Series: Aces #1
Published by Mill Creek Press on 19th December 2018
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A man loses the woman he intends to marry.A woman loses her best friend.
Retired Army Captain Liam Brosnan and US Marshal Chelsea Kilpatrick are forced to question what they know about a murder that forces them together. Uncertain connections from Liam’s military career rope them into a cloak-and-dagger investigation that offers more questions than answers.
Being duty-bound while in the throes of grief is a dangerous mixture. They struggle with unexpected sparks of passion and question their loyalty to a woman they loved while a murderer closes in on his next target.
Will the explosive solace Liam and Chelsea find in one another lead to a love neither expected? Or will it blind them to looming danger and death?
Cristin Harber’s larger-than-life military/terrorism conspiracy plots often skirt closer to the edge of the unbelievable than many of the books I’ve gone through but then again, that’s part of the basis of the romantic suspense genre: the homing in on particular individuals upon whom the fate of the country or the world hangs, no matter how ludicrous the situation might be (even when the connections are far from water-tight).
Yet ‘The Savior’ is an intriguing start to a new series that I’m curious enough to want to continue: the somewhat taboo attraction between a retired army captain and a federal agent, brought together ironically by the death of the death of his girlfriend (who also happened to be latter’s best friend).
Chelsea Kilpatrick and Liam Brosnan do make a good pairing somehow, especially so after Liam learns that the tragedy they’d both lived through was in fact, premeditated…and carefully planned over a few years.
Pile on the guilt, the hesitation, the electric sexual tension and a mite bit of push-pull. The icky dead-partner as the third party vibe isn’t altogether absent, nonetheless. We’re not quite given much of their history together however, only that they knew each other marginally through Julia, yet Liam and Chelsea ‘adulted’ quite well and I liked their inadvertent (and fairly mature) way of dealing with their burgeoning attraction to each other.
What was strangely surprising was the lack of action that brought the steady pace to a sort of lull until the last quarter of the book as things pulled together. (I didn’t get the Vietnamese-sounding terrorist names, by the way.) Harber’s writing style did feel somewhat ‘off’ and uneven at times though: some collocations didn’t quite make sense logically if you actually think carefully about it, or the moments where more was needed but wasn’t given and vice versa. Some were even jarring enough to kick me out of the narrative; well, the whole point being, I did think a finer-toothed comb was necessary in weeding out these errors, developmental or otherwise.
Being cautiously optimistic about this new series is what I’m left with by the end, abrupt as it seemed.