Category: Fantasy

Entropy by Jess Anastasi

Entropy by Jess AnastasiEntropy by Jess Anastasi
Series: Atrophy, #4
Published by Entangled Publishing, LLC on 23rd July 2018
Pages: 271
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Captain Qaelan Forster is used to trouble. He lives on the wrong side of the law and he’s on the most-wanted lists. He’s mixed up in his cousin's mess who has problems on a cosmic level—like shape-shifting aliens who want them dead. But Qaelan’s not prepared for the cheeky kind of trouble called Camille Blackstone, whose infamous father has any man interested in his daughter executed.

After Camille drags Qaelan into an impulsive act of rebellion, she finds herself trying to defend the sexy captain from her overprotective father's wrath, even if she has to handcuff herself to the captain to keep him alive. However, it soon becomes apparent there are much more dangerous things lurking in the dark corners of the universe than a vengeful pirate lord. And she's just landed in the middle of it.

Qaelan Foster’s latest outings with his cousin have been more misadventures than adventures and mostly of the dodgy variety. But then he gets entangled with the likes of Camille Blackstone, which brings a whole new meaning of trouble.

But first, context is king: ‘Entropy’ isn’t exactly a standalone and there’s quite a backstory as to how this book begins. Basic knowledge of Jess Anastasi’s world-building surrounding the Imojenna and its ragtag crew would provide a fuller appreciation of Qae/Camille’s relationship and why we keep getting teased with Rian’s own ‘will-they-won’t-they’ relationship with Ella). And that’s as much as I should say, without needing to go into any longwinded recounting (which a book review isn’t supposed to be anyway) of the whole story.

Sadly, I wasn’t too sold on Qae and Camille to begin with: their (sort-of?) one-night stand, without the buildup or chemistry didn’t do much for me so very early on in the story, though it was a clever twist on how things ended up—Anastasi leaves a little bit to anticipate—before the story really kicks in.

Unlike the trajectory that the Atrophy series has been taking, ‘Entropy’, with the story of Qae/Camille, is like a diversion, steered towards a different path of space adventures because it isn’t directly focused once more on Rian, his demons and his endless chasing after an enemy that he may never overpower. Whatever few scenes with Rian/Ella/others I lapped up; the rest with Qae/Camille, I read with a bit more lukewarmness and frustration. Because despite their flirty push-pull, foreplay-esque tussles which I probably would have liked more if there weren’t the weight of the narrative arc already written into the series, all I could keep thinking about was Rian and when he’d finally get his own story straightened out. It’s that heavy of a presence he has in ‘Atrophy’, which I find impossible to shrug off.

Even if Qae/Camille’s tale and their frolic with the space pirates didn’t exactly keep me engaged, I still like the organic whole of the ‘Atrophy’ series and that isn’t often that I can say this. Reading any book of Anastasi is like having a mish-mash of scenes from syfy-series that I’ve enjoyed over the years flash fondly through my mind. There’re parts of everything I love/hate, along with the understated dashes of humour which make me laugh not only because they always serve as shadows of what I miss in those—like new wine continually put in old wine skin.

But until Rian’s story comes, I suspect I’ll be in a well of frustration.

Imperator by Anna Hackett

Imperator by Anna HackettImperator by Anna Hackett
Series: Galactic Gladiators #10
Published by Amazon Digital Services, Amazon Publishing, Anna Hackett on July 8th 2018
Pages: 206
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three-half-stars

Space station security specialist Sam has done one thing since her abduction by alien slavers…fight to survive. But now one strong alien gladiator stands at her side and Sam knows she is no longer alone.

Thrust into a lawless desert arena, Sam Santos has done terrible things in order to stay alive. As the Champion of Zaabha, she’s been fighting to find a way out. Everything changes when the Imperator of the House of Galen sacrifices his freedom to help her. The hard-bodied, fierce man has vowed to help her escape, but getting out of Zaabha is only the first deadly task they face.

Galen was bred to be a royal bodyguard and protect his prince. With his planet now destroyed, he’s grown powerful and forged his wealthy gladiatorial House on the desert planet of Carthago. All Galen knows is honor, service, and sacrifice. Now his life depends on working with one battle-hardened woman of Earth as they fight together to survive. But Sam Santos is not what he expected. Tough, yes. A brilliant fighter, for sure. But there is a softer side to the woman as well. And Galen finds himself irrevocably drawn to all of Sam’s captivating facets.

Then they uncover a devious plot by the Thraxians that could bring down the foundations of the Kor Magna Arena and all they hold dear. Galen and Sam will stop at nothing to defeat the evil alien slavers, even if it means war. In amongst the fighting, Sam may finally show a man who lives for everyone else, that he deserves more than just honor and freedom, but love as well…if they survive the coming battle.

‘Imperator’ closes out Anna Hackett’s Galactic Gladiators series, or at least it’s the end…for now, until the next House gets its own story as a spin-off in the future.

Opening straight from the end of the last book (best to read them in order at least), Sam Santos’s and Galen’s story is one that Anna Hackett has been promising for a while. The fight agains the mortal enemy in this world comes to a head in this book and it’s an exciting one, though it did get loopy at times, as if Sam and Galen went round the merry-go-round getting free from the Thraxians, only to be captured again.

Sam, the former head of security on a space station, is as much as a gladiator and imposing warrior in her own right—I keep imagining a very sweaty Beyoncé dressed in tight leathers constantly holding a sword and knife for some reason—and a perfect match for Galen. Uber-capable, super tough, straight-shooting and determined, it’s easy to root for a strong female protagonist that you wish would always grace the pages of adventure romance books—eclipsing even the stoic and ever-in-control Galen who’d always scoffed in resignation about his gladiators falling for earth women.

I’ll admit that this isn’t quite the series that I’ve been salivating over, despite the rush of romance, adventure and iron-clad HEAs that are guaranteed in Hackett’s books. With the same formula of pairing women from earth with alien mates, the last-minute miraculous rescues and the survival against all odds that’s found in all of the books, I’m guessing that I’m probably thirsting after some deviation…somehow, somewhere.

The world-building is nonetheless impressive—it’s why Hackett’s books primarily appeal, even if not always for the pairing for me at least—and the book’s easy enough to breeze through, which would make it a perfect escape for a couple of hours.

three-half-stars

Pestilence by Laura Thalassa

Pestilence by Laura ThalassaPestilence by Laura Thalassa
Series: The Four Horsemen #1
Published by Amazon Digital Services, Amazon Publishing on March 20th 2018
Pages: 382
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three-stars

They came to earth—Pestilence, War, Famine, Death—four horsemen riding their screaming steeds, racing to the corners of the world. Four horsemen with the power to destroy all of humanity. They came to earth, and they came to end us all.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed.

Too bad no one told her Pestilence can’t be killed.

Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her … and hers towards him.

And now, well, Sara might still be able to save the world, but in order to do so, she'll have to sacrifice her heart in the process.

Now then, how’s this for a monumental twist of enemies-to-lovers? Saying that ‘Pestilence’ subscribes to this trope is like putting a pram’s wheels on a Ferrari. Or some other super car. Somehow Laura Thalassa manages it at least in the beginning half with a chilling and riveting start of 4 horsemen of the apocalypse riding through earth bringing death and destruction.

Particularly visceral is the trek down the famous highway 99 from Whistler to Squamish, a dystopic vision of a lone horse rider and his unwilling companion now superimposed on my memories of one of the most scenic routes I’ve ever been down. The extended time Pestilence and Sara spend together is in itself unusual: one filled with macabre curiosity and horrors, necessitating a slow, slow burn as Pestilence somehow finds a human side to get in touch with.

Yet what started as fascination turned into uneasiness, which then turned into pure disbelief. Issues of faith, religion and judgement—or at least what Thalassa presented—were never far from my mind running as meta commentary as I kept on reading, which Thalassa definitely succeeded in doing if this was always her aim.

As a romance however, it just became painfully obvious that Pestilence and Sara was a pairing that became harder and harder to get invested in as time wore on, the primary difficulty being reconciling the idea of the otherworldly Pestilence falling prey to human charms and human fallacies with the perpetual image I have of these perfect and deadly creature who always seem far above imperfections. To be laid low by a 21-year old who pretty much showed the ever-changing sides of a young adult (part-petulant, part-annoying, part-compassionate and part-self-righteous) who came close and pushed away repetitively? It just seemed somehow below an eternal being who’d never once wavered from his monumental task since time immemorial, who was now swayed too easily by a firefighter with a crude mouth and a penchant for not making up her mind.

What finally turned me off her however, came tragically at the end, where Sara’s own twisted rationale of love gave her the courage to walk away as she finally deemed Pestilence—who had a heavenly duty to fulfil—unworthy of her affections. Accusing Pestilence of judgement when she was guilty of doing the same, then having him crawl back to her was when I felt Thalassa had personally taken off the shine of what had made Pestilence so unique as an anti-hero, before imbuing him with the earthly loyalty of a teenage boy with stars in his eyes.

On the other hand, the constant vacillation of characterisation had me struggling with Pestilence, vague as Thalassa is with his origins and more so with his personality, the reasoning being that we mere mortals can’t ever hope to understand his higher purpose (it just made him frustratingly unknowable and too mysterious for all the millennia he’d been around).

With an ending that had me more baffled than happy, the story finishes on a grim warning and a rather uneasy HFN (to put it badly, considering Pestilence had somehow condescended to be human for the time both he and Sara will be around). I was still left feeling out of my depth as a reader, unable to hang on fast a pairing that took root but didn’t quite take off.

three-stars

Manu by Anna Hackett

Manu by Anna HackettManu Series: Hell Squad #16
Published by Anna Hackett on May 6th 2018
Pages: 138
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four-stars

As the battle against the invading aliens intensifies, a group of bad boy bikers and mercenaries will stand and fight for humanity’s survival…

When former berserker Manu Rahia lost his leg on a mission, he was forced to leave his squad. He knows his new role as head of the Enclave’s firing range and armory is important, but hates that he isn’t still out there fighting face to face against the aliens and protecting his brothers’ backs. But then one woman catches his eye. A no-nonsense woman dedicated to her job as head of security. A woman who seems cool on the surface, but who Manu is convinced is hiding more under her business-like exterior.

Captain Kate Scott dedicated her life to her career in the Army. Now she works hard taking care of security for the Enclave and its residents. She learned a long time ago that she isn’t a passionate woman, and that she’s better off sticking to her work. But seeing one big, bronze-skinned, muscled man at the range every day has her hormones going into overdrive. She’s never felt like this and she’s determined to get herself under control.

But when the aliens launch a viscous new attack, right on the Enclave’s doorstep, Kate and Manu must join forces to stop the raptors before more people get hurt. Kate will fight fiercely to protect her team and the base, as well as her heart. But Manu Rahia is a man who knows what he wants, will walk through fire to get it, and what he wants is Kate.

Hell Squad’s into its 16th installment and going strong as Anna Hackett makes her way through the squads defending earth that has gone under in an alien apocalypse.

Here, Hackett pairs the eldest of the Rahia brothers—these brothers have been making way too many waves even when they’re secondary characters in the rest of the books—with a no-nonsense former Army captain and it’s a romance that’s unusual in several aspects: an older hero/heroine, with the former whom I’d never thought would actually get his own book.

Apart from the quick attraction between Manu and Kate and their even quicker slide into instalove, I did like ‘Manu’ for the return to this particular world of the Gizzida and the continuing fight against them, as Hackett invents newer and newer threats which are barely countered by the end of the book. The numerous action scenes are engaging (mind-boggling even, considering the length of the novella), the sex scenes scorching and the HEA that happens at the end just reaffirms that there’s more to come, just not so soon, sadly.

four-stars

Ocean Light by Nalini Singh

Ocean Light by Nalini SinghOcean Light by Nalini Singh
Published by Berkley on 12th June 2018
Pages: 416
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four-stars

Security specialist Bowen Knight has come back from the dead. But there's a ticking time bomb in his head: a chip implanted to block telepathic interference that could fail at any moment--taking his brain along with it. With no time to waste, he should be back on land helping the Human Alliance. Instead, he's at the bottom of the ocean, consumed with an enigmatic changeling...

Kaia Luna may have traded in science for being a chef, but she won't hide the facts of Bo's condition from him or herself. She's suffered too much loss in her life to fall prey to the dangerous charm of a human who is a dead man walking. And she carries a devastating secret Bo could never imagine...

But when Kaia is taken by those who mean her deadly harm, all bets are off. Bo will do anything to get her back--even if it means striking a devil's bargain and giving up his mind to the enemy...

I’ve always had a soft spot for Bowen Knight, even loved his cause and his unwavering, determined fight for humanity in the Human Alliance (guess which one I belong to?)—the least of the three races it seems, in Nalini Singh’s Psy-Changeling world. My heart sank when Bo went down hard in ‘Silver Silence’ and just as I thought all hope was lost, ‘Ocean Light’ became my own (and Bo’s) salvation. This was the book I’ve always wanted ever since Bowen burst onto the scene, from the moment I learned that he had an immovable but lethal chip in his head about to detonate any time.

That Singh chooses to introduce Blacksea using Bowen’s story is an obvious shift away from the Bear changelings in ‘Silver Silence’, a mysterious group hinted at in the closing books of Singh’s “season 1” of her Psy-Changeling novels that focused solely on the cats and the wolves. Here, Singh opens yet again new pathways and original insights into her massive world-building that continues now deep down in the sea, so compelling in ways that it’s hard to turn away from the myriad of sea creatures and their personalities that populate this book. Half the book however, after the intriguing setup, comprises Singh’s languid, thorough exploration of the world Bo has found himself in, not least the slow unfurling and the slow romance between him and Kaia, before the pace picks up frantically again towards the end.

Written into Kaia Luna’s and Bowen Knight’s attraction is a conflict that’s drawn up against these lines: the bad blood between the humans the Blacksea changelings rather than just a personal feud that Kaia sets up against Bowen for the losses in she feels keenly in her life. Enemies-to-lovers in this context, might just seem a little too dismissive after all, too small a view to take in the huge world that Singh has written, though this is still a trope nonetheless, in romantic fiction which I like a lot.

Yet Kaia, a scientist-turned-cook (with maternal instincts and a soft, easily hurt heart that’s prone more to pulling away) in the Ryujin BlackSea Station, is the last person I’d expect Singh to pair with the hard security chief, who is as ruthless and emotionless as the Psy themselves without the telekinetic power. Coupled with the (somewhat unbelievable) bit of instalove written into a strong attraction—cue bodies hardening, arousal flaring—that strikes the both of them at first glance is perhaps also an attempt to humanise the hard-nosed image of Bowen Knight who is more a man of flesh and emotions more similar to the other alpha changelings than we think. I would have loved a stronger, harder, a more sword-wielding-type mate for Bo—the type that would have stood for his fight in the Human Alliance by his side with a weapon— but clearly this is my personal preference speaking for such heroines to materialise every time.

‘Ocean Light’ is satisfying on many levels, but I particularly loved the introduction to the Blacksea changelings and Bowen’s Knights. The threads of this incredibly complex arc that Singh has written are far from tied up, nonetheless. There are still too many unrevealed secrets here—things that Singh doesn’t choose to reveal—that baby steps seem to be the only way in which this juggernaut of a story can move on, which is both as rewarding and as frustrating at times.

four-stars

Cyborg by Anna Hackett

Cyborg by Anna HackettCyborg by Anna Hackett
Series: Galactic Gladiators #9
Published by Anna Hackett on April 1st 2018
Pages: 156
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three-stars

Scientist Ever Haynes was shocked when she was abducted by alien slavers...but the last thing she expected was to find herself pregnant with a cyborg's baby.

Ever has been fighting for her life since her abduction, and the only good thing to happen to her was one heated night with a mysterious prisoner--a connection, a flash of light in the darkness. But then he was rescued and she was left behind. Now, weeks later, she's been saved by the House of Galen gladiators...and by the man she shared the hottest night of her life with. But cool, emotionless cyborg Magnus Rone has no memory of their night together and finding out that she's expecting his baby is a shock to everyone.

Created in a military program, Magnus is genetically and cybernetically enhanced--emotionless, ruthless, focused. He vows to protect Ever and the baby she carries, and despite his lack of memory, everything about tough, levelheaded Ever draws him in. All his life, his emotional dampeners and training have limited his ability to feel emotions...but one small Earth woman cuts through all that and leaves him feeling.

As they work together to hunt down the deadly desert arena of Zaabha and the final human woman trapped there, Ever and Magnus find a stunning passion neither can resist or ignore. But in the dangerous desert sands of Carthago, with the House of Galen gladiators by their sides, deadly enemies are closing in. Ever and Magnus will be dragged back into the darkness, and Magnus will do anything and sacrifice everything to keep her safe.

In Anna Hackett’s Gladiator universe, it feels as though anything is possible. And that much frees the narrative to range from far-flung sand-dune adventures to ancient Rome-type fighting for sport and commerce.

With a stoic, near-emotionless cybernetically-enhanced guy suddenly thrust into the emotionally-laden sphere of impending childbirth with a woman he’d apparently been kidnapped with, I felt a little lost at sea here after the sudden shift in focus from the House of Galen to the House of Rone—like I’d been thrust into a backstory that I had no clue about at all, only for it to have been narrated almost as a throwaway line.

Nonetheless, ‘Cyborg’ feels like the book that’s leading us to the edge of some precipice that Hackett hasn’t yet thrown us over…as though it’s the penultimate book of a series that has mainly dealt with the systematic rescue of more earth women from unscrupulous traders and aliens, as the House of Galen and the House of Rone fight to dismantle illegal fighting rings and stop the kidnappings. Magnus Rone’s book continues this similar storyline with a different couple so it did seem a bit repetitive for me, though it’s always great fun each time to read the new things Hackett comes up with when the action scenes finally roll around.

The slight bit of a cliffhanger here is an excellent hook for the next book, though Hackett’s fans would barely need it at this point in time.

 

three-stars

His Beauty by Sofia Tate

His Beauty by Sofia TateHis Beauty by Sofia Tate
Published by Forever (Grand Central Publishing) on May 8th 2018
Pages: 171
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three-stars

She never should have come here. Twice a week, Lily Moore comes to work for me, stealing my breath with her light and beauty and sweetness. She doesn't know the dangerous path she's on. All she knows is that I am a reclusive artist living on a crumbling estate. That I am scarred, broken by life. A beast . . .

Lily ignites a hunger unlike anything I've known, one that could shatter the isolated world I live in. Even as I see the same longing for me in her oh-so-blue eyes, I know she belongs to another---one who does not deserve her. But it's just a matter of time before the tension between us breaks. For this beast will have what he desires. To hell with the consequences. This is my world . . . and I will claim my beauty.

Sucker for fairytale retellings that I am (I can’t ever get enough), I dove into ‘His Beauty’ for what’s probably my favourite tale of all time.

What I’ve always enjoyed isn’t just the meeting of the beauty and the beast, but also the differing contexts and backgrounds (be it a contemporary or a historical spin on the fairytale) in which they meet. ‘His Beauty’ starts out slow, detailing the circumstances under which Lily finds herself at Grayson’s door, painting a picture of the life she leads—a life that’s about to drastically change when she takes on a cleaning job at a recluse’s mansion.

If Disney’s version revolves around books and reading, Sofia Tate’s subject matter here is art. Her characters, which are more mellowed versions of a beauty and beast who don’t go through the same jagged highs and lows that seem par for the course. Instead, ‘His Beauty’ is more slow-going, with a burn that starts from friendship as Lily spends half the story with a fiancé, and while getting a little too…sensitive and emotional when it comes to Grayson (read: fretting and weepy).

I didn’t quite get the angst, or the sharp yearning from both sides that I normally associate with this fairytale; instead, I got increasingly frustrated when Lily kept resolutely wanting to continue with her jerk of her boyfriend to others, thus putting the relationship-development with Grayson on hold.

Consequently, as their attraction comes to a boil only much later in the book, it didn’t feel as though there was a sufficient build-up of the both of them, and I was actually thrown off when the more explicit scenes (and the vocabulary associated with them) came in from almost nowhere after Lily’s fiancé was finally out of the way.

As far as retellings go, if you prefer a slower-paced, less angsty version (with a teeny, teeny bit of suspense), ‘His Beauty’ is one to shelve. There’s an almost-disney-certified HEA, where all’s right with the world, but it’s not quite a ‘yay’ from me, sadly.

three-stars