to Jock’s towering presence. With a more traditional take on the bodyguard-type (who also happened to be a hacker) story, Erickson focused on character building that came to a road block when both their pasts were brought into question. Still, Jock remained remote for most of the time, while Fiona trying her best to cut through his walls felt merely like an exercise in futility and this holding pattern (along with wildly vacillating emotions on both sides) made their connection difficult to buy into.

I could certainly appreciate the issues that Erickson wrote about—PTSD being the primary one—as much as I could ‘appreciate’ (is there a better word here?) how ‘Darkest Night’ was written around the problem of sex crimes and its victims. But having been left without solid footing for so long, along with the inability to read the protagonists or feel the depth of horror that these crimes normally elicit, I found myself more disconnected than invested nonetheless.

two-stars

After We Break by Katy Regnery

After We Break by Katy RegneryAfter We Break by Katy Regnery
Published by Katy Regnery on January 8th 2014
Pages: 304
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one-star

She was the girl.
The only girl.
The only girl I ever wanted.
The only girl I ever loved.
The only girl I could ever love.
And I killed it.
I destroyed it.
I threw her love away.
For nine years, I've kept the memory of her locked in the deepest corner of my heart...all the while hating myself for what I did to her.
To us.
Now, without warning, she's walked back into my life.
I'm covered in tats.
She's covered in Polo.
I write heavy metal songs.
She writes chick-lit.
My eyes are angry.
Her eyes are sad.
I still long for her with every fiber of my being.
But I have no idea if she feels the same.
I guess it's time to find out.

What kind of masochist would take part in this? Apparently the answer seems to point back to me.

Having been scorched and thoroughly burnt by a book I read recently, I fell back into what appears to be the exact plot and trope rehashed here, which left me beyond incredulous and unimpressed with the compendium of clichés and the laughably predictable behaviour of protagonists who simply acted the way I thought they would.

I’m tempted to sentence the second-chance romance to the death penalty.

Katy Regnery’s ‘After We Break’ is essentially an exercise in grovelling, where a decade ago, a scared-of-true-love male hero runs away from a woman declaring her love. Fast forward this nearly 10 years, the woman moves on with 1 man for a long time and the hero devolves into a tatted, metal-loving songwriting manwhore who has never forgotten his mistake and the first love that he can’t acknowledge.

I don’t think there’s much more to say as I skimmed through cliché after cliché where both characters have apparently never stopped loving each other, where a spineless heroine, despite her reservations, falls back into bed with the hero because he’s hot and can’t resist his newly-formed rough-edged sex appeal. The latter spends most of the time trying to convince her of his love as well as the idea of fate bringing them back together, when all along, never quite satisfactorily addresses the idea he would have been happy going on not searching for her or fighting for what he supposedly always wanted.

Believability, apart from being the core issue, ranks low on my scale here, more so when all I got was immense frustration with a malleable, weak-ish ‘heroine’ (who couldn’t move on from him properly) and an even weaker ‘hero’ (who downplays his numerous flings and then has the nerve to accuse the former of having slept with her boyfriend for years) whom I thought were better apart.

one-star

Smiling Irish by Katy Regnery

Smiling Irish by Katy RegnerySmiling Irish by Katy Regnery
Series: The Summerhaven Trio, #2
Published by Katharine Gilliam Regnery on April 1st 2018
Pages: 281
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two-stars

Tierney Haven and Burr O’Leary come from completely different worlds…

…but there’s a reason they say “opposites attract.”

Bookish Tierney Haven has always preferred places to people, and she especially loves the peace and quiet of Moonstone Manor, an estate museum located in the White Mountains of New Hampshire, where she is head docent, chief historian and live-in caretaker. The very last thing she expects to find on the doorstep at midnight is bruised and bloodied stranger, Burr O’Leary, in desperate need of her help.

Against her better judgement and at the risk of her brothers’ wrath, Tierney offers Burr sanctuary at Moonstone Manor, and nurses him back to health, surprised to discover that the dashing, enigmatic stranger loves the history and peace of Moonstone as much as she. But Burr has a dark history, and those who hurt him will stop at nothing to eliminate him...placing Tierney in grave danger until he is well enough to find them first.

Katy Regnery’s books have always been odd reads for me. There, I admitted it. Having been introduced to her works via her retelling of fairy tales, I soon cottoned on to the fact that her writing isn’t quite a contemporary one, but one that seems to have a more distinct historical/fantasy style that doesn’t sit too well at times. Call it sensitivity to context maybe, but that has thrown me off a fair bit.

‘Smiling Irish’ is one of those times.

The rather odd first meeting of Tierney and Burr aside, there was something rather anachronistic and ‘traditional’ about parts of this story that felt out of place with the contemporary setting—the vocabulary, Tierney behaving like the stammering, blushing virgin she was, her weird, almost petulant outbursts of ‘sass’ (?) and weeping with the long internal monologues that somehow reinforced this—to the extent that I half expected most of the characters to dress in flowing gowns or rough linen. Not that I have a problem with virginity at all, but I’ve yet to read enough kick-arse types who really make a big, big show out of it. Mostly however, I think virgin heroines – Tierney being the perfect example of this – are too often portrayed as the damsel in distress, shackled either by their sexual inexperience or by some other fears that are somehow inexplicably linked to an intact hymen.

Regnery made a big deal of the Irish heritage here and much of the behaviour of the characters was attributed to ‘Irishness’ supposedly, which made me think that the rest of the population wouldn’t act like this because they weren’t ‘Irish’. The use of Irish (Gaelic) as well, became a point of contention for me when after a while, it felt as though Regnery inserted the language along with its translation needlessly, almost as if to show that research had been done on it and it had to appear in the writing no matter what the circumstance.

The long and short it is, ‘Smiling Irish’ wasn’t a good fit for me for a weird number of reasons, context and style perhaps, playing the biggest parts in my inability to enjoy the story. It isn’t to say that Regnery doesn’t appeal at all—I’m pretty sure this is my own quirk rearing its head here but I’m probably better off sticking to her fairytale retellings.

two-stars

Too Hard to Resist by Robin Bielman

Too Hard to Resist by Robin BielmanToo Hard to Resist by Robin Bielman
Series: Wherever You Go, #3
Published by Entangled Publishing, LLC: Embrace on April 16th 2018
Pages: 335
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two-stars

One rookie assistant + one demanding executive = flirting that is too hot to handle.

Have you ever wished for the perfect job? Me, too. So when I land a temporary gig with a worthwhile and exemplary startup, I'm determined to make it permanent. That my boss is the gorgeous, clever Elliot Sax is nothing I can't handle. We may steal glances at each other and straddle the line of playing it safe, but our partnership is too important for complications. Not to mention workplace hookups are against the rules.

But when our attraction flames hotter, our best efforts are put to the test. I never imagined having to fight my feelings for him on a daily basis and keeping my hands to myself is absolutely killing me.

Until I can't. Until we can't. And what's at stake becomes more than our jobs. What's at risk is our hearts.

I dived into Robin Bielman’s ‘Too Hard to Resist’ without having read the other books in this series, happy to say that this works perfectly as a standalone. And the pages do turn quickly, with the gradual upping of sexual tension until it eventually breaks.

A friends-to-lovers romance isn’t my favourite though the forbidden workplace one is one that I was eager to delve into. But ‘Too Hard to Resist’ is a hard one to write about, not because it wasn’t an easy read (it was) but because the to-and-fro-ing and the somewhat predictable plan that Elliot and Madison make to keep a distance from each other that didn’t work out in the end.

And round and round the game went as both parties vacillated between flirting and not wanting to cross that line, to the point that I got bored (when I should have been excited) by the time they finally fell into bed.

There also seemed to be a greater affinity with Madison that I felt, like I knew her feelings, hopes and plans more intimately than I knew Elliot, who in comparison, seemed to take a greater interest in Madison only when she became his assistant. His mostly lustful thoughts of her and nothing much else besides how good she was as his co-worker were what I got from him instead—that he wanted her physically wasn’t in any doubt, but I didn’t feel as though that extended to beyond the bedroom or the office as his assistant or that he was prepared to sacrifice anything for this hookup he wanted so badly.

The contrast between rather inexperienced heroine and the player hero was a little irksome nonetheless as Elliot made (dickish) moves that were clearly meant to distract her from dating other guys when I, liked Madison, couldn’t figure out his game beyond wanting her in bed as every chapter written in his POV has some kind of sentence that emphasises her hotness or involves body parts squishing together in a hookup. That there were occasional ex-fuck-buddies of his coming into the picture here and then didn’t bode all too well; neither did Madison’s inexperience that somehow translated into inexplicable naïveté and insecurity towards the end when the stakes never seemed equal between them.

I do like Bielman’s writing, but ‘Too Hard to Resist’ sadly didn’t quite work out too well for me as a result—the inequality of feelings, the way I felt more for one protagonist than the other were writ too large for me to look away from, despite the forbidden romance trope that I typically like.

two-stars