Series: Wired & Dangerous, #2
Published by Forever on 31st July 2018
Buy on Amazon
Bodyguard Jock Bosh has one job: keep Fiona Madden safe. Safe from the men who've been hunting her. Safe from the bastard responsible for ruining her life. And with the attraction sizzling white-hot between them, that means keeping Fiona safe from him too.
Fiona has spent the past decade on the run. Her survival is the single greatest weapon she's had against the men out to destroy her. Until Jock. Now, with him by her side, she finally has a chance to bring them down. But when her enemies make their next move and Jock puts himself in the line of fire, Fiona realizes that there's more at stake than just her life-she's also risking her heart.
There has been drama. There have been words (some very virulent ones) that have been flung around. I’m sort of aware of the drama that has surrounded Megan Erickson in the past few months, but not having any involvement in the debate that had ignited the entire community (and pretty much blew up over the course of a few days) means that I’m still kind of bewildered over the whole thing.
But that really isn’t a disclaimer on my part in any case. I’ve been graciously handed an ARC and that’s what this is going to be about—an assessment of what I felt about the plot, characters and the style. This review is going to be just that: a book review and nothing more as all my reviews have been.
So off we got onto a start that felt somewhat abrupt where ‘Darkest Night’ left me flailing for purchase. With the barest of context alluded to about the history of Fiona Madden and Wren Lee, to the magical and mysterious appearance of a stoic bodyguard named Jock, I struggled for the first quarter for some kind of purchase. With too many questions in mind—how this was related to the previous book being the first and foremost—it was hard not to feel as though I’d come in late to the game where a huge chunk of the back story had been reduced to a few sentences of vague explanation that Jock provided for his presence as well as the danger that Fiona was in. For this reason I’m not entirely sure if ‘Darkest Night’ worked well as a standalone; needing to go back to the first book for details can be tiresome but the appearance of Roarke’s hacker crew and the story arc that seemed to be carried over in this half necessitated it.
There wasn’t the geek-heavy type of plot with hardcore coding and tech-speak that I expected with a first half slowly revolving mostly around Fiona getting used to Jock’s towering presence. With a more traditional take on the bodyguard-type (who also happened to be a hacker) story, Erickson focused on character building that came to a road block when both their pasts were brought into question. Still, Jock remained remote for most of the time, while Fiona trying her best to cut through his walls felt merely like an exercise in futility and this holding pattern (along with wildly vacillating emotions on both sides) made their connection difficult to buy into.
I could certainly appreciate the issues that Erickson wrote about—PTSD being the primary one—as much as I could ‘appreciate’ (is there a better word here?) how ‘Darkest Night’ was written around the problem of sex crimes and its victims. But having been left without solid footing for so long, along with the inability to read the protagonists or feel the depth of horror that these crimes normally elicit, I found myself more disconnected than invested nonetheless.