Series: Southern Charmed #2
Published by Entangled Publishing, LLC (Crush) on 18th February 2019
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Haley Howell has had a hopeless crush on her brother’s best friend, Jake Lexington, for as long as she can remember. Too bad to him, she’ll forever be off-limits. But with senior year and acceptance to a college outside their tiny southern town of Culler, South Carolina, comes new confidence. Haley’s ready to get Jake to notice her—whatever it takes.
No one in Culler notices the real Jake anymore—to them, he’s nothing more than the star football player or the kid with the family tragedy. When one mistake lands him in mandatory community service, he’s shocked to find his best friend’s little sister there, too. Jake’s looking for an escape; Haley’s looking for a chance. Together, they’ll find exactly what they need...if only they’re willing to cross that line and risk it all.
To say that I’m reading ‘The Crush Collision’ to get my rare YA fix is partially correct, but the truth is probably closer to the fact that I do like the best friend’s sister/brother kind of trope, which throws in a hint of the forbidden or the unrequited.
‘The Crush Collision’ follows this particular trajectory. Embroiled in his own turmoil, Jake’s grades and social life are suffering and with alcohol as a constant companion, all he can see in front of him is football, his spiralling life…and a girl who’d always been in his orbit but never more than a distant friend. On the other hand, Hayley is determined to let people know that he’s just having a hard time and is misunderstood, then later makes a mountain of a molehill of how Jake should not incidentally be better for her, when she argues that he should do it for himself…and not put it on her for it.
The lady doth protesteth too much, me thinks.
I wasn’t too sure I could empathise with the minute details and the exhaustive analysis of a teen’s every action to see if this was a demonstration of whether ‘he likes me or he likes me not’, along with peer-pressure and overthinking and the prerequisite teenage angst. Then again, it’s a YA read, and Danielle Ellison does capture the voices right—it’s definitely a switch of gear downwards from the more adult romances that I dive into (I had to do some mental readjustments after all), when all that the protagonists are worried about are how their friends perceive them and their relationship.