Published by Entangled: Amara on 26th February 2019
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If you’re reading this, well, you know the last-letter drill. You made it. I didn’t. Get off the guilt train, because I know if there was any chance you could have saved me, you would have.
I need one thing from you: get out of the army and get to Telluride.
My little sister Ella’s raising the twins alone. She’s too independent and won’t accept help easily, but she has lost our grandmother, our parents, and now me. It’s too much for anyone to endure. It’s not fair.
And here’s the kicker: there’s something else you don’t know that’s tearing her family apart. She’s going to need help.
So if I’m gone, that means I can’t be there for Ella. I can’t help them through this. But you can. So I’m begging you, as my best friend, go take care of my sister, my family.
Please don’t make her go through it alone.
It’s hard to put into words what ‘The Last Letter’ is about, even if the emotions they draw out are raw and unrelenting, leaving you to grapple with them past the last page of the story. On the surface, it’s about a loyal soldier putting down roots in a small town because he’d promised his best friend to take care of his sister, though there’re some secrets he’s carrying on him along with the burden that he’d long fallen in love with her before they had even seen each other face to face.
Movingly told with a very slow burn, ‘The Last Letter’ is women’s fiction and romance with the heavy emotional waves of angst and brooding that I’m tempted to shove into the New Adult category all at once. It’s both easy and difficult to get through because of the very weighty, no-easy-answers topics Rebecca Yarros has chosen to cover here, but the payoff then, is one that understandably leaves readers reeling: if the characters are put through the wringer, so are we.
There are more than the usual tinges of reality creeping in here, nonetheless. Yarros’s marked conditions in this are that the HEA doesn’t come without a price and it’s quite a steep one that the characters pay for. Without the typical fluff cloud that many romance stories are built on, Ella/Beckett’s story resembles the very thorny bed of roses of real life more than the sometimes-unrealistic bent of HEAs that I’ve gotten used to; it’s a brutal kick in the arse and a sombre awakening as much as it is one that can make my chest ache with the poignancy of a love that comes with lots of attached baggage.
And where do I even begin with Beckett? Eloquent, stalwart, and so so unswervingly loyal that he stands out as a protagonist who should be enshrined, Beckett Gentry’s strength, integrity and stability became my pillar of light as he was Ella’s as they navigated the murky waters of child-cancer and the ever-lingering shadow of death that never seemed far away.
Yet oddly what deterred me from giving a higher rating really was Ella’s reticence and her own refusal to see past her mixed signals and her own hang-ups. Her lack of understanding when it came to Beckett’s omission, the overwhelming need to shut him out and only do what she thought was right for her frustrated the hell out of me especially when Beckett had laid everything else on the line repeatedly. And the overall enjoyment I had for it detracted not because of the shock ending, but because I thought Beckett had the constant uphill battle to climb when it came to Ella, even when he’d laid out his own insecurities and was instead, flayed and punished for it by her.
With not quite an instant love, but an old-time affection that develops over the written word—it’s strange but magnificent to see how the epistolary form has been done here—, ‘The Last Letter’ is a book that made me glad I took up despite my initial reservations. Yarros starts an intricately woven tale of tragedy and joy mixed with pockets of angst and ends it that way, but because of this, it’ll stick with me longer—ironically, perhaps—than many of the books that have passed me by.