Series: The Lost Platoon, #3
Published by Berkley Books on 31st December 2018
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With his men scattered to all corners of the globe after a disastrous secret op in Russia, Lieutenant Commander Scott Taylor is trying to find out who was responsible for leaking the information that killed half his platoon. Were it not for Natalie Andersson, the woman he had been secretly dating in the Pentagon who had warned him of the danger, he knows they would all be dead. Scott is devastated when he hears that the woman he loved and hoped to marry has been killed for helping him--until he learns that Natalie was the spy who betrayed them. But when his search to clear his name brings him face-to-face with a very-much-alive Natalie, Scott realizes that justice and vengeance might not be as clear-cut as he thought.
Natalie Andersson, or, as she was born, Natalya Petrova, has put the memories of her early childhood in Russia behind her. She never dreamed that she would be at the center of an elaborate "sleeper" espionage program. Even when she learns the truth, she refuses to spy for the country of her birth, until the Russians threaten the lives of the only family she has ever known. But Natalie is the worst spy in the history of spying, falling for her target. When her attempt at misdirection leads to irreversible consequences, she is forced to run for her life, with her lover hot on her tail.
At the heart of it, ‘Out of Time’ is one of assumed betrayal, even more assumptions that the protagonists have of each other and the elasticity of truth, all of which revolve around a botched mission, a missing SEAL team and questionable loyalties.
Natalie Andersson isn’t who she seems and as the story progresses, it’s evident that there’re contradictory gaps in both what Scott Taylor and Natalie believe of each other. The former’s a huffing and puffing betrayed military man, the latter? Quite possibly the worst spy in history. But the Russian sleeper agent and the elite American soldier form a pairing that’s charged with so many overtones in today’s political climate and that Monica McCarty takes it on makes ‘Out of Time’ a sort of contemporary forbidden trope and one that I really wanted to read.
By and large, I did like Nat/Scott’s story though I found the secondary couple of Colt/Kate more compelling in the whole narrative arc of lies, deceit and vengeance as the characters pursued some kind of justice for themselves and for the dead men. Dealing with 2 couples isn’t an easy feat by any means, though the focus on 4 major characters did mean less focus on each couple, which left me a feeling little short-changed about it. For all the build-up, I thought the ending was somewhat anti-climatic, with less of a bang and more than a whimper than I’d hoped. I couldn’t tell though, if there is going to be a continuation of the series or not—McCarty doesn’t give any hint of how resolved things really are—but I’m still hoping for the secondary characters to get their own books somehow.
‘Out of Time’ is not a standalone and that much becomes obvious when the opening few chapters leaned hard on prior knowledge of previous books to get the story of Natalie and Scott going. McCarty does take the effort to get any new reader up to speed however, though it’s through a certain style of storytelling that eventually got to me—this is obviously a personal nitpick.
Beyond the rather exciting prologue that was easy enough to follow, the first few chapters were a mash of telling and showing (sometimes more of the former), with a recounting of past events inserted into the protagonists’ POVs in the present timeline and thus forcing the reader to straddle a scene within a scene. As a result, I did get confused and mildly frustrated, having needed to pause multiple times to mentally untangle and piece together what had gone down, when and with whom. The use of flashbacks or at least, something more linear as a storytelling device would have worked better than the mental gymnastics it took at times.
It isn’t to say however, that ‘Out of Time’ isn’t a decent read. I thought it was the best out of McCarty’s series in fact…only that it could have been longer and a bit more drawn-out—given the scope of the story and the pairings involved—for a less abrupt ending.