Series: Oxford #5
Published by Loveswept on 17th July 2018
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Brit Robbins knows that dating in New York City is hard—she just hoped to have it mastered by age thirty. But after yet another promising suitor says they have no sparks, Brit decides it’s time to torch her dating game and try a new plan. And who better to coach Brit through the art of seduction than the guy who first gave her the “let’s be friends” card?
Hunter Cross has always figured there’s nothing his best friend Brit can do to surprise him. But Brit’s request is a surprise he doesn’t see coming—and one he’s definitely not prepared for. Hunter and Brit have always been careful to keep things perfectly platonic, but the fake dates and faux flirting are starting to feel like the real deal. And soon Hunter realizes he has taught Brit too well. Not only has she become an expert at seduction, the man becoming thoroughly seduced is him.
‘I Think I Love You’ feels like the true end to Lauren Layne’s Oxford series, a not quite full-length tale of the last standing couple, who don’t even know they’re meant to be paired with…yet. Layne tackles the friends-to-lovers trope here and straightaway, I knew it would be a tricky one with questions that needed to be answered—questions that this trope always seems to invite for the pairing to be a believable and satisfying one.
Brit and Hunter slide in somewhere later in the Oxford series as best friends, and as boss and subordinate, whose status-quo hasn’t changed in years, until Brit stirs the waters by adding a particularly farcical element in the setup which, according to Layne, has the power to change everything they know about each other. As a plot device that sets the action and the romance on a predictable path, Brit’s apparent seduction tutoring works all too well. So the story goes.
It inevitably goes sideways and it isn’t a surprise to see Hunter screwing up colossally, but what is frustrating is his not doing enough to make up for it and Brit being too soft-hearted about it. With the abrupt conclusion however, there isn’t a chance to see Hunter fighting for a relationship with Brit, which I knew I needed to read after the way he’s waffled too much in his manly cowardice. In other words, the grovelling hardly matches the crime.
I was actually more interested in the implications of this trope and how Layne would tackle the explanation of the sudden flip in the switch in their relationship when years of never looking at each other ‘that way’ were thrown to the wind—because this would probably justify the validity (which I can’t quite blindly accept as timing, serendipity or the sudden realisation of scales falling from eyes) so to speak, of best friends becoming lovers. How does a seduction plan inexplicably turn Hunter into looking at Brit from a platonic friend into someone else? There’s a suggestion here that a platonic friendship perpetually hangs on a knife’s edge, needing merely the slightest thing for it to tip over into a different space, so would that have meant that Hunter and Brit would never have crossed any line had Brit not taken the first step?
The long and short is, I’m not entirely sure if I’m quite convinced about this trope still. It’s probably cynicism speaking here nonetheless and that Layne chooses to tackle this once again isn’t surprising seeing how often it appears in her books. I do think Hunter and Brit do ultimately belong together—best friends can and do make good lovers—only that I had hoped for a more solid grounding for them becoming a couple other than sudden, forced proximity with all the talk of dating and seduction giving them the orgasmic shivers.
As far as it goes, my wistfulness with finishing this series probably has to do with my introduction to Layne via Penelope/Cole, whose story started my going down the Oxford rabbit hole. I loved seeing the rest of the Oxford crew even if some stories worked better than others for me, and with all the series I’ve gone through, I had hoped this one ended more on a bang for me.