Series: The Ones Who Got Away, #3
Published by Sourcebooks Casablanca on 1st January 2019
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How hard would you fight for the one you love? Taryn Landry was there that awful night fourteen years ago when Long Acre changed from the name of a town to the title of a national tragedy. Everyone knows she lost her younger sister. No one knows it was her fault. Since then, psychology professor Taryn has dedicated her life's work to preventing something like that from ever happening again. Falling in love was never part of the plan...
Shaw Miller has spent more than a decade dealing with the fallout of his brother's horrific actions. After losing everything―his chance at Olympic gold, his family, almost his sanity―he's changed his name, his look, and he's finally starting a new life. As long as he keeps a low profile and his identity secret, everything will be okay, right?
When the world and everyone you know defines you by one catastrophic tragedy...How do you find your happy ending?
The tragedy of Long Acre mirrors so much of the contemporary violence in schools but I’ve never read a romance series that details the lives of those who actually live on in the aftermath of it—and how a single, catastrophic event drastically alters everything they’ve done or believed in.
In ‘The One You Fight For’, Taryn Landry and Shaw Miller—victims in their own right as siblings of the victim and the perpetrator of the shooting—still find themselves reeling from the events more than a decade ago, still paying in their own ways for what they perceive as their penance for playing a part for what went down and upturned their lives. For all of Loren’s focus on the victims and the fallout of the shooting in her previous books, I hadn’t considered at all, how close relatives would have dealt with this and Loren finally forces this into the limelight with Shaw/Taryn taking centre stage in this instalment.
Shaw and Taryn meet in a series of serendipitous events that took a number of twists and turns getting there: from an anonymous song at a bar, to a run where Taryn collapses and eventually signs up at a ninja-warrior-type gym where Shaw and his friend are setting up.
Loren’s brilliance at portraying brokenness and the ‘relatability’ of characters however, is as heartbreaking as it is compelling to read about: each of her protagonists, guilty for the small things they thought they’d done to contribute to the tragedy, each trying to make up for their perceived culpability in their own ways.
What moved me the most however, was the utterly downtrodden Shaw, who couldn’t see beyond the need to punish himself for something he didn’t commit for his entire life: for being related to the shooter is by proxy meant that he was guilty as charged, for how he’d never been able to shrug away the stigma, at the abuse he’d received from so many (the sharp, acid tongue from Taryn notwithstanding when she said some cruel things), for the yearning to only be ‘normal’.
I had a sort of inkling how this would go down from start to end. Taryn and Shaw aren’t hostile rivals to begin with, but what binds them is something more devastating and perhaps even notoriously taboo in the place where they live.
Conflict after conflict seem to await them up to a point where their loyalties are stretched and pulled in different directions, to the extent where the climax is a predictable one from the lead-ins and hints that have been given, as is their bittersweet resolution. Taryn/Shaw’s rather abrupt epilogue is hard-won nonetheless, though I did somehow wish for a more-iron-clad one that’s more inferred than given past the last page.