Published by Harlequin (Australia) TEEN/MIRA on 23rd July 2018
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When Olivia Sheridan arrives in the Whitsundays as spokesperson for big mining company Sheridan Corp, it should be a straightforward presentation to the town about their proposed project. But when a handsome local fisherman shows her what ecological impact the proposal will have, Olivia is forced to question her father's motives for the project.
Struggling with newly divided loyalties, Olivia is thrown further into turmoil when she is mistaken for a woman who disappeared more than sixty years before. When it becomes clear that Captain Jay is also keeping secrets, Olivia realises that there is more to these sunshine–soaked islands than she ever expected.
Seeking to uncover the truth, Olivia is drawn into a dangerous game where powerful businessmen will stop at nothing to ensure their plan goes ahead, even if that means eliminating her…
Against the epic Far North Queensland landscape, this is the story of two women, separated by history, drawn to Whitsunday Island where their futures will be changed forever.
‘Whitsunday Dawn’, set in the beautiful, otherworldly part of Northern Queensland, is so much more than the enemies-to-lovers trope undertaken by Annie Seaton when Olivia Sheridan tangles with Fynn James from the very start because of their conflicting agendas. Yet Olivia paths and Fynn’s paths cross in more ways than one, with the addition of a supposedly-delusional elderly woman who keeps seeing someone else from the past in Olivia’s face.
Seaton deftly handles two timelines and their contexts as she brings these seemingly unrelated things together—these can be chaotic and jarring nonetheless as the chapters slip between 2018 and 1942—and parallel developing relationships within as the story goes on. But even if the first shift to 1942 threw me off, it’s through this particular story (within a story) that Seaton revives an overlooked part of WWII that reached this remote region of Australia and those affected, while amping up the suspense as events in 2018 once again take the stage.
I liked Olivia/Fynn’s story as much as I was unwittingly drawn into Lil/Jack’s doomed one. But it’s all too-often that a particular timeline doesn’t end too well however, and Seaton’s moving portrayal of the tragedy of the pairing in history left me a blubbering mess.
‘Whitsunday Dawn’ closes on a bittersweet note—with the tacit acknowledgement that life, death and war can only leave scars and nostalgic wistfulness by the end of it all—but had me wishing nonetheless, that things still ended more happily.