Series: Rules for the Reckless #6
Published by Pocket Books on February 27th 2018
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BACK FROM THE DEAD, AN EARL SEEKS VENGEANCE...
Liam Devaliant, Lord Lockwood, was born into a charmed life. Charismatic, powerful, and wild, he had the world at his feet—and one woman as his aim. His wedding to Anna was meant to be his greatest triumph. Instead, in a single moment, a wicked conspiracy robbed him of his future and freedom.
...BUT WILL HIS LONG-LOST COUNTESS PAY THE PRICE?
Four years later, Liam has returned from death with plans for revenge. Standing in his way, though, is his long-absent bride. Once, he adored Anna's courage. Now it seems like a curse, for Anna refuses to fear or forget him. If she can't win back Liam's love, then she means at least to save his soul...no matter the cost.
There are few authors who can tempt me back into historical romance and Meredith Duran is always one of them. But it certainly doesn’t hurt that the very peculiar situation of Lord Lockwood, or better known as Liam Devaliant—first revealed in ‘The Duke of Shadows’ as the man with an odd temper, an odder past and an obviously missing bride—is one that’s gripping and compelling enough to wait several years for.
‘The Sins of Lord Lockwood’ is an absolutely unexpected treat, dashing away all my expectations of a wimpy, hiding heroine and a man who constantly pushes her away for his shame at having been kidnapped and imprisoned. Instead, Duran presents a strong heroine capable of matching her husband’s changed mien—riddled with PTSD and a barely-concealed rage that leaks out as near-schizophrenia—and in doing so, has probably crafted one of the most memorable historical heroines I’ve ever had the pleasure of cheering for.
Lockwood’s and Anna’s present reality is interspersed with the lazy days of their meeting and their courtship 4 years prior, as Duran’s narrative weaves between the pragmatic (though flirty) circumstances of their initial union and the strained volatile interactions of their reconciliation. There are hints of what Liam suffered in Elland, but the details are fuzzy: Duran concentrates on sensation, conflict and pain rather than gives a blow-by-blow account of what really happened, as these help to explain why Lockwood seemingly vacillates between moments of forced indifference and letting the tormented beast loose at unexpected times.
What surprises me most perhaps, is how Anna comes across, though Duran—which I loudly applaud—writes very contemporary sensibilities into her heroines that make them three-dimensionally relatable. Anna’s capability, her management skills, her fearless leap into the affairs of men, her strength and determination to pull her husband back from the brink left me in awe…here is the ‘modern historical’ female protagonist whom I absolutely dig (though clearly this is not the norm of Victorian England), the woman whose alpha tendencies could probably have helped front the #MeToo movement if given the chance.
Duran’s superlative prose is as always, a big draw, pulling the nuances of emotions and desire together in a way that makes me stop and savour her written word. That alone is reason enough to put Duran on my reading list, though ‘The Sins of Lord Lockwood’—read it even if only to revisit Emma and Julian—is one that I’ll remember for some time to come for a protagonist who stands starkly apart from so many others.