Series: Criminals & Captives #2
Published by Createspace Independent Publishing Platform on January 27th 2018
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I NEVER KNEW WHEN HE'D COME TO ME. ONLY THAT HE WOULD.
I’d never even kissed a boy the night I met Stone. The night I saw him kill. The night he spared my life. That was only the beginning.
He turns up in my car again and again, dangerous and full of raw power. “Drive,” he tells me, and I have no choice. He’s a criminal with burning green eyes, invading my life and my dreams.
The police say he’s dangerously obsessed with me, but I’m the one who can’t stop thinking about him. Maybe it’s wrong to let him touch me. Maybe it’s wrong to touch him back. Maybe these twisted dates need to stop. Except he feels like the only real thing in my world of designer labels and mansions.
So I drive us under threat, until it’s hard to remember I don’t want to be there.
Until it’s too late to turn back.
Throw away all fixed ideas about how a hero or even an anti-hero should behave, entertain the idea of the antithesis of a fairytale romance, then come to ‘Hostage’ expecting that you’ll be getting the entire opposite of a sanitised HEA. ‘Hostage’ requires a lot from a reader, even for those who might like their stories tuned up, edgy and dirty. For a conventional romance reader, going into this book might even seem like going against the idealised structure and characters of a romance and the kind of happy-ever-after that typically ends with a ride off into the sunset.
‘Hostage’ is as the title implies, the forcible kidnapping of a girl because she witnesses a murder, then strangely developing an obsession with her as the months pass, because she represents a part of life that’s foreign and way out of reach.
Stone Keaton appeared in ‘Prisoner’ as an absolute son-of-a-bitch, and there are many lines in the story that reinforce this. I’m constantly reminded that he feels no emotion, keeps things together in the most brutal fashion, and stamps his own cruel brand of revenge in the blood and gore for the sake of others. The only ‘saving grace’—even this is dubious—comprise his loyalty to his brothers and his protectiveness towards Brooke over a period of a few years (a girl who isn’t even legal when they meet), as well as the mantle of vigilantism that he takes on in a city where corruption runs rife.
‘Hostage’ deviates so far from the norm that the age-gap between Brooke and Stone is the last thing I’m bothered about, considering Skye Warren and Annika Martin write about almost everything that crosses the grey boundary of good and evil. The way Brooke is written surpasses that of the typical 18-year-old’s mind however; only her with (possibly misplaced) compassion and an overly soft romanticising of Stone remind me from time to time just how young she really is, which does go a bit of a way to soften the hardness of the latter. But while I sort of understood Stone’s obsession with Brooke, it is harder to take the leap and believe their so-called connection becomes a kind of twisted love after a time.
My rating is just a reflection of my own wishy-washy attitude to this book. What I like here, oddly, isn’t exactly a pairing that I find hard to get invested in; instead, it’s the indirect commentary on current politics—complicity, the guilt of big wigs, #fake news(!)—that Warren and Martin write into the narrative which is ironically and chillingly reflective of present-day reality. Even if that only becomes more and more evident as the pages go on, that alone gives that book a depth that I can appreciate, even if the romance isn’t quite what I can buy into.