Series: Modern Fairytales #1
Published by Macmillan on November 16th 2015
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Beauty is about to tame her beast...
Researcher Maggie Donovan has no luck with men, and it doesn't help that she can't keep her eyes off of her sexy boss – the one everyone else in the office calls The Beast. Relationships in the office are forbidden. So no one is more surprised than Maggie when she pretends to be his fiancée to save him during a difficult situation. Not only has she put her job on the line, but the future of the company.
Billionaire Benjamin Gale III doesn’t believe in love or romance, but the look on his mother’s face when Maggie tells her that she’s his fiancée is worth millions. Instead of firing her for her insubordination, he goes along with the ruse. In his arms–and in his bed–she’d be everything he could ever want...which is why he can’t have her.
But if he doesn’t let her go, they’ll lose everything...
Fairy tales are tricky things; adapting and reworking them and not turning archetypes into clichés is an even trickier task. Beauty and the Boss is one such book – a mismash of several tales with the very popular use of role reversal: Maggie is both Belle and Cinderella at the ball while her aloof, closed-off boss Benjamin is the grumpy beast, the prince as well as the masculine version of Cinderella with the wicked stepmother – who is probably better known as the witch. But even padded with the familiar tropes of contemporary life, Maggie and Benjamin stayed better as flat-ish clichés rather than the mythical archetypes in the fairytales themselves, with personalities that just aren’t compelling (with some wild swings in mood) to leap off the book for me. By the time the epilogue swung around, I found myself cringing at the effusive and rather unbelievable outpouring of emotion, and wondering if Cinderella/the prince and Belle/Beast are better confined to where they should be by the end of their story – long faded off into their personal sunsets.