Series: , #1
Published by Zebra on 25th September 2018
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Hide. That’s all Pippa can do to escape the terror chasing her. But now that she’s off the grid in a safe house, she finds plenty of interesting things to watch through the window. Like her new neighbor, with his startling green eyes, killer smile, and sexy bad-boy tattoo . . .
Run. Malcolm West is fleeing the hell he unleashed in his last assignment as an undercover cop. A backwoods bungalow sounds like the perfect place to start over. Until he discovers he’s been set up . . .
Fight. Someone’s gone to a lot of trouble to bring them together. No matter how much he resents that, and his own driving needs, Malcolm will have to dig deep and let loose the banished killer inside himself, or Pippa’s fears could come true faster than the flip of a bolt in a lock . . .
When burnt-out, former undercover cop Mal West gets sucked into a strange unit, his first task with them is to investigate his seemingly sweet, innocent but squirrelly neighbour who’s hiding a deadly secret. But Pippa Smith is covering up something as well, and their paths collide in a way that’s unexpected and dangerous.
Told in a few flashbacks, we learn of Mal’s and Pippa’s personal histories that led them to where they are now; both are tortured in their own ways by memories too scarring for them to forget. First as neighbours, then later as lovers, both clearly battle the same crazies, though from different and opposing angles,.
As a grounding book that introduces the rest of the Requisition Force, ‘Hidden’ is a good hook in itself in pulling out the cracked-up, damaged unit that I can’t wait to see more of. Severely defective in their own ways (even the dog’s included in this) though it’s ripe for Zanetti to insert some humour here, there’re sufficient seeds planted here that makes me want each of their stories.
The frustration I have nonetheless, with such undercover stories simply lies with the deception that forms (in this case, on both sides) the foundation of a romantic relationship and becomes the major part of the conflict that you know is just coming because of this very thing that gets stretched longer than it should have.
The pitfall that typically follows is the use of sex that delays communication and disclosure, or some other event/circumstance that deliberately blocks this—which then forms a large part of the romantic pairing’s misunderstanding, with lots of running involved—along with some TSTL behaviour—because there just isn’t enough trust between the both of them to go around. It’s precisely because of this that I find the love/romantic connection between Mal and Pippa difficult to swallow, especially if trust and respect (apart from the scorching sex) are supposed to be foundational for their relationship.
The pace and action do pick up after this though, which eventually made the story a lot more engaging. And even if Mal/Pippa do sort of work out their issues in a rush before the climax happens, I probably would have liked this a lot more if less time had been spent on deceit and the copious amount of sexual tension (and later on, raunchy sex instead of talking) simply taking up the first three-quarters of the plot.