Category: Chick Lit

99 Percent Mine by Sally Thorne

99 Percent Mine by Sally Thorne99 Percent Mine by Sally Thorne
Published by William Morrow Paperbacks on 29th January 2019
Pages: 352
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Crush: a strong and often short-lived infatuation, particularly for someone beyond your reach…

… If Darcy Barrett hadn’t met her dream man when she was eight years old, the rest of the male population wouldn’t be such a let-down. No one measures up to Tom Valeska, aka the best man on Earth, not in looks, brain or heart. Even worse is the knowledge that her twin brother Jamie saw him first, and claimed him forever as his best friend.

Tom’s off limits and loyal to her brother, 99%. One percent of Tom has had to be enough for Darcy, and her adoration has been sustained by his shy kindness. And if she’s honest, his tight t-shirts.

Now Darcy’s got three months left to get her life together before her twin insists on selling the tumble-down cottage they inherited from their grandmother. By night, she’s working in a seedy bar, shooting down lame pickups from bikers. By day, she’s sewing underwear for her best friend and wasting her award-winning photography skills on website shots of pens and novelty mugs. She’s enjoying living the messy life, and a glass of wine or ten… until that one night, when she finds a six-foot-six perfect package on her porch.

Tom’s here, he’s bearing power tools—and he’s single for the first time in a decade.

As a house flipper extraordinaire, Tom has been dispatched by Jamie to give the cottage a drastic facelift that will result in a ton of cash. Darcy doesn’t appreciate Tom’s unsentimental approach to knocking down walls, and he really, really doesn’t approve of her current burnout boyfriend. They can’t be in the same room together without sparks flying- and it’s not the faulty wiring. One bedroom wall separates them at night, and even that’s looking flimsy.

Will Tom ever see Darcy as anything other than a little-sister obstacle to get around? And can she stand up to her most formidable opponent—her twin? This time around, she’s determined to make Tom Valeska 99 percent hers, and he’s never managed to say no to her yet…

I’m not sure how to deal with my own sky-high expectations after Sally Thorne’s ‘The Hating Game’, so ‘99 Percent Mine’ having to match these is a tough order to boot. And as much as it pains me to say, my struggles started as I was barely past the first few pages.

Now that didn’t bode all that well. Getting on board with Darcy Barrett’s voice, her inner musings—neurotic, bitchy, lonely and tetchy—written in a first-person POV, New Adult style storytelling was difficult to begin with. There were too many tangents that a single, small thought of hers took, to the point where I wondered what Darcy really was trying to ramble on about as the story wound round and round with her self-deprecating bitterness and her observations of her surroundings (this swung from random things to other random things like a stream of consciousness) before moving forward with some significant developments.

Darcy was also quite the runner in every sense of the word, which isn’t the kind of protagonist I can say I honestly like. (Somehow characters in romantic fiction who drift from country to country, never putting down roots are those who in some clichéd manner, never seem to find their home until the one thing that’s been always bothering them gets put to bed.) Her endless pining for Tom Valeska was described with bombastic, exaggerated care, though much of it just came off as hopeless and reckless, just like what Thorne seemed to portray of Darcy—an annoying and burned-out mess who has descended into a deranged spiral of morbid thoughts of Tom and his supposed fiancée, while going at her own love life and career like the tanked things they were.

In any case, I couldn’t even finish the book at all. Maybe someday in the far distant future, ‘99 Percent Mine’ might be just what I need. But not today.

The Chase by Elle Kennedy

The Chase by Elle KennedyThe Chase by Elle Kennedy
Series: Briar U, #1
Published by Elle Kennedy Inc. on 6th August 2018
Pages: 377
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three-stars

Everyone says opposites attract. And they must be right, because there’s no logical reason why I’m so drawn to Colin Fitzgerald. I don’t usually go for tattoo-covered, video-gaming, hockey-playing nerd-jocks who think I’m flighty and superficial. His narrow view of me is the first strike against him. It doesn’t help that he’s buddy-buddy with my brother.

And that his best friend has a crush on me.

And that I just moved in with them.

Oh, did I not mention we’re roommates?

I suppose it doesn’t matter. Fitzy has made it clear he’s not interested in me, even though the sparks between us are liable to burn our house down. I’m not the kind of girl who chases after a man, though, and I’m not about to start. I’ve got my hands full dealing with a new school, a sleazy professor, and an uncertain future. So if my sexy brooding roomie wises up and realizes what he’s missing?

He knows where to find me.

Elle Kennedy’s is always a curious choice of an author for me. Very often, her books can go either very well or sideways—yet this is pitted against the readablity of her writing—so it’s this unpredictability that always makes me nervous to start any book of hers.

The blurb of ’The Chase’ sold me really, since it began on the assumption that most surface-level things tended to hide something deeper. But the type of college-life Kennedy portrays—the world of college athletes, sororities, the drug/party-scene and the casual hook-up culture—is one that I’m quite tired of (given the large number of books perpetuating this same worldview, where everyone seems obsessed with only cock-and-boob size and not much else), so picking up this book was done with more than a tad bit of apprehension.

I can’t really remember Summer’s and Fitzy’s flirtation at all but the setup is quite an intriguing one, with opposites-attracting being the main trope…with the moral of the story typically ending with looking past the very shiny veneer.

And I tried very hard to find the deeper bit, though honestly, I can’t say I was entirely successful in plumbing the depths of the protagonists or the superficial world that seemed to be perpetuated here. Even with her learning disability, Summer still did come off as an exhausting, spoilt, over-the-top airhead, full of the drama she tended to create around herself, and trying with words to convince others she has substance rang a little hollow with actions that felt contradictory.

While I liked reading a lot more about were both Summer’s and Fitzy’s interests and plans past their college years rather than the constant focus on hooking-up—even though that seems to be the main theme of N/A books these days? Yet there wasn’t too much of it at all; in fact, the bits about sexual harassment, disabilities and all the other shady little things that tend to get shoved under the carpet were the things that I found too little of as though these were just side issues mentioned, and rushed through because Kennedy focused on who was trying to jump into bed with whom.

Not tackling the hard topics left me disappointed as a result, and the creation of a sort-of love-triangle stuttered what could have been a more convincing effort to build on Summer’s and Fitzy’s connection instead of the mixed messages that kept pinging across (while bulldozing over other people). That the actual romance began much, much later in the book just made the first half feel like filler, or rather, time spent to set-up the rest of the characters and potential pairings in the rest of the series.

So I’m mixed really. Reading ‘The Chase’ wasn’t a hardship at all. The pages flew, the drama (never-ending at times) went on. But I finished it all still wishing, nonetheless, that I had something more solid to take away.

three-stars

Ache for You by J.T. Geissinger

Ache for You by J.T. GeissingerAche for You by J.T. Geissinger
Series: Slow Burn #3
Published by Montlake Romance on 6th November 2018
Pages: 362
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one-star

In this fairy tale with a sexy twist, she’s a penniless San Francisco seamstress. He’s the king of Italian couture. Who’s got designs on whom?

Boutique owner Kimber DiSanto has seen better days. She’s been dumped at the altar by Prince Charmless, her business went up in flames (literally), and now she’s stuck in Florence, Italy, with an ice-queen stepmother, to try to save her late father’s failing dress shop. Only one thing could make it worse: another man in her life. The arrogant Italian fashion tycoon offering to buy her father’s shop is as rich as he is sexy, and their attraction is off the charts. But Kimber’s not about to get burned again.

Women don’t say no to Matteo Moretti—and certainly not with Kimber’s stinging precision. With all the heat and fury sparking between them, Matteo can’t resist baiting the gorgeous American. His plan? Win her over one scorching kiss at a time.

Kimber tells herself it’s all just a game. That her broken heart isn’t in danger, and that Matteo’s touch does not make her Lady Land dance with joy. But sometimes it takes the fieriest of enemies to turn a fantasy into a real-life romance.

Down-on-her-luck Kimber—dumped by a wealthy fiancé at the altar—makes it to Italy, though not without more drama following her around, mostly in the form of another rich Italian tycoon. Only to realise that her dying father has remarried a calculative barracuda, left her with 2 stepsisters, and an evil stepmother.

If this rings familiar, that’s because ‘Ache for You’ is a Cinderella tale of sorts from riches to rags and riches again, only that it involves a truly unlikeable heroine and a mysterious Italian fashion magnate who somehow gets turned on by rudeness and a judgemental attitude.

Kimber’s tendency to overreact, her exaggerated hysteria and self-pity pouring through the pages from the start as she makes everything all about her and her misery had me wondering if I’d accidentally stumbled onto a bitchy reality series instead of a reconstructed fairytale romance. Gritting my teeth, I hoped it would get better as I read on but instead, it became more and more farcical to be believable. I just couldn’t get the connection between Kimber and Matteo—are sparks supposed to fly if the latter gets off on being verbally abused?

In essence, as much as fairytales are supposed to be much-beloved archetypes, I thought Geissinger’s own characters felt too ‘locked’ in their stereotypes (the rom-com, first person POV style of writing confirms this) to be anything more than caricatures flitting through the winding plot.

As much as I liked the first book in the series, which did actually seem promising, I’m unfortunately going to count this as a total bust for me: the signs couldn’t be clearer when I found myself simply more exasperated than enthralled just a quarter way through.

one-star

It Seemed Like a Good Idea at the time by Kylie Scott

It Seemed Like a Good Idea at the time by Kylie ScottIt Seemed Like a Good Idea at the Time by Kylie Scott
Published by Createspace Independent Publishing Platform on 7th August 2018
Pages: 185
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two-half-stars

Returning home for her father’s wedding was never going to be easy for Adele. If being sent away at eighteen hadn’t been bad enough, the mess she left behind when she made a pass at her dad’s business partner sure was.

Fifteen years older than her, Pete had been her crush for as long as she could remember. But she’d misread the situation—confusing friendliness for undying love. Awkward. Add her father to the misunderstanding, and Pete had been left with a broken nose and a business on the edge of ruin. The man had to be just as glad as everyone else when she left town.

Seven years on, things are different. Adele is no longer a kid, but a fully grown adult more than capable of getting through the wedding and being polite. But all it takes is seeing him again to bring back all those old feelings.

Sometimes first loves are the truest.

‘It Seemed Like a Good Idea at the Time’ is quite a mouthful, but it’s hard to put down with the wrenching pain of unrequited love being the driving factor here, given the somewhat forbidden trope of much older man and younger woman, who reunite after the latter pretty much blew up their friendship by making a pass at him 7 years ago. The stupid things teenage girls do when faced with their crushes are what I remember (cringingly fondly?) as well, nonetheless and this was the basis that kept the pages turning. That and that an age-gap like 15 years doesn’t bother me—so I was on it like white on rice.

But Adele’s and Pete’s history is inked in such a way that makes me question the age-gap issue: would a teenager really find a best friend in a 30-year-old man? (As a teen with a limited perspective, I simply remembered that anyone past 25-ish or so, to be naively considered middle-aged and didn’t have much to talk about with them apart from school and, well, nothing much else) How did Pete transition from seeing Adele as the ‘kid’ to a romantic partner and how on earth did Pete and Adele suddenly regress to being teenagers in their interactions when the former couldn’t seem to deal with something that happened years ago?

Adele comes across, as a result, as the more mature, thinking adult, and for some reason, so forgiving of Pete’s indiscretions and indecisiveness. Or at least, with the whole novella written in Adele’s POV, it is so much easier to see her own insecurities and flaws exposed while I felt too kept in the dark about what Pete is thinking. It’s also quite inconceivable that, as Adele mentioned herself, a man at 40 hadn’t seen the light enough to deal with his own abandonment and emotional issues to remain a closed-off player that he goes about it by blowing hot and cold numerous times…all of which suddenly gets shrugged off at the end.

I would have been probably more mollified however, without the ending twist that seemed to forced a happy ending for all involved—2 people hashing it out and dealing with what’s between them would have worked better, instead of the dependence on external circumstances to speed things along quite unbelievably. Honestly, it’s hard to rate this story like this, where I got through it effortlessly – Kylie Scott’s writing is pretty good that I could empathise mostly with Adele – yet detested the slide into the New Adult feel of it when I’d clearly expected the protagonists to behave their own ages.

two-half-stars

Water Under the Bridge by Lily Malone

Water Under the Bridge by Lily MaloneWater Under The Bridge by Lily Malone
Series: Chalk Hill #1
Published by Harlequin MIRA on 19th February 2018
Pages: 268
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three-stars

Ella Davenport hasn’t been in a swimming pool since a bad decision ruined her chance of Olympic gold. So when Ella decides on a new career selling property, she chooses Chalk Hill. The country town is a long way from the water, with no pool in sight. Perfect!

Jake Honeychurch doesn’t want to sell his Nanna’s house, but circumstances force his hand. Listing the property with the rookie real estate agent in town, and asking a hefty price means it shouldn’t find a buyer. Perfect!

But determination and persistence are traits Jake admires, and Ella has them in spades. After all, no one ever made an Olympic team by being a quitter.

When news breaks of a proposed waterski park, a local developer starts sniffing around Honeychurch House. Ella’s first sale is so close she can taste it, until a sharp-eyed local recognises her.

Between sale negotiations with Jake that keep getting sidetracked, and a swimming pool committee hellbent on making a splash, Ella has more to contend with than kisses and chlorine.

Can she throw off the failures of the past and take the chance of a new start? Or will her dreams of a new life be washed away again?

I’ll say something from the outset and that has to do with how much I normally love Lily Malone’s writing. It’s just ‘Water Under the Bridge’ that didn’t quite work out right for me, despite the wonderful setting of a part of Western Australia so little explored in rural fiction and the unique rhythms of life that Malone captures very nicely here.

There’s something so wistful and close to my heart here about Ella’s new career direction and her past trauma after all—a hundred and eighty degrees somewhere else, where all hopes are pinned onto having something noteworthy marked into a new career; in Ella’s case, the sale of an overpriced home which is listed by an owner out of grumpy pretence.

That much got me through a third of it, where I soon found myself flagging. Admittedly, Ella and her constant hedging about her son’s real parentage when I thought she owed it to Jake *and* her son to be open with them tested my patience sorely; that much reduced my enjoyment of the story which inched forward only because it became a test of Ella’s inability to be honest and open with many moments that seemed deliberately engineered to stop her from doing so as well.

Ultimately, it became an exercise in frustration because it was road block after road black of stubbornness rearing its head in so many places: Ella’s reticence and overreactions and self-pity, Sam’s obstinate acting out, Abe’s refusal to talk, and the list goes on. I’m usually out to root for the protagonists in romantic fiction—if I can’t ship a pairing, then it’s pretty much useless—but the difficulty I had getting behind a female protagonist who kept blowing hot and cold (and made it so effective such that inroads were just simply impossible) definitely deterred this.

So frankly, I’m not too sure how to place my own feelings about the book. There were parts which I was enthralled with, parts that I really didn’t like, yet I’m still eager for the next book in the series because, well, Malone’s writing isn’t something I can resist.

three-stars

Hot Winter Nights by Jill Shalvis

Hot Winter Nights by Jill ShalvisHot Winter Nights by Jill Shalvis
Series: Heartbreaker Bay, #6
Published by Avon on 25th September 2018
Pages: 384
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three-stars


Who needs mistletoe?

Most people wouldn't think of a bad Santa case as the perfect Christmas gift. Then again, Molly Malone, office manager at Hunt Investigations, isn't most people, and she could really use a distraction from the fantasies she's been having since spending the night with her very secret crush, Lucas Knight. Nothing happened, not that Lucas knows that — but Molly just wants to enjoy being a little naughty for once...

Whiskey and pain meds for almost-healed bullet wounds don't mix. Lucas needs to remember that next time he's shot on the job, which may be sooner rather than later if Molly's brother, Joe, finds out about them. Lucas can't believe he's drawing a blank on his (supposedly) passionate tryst with Molly, who's the hottest, smartest, strongest woman he's ever known. Strong enough to kick his butt if she discovers he's been assigned to babysit her on her first case. And hot enough to melt his cold heart this Christmas.

There aren’t many books that I know of that mix very, very light suspense with chick-lit, but it seems that Jill Shalvis is carving that niche on her own with the Heartbreaker Bay series, with stories (quirky cases and droll banter and cozy girl talks) that never get pulled into heavy angst and convoluted conspiracy theories with James Bond-like action but still manage to stay on the side of the light-hearted rom-com.

‘Hot Winter Nights’—possibly tailored for the winter season—takes a little getting used to when it’s being read when the sun shines too hot and bright still, but that’s a silly little quibble here.

The brother’s sister and fellow employee being off-limits is what Shalvis tackles, with a case that Molly Malone is itching to take on, sick as she is with paperwork and handling things from behind a desk. Lucas Knight is tasked to be her babysitter in secret and predictably, for two people who have been dancing around each other for ages, nothing quite good can come out of the attraction that zings around like mad.

My struggle however, lies with the similarities of the protagonists that are featured in this series: the men, many from Archer Hunt’s company, are cut from the same cloth, with the same (non)outlook towards relationships while the women stand out more in their differences and fight the men a little more with their own brand of sass.

And as with a typical rom-com, the tropes here—good friend’s sister and the fear of stepping out of line, the emotional dance between non-committal people play a major role—are played to their max, along with a small-time case that wouldn’t even make a ripple on the national stage.

In essence, there were parts that I felt more engaged in (the shady Santa business got somewhat boring) and parts where I had a problem feeling the connection between Lucas and Molly, the former of whom inexplicably suddenly seemed to want her (because she’s more closed off than him?) when all he’d wanted for years was not to get involved with any woman emotionally.

But ‘Hot Winter Nights’, like the rest of the books in the Heartbreaker Bay series, is a typical Shavis-read…even if it didn’t fully work for me, it isn’t to say that it wouldn’t be a good read for readers who like Shalvis’s patented style of storytelling.

three-stars

Happy Hour by Piper Rayne

Happy Hour by Piper RayneHappy Hour by Piper Rayne
Series: Charity Case #3
Published by Amazon Digital Services, Amazon Publishing on 12th July 2018
Pages: 306
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The perfect man for her is the one she hates most. #gofigure

Dating is hard. Dating in your thirties is even harder. Dating in Chicago is harder still.

I haven't given up on finding my happily-ever-after, but in the age of swiping right and Netflix and chill, I'm wondering if everything is as temporary as my marriage turned out to be.

Truth is, there is one guy I can't get my mind off of.

Roarke Baldwin has salt and pepper hair I've dreamed of running my hands through and I'm pretty sure that if I checked he really does have a six pack of abs underneath his suit. And I've always wondered what that stubble on his face would feel like between my thighs.

The problem? He's the one man I hate more than my ex-husband…

His divorce attorney.

The enemies-to-lovers trope is one that I really like and ‘Happy Hour’ is one of the few that I wanted to get into if only to read how a woman falls head over heels over her divorce attorney—one who helped her ex-husband screw her over (monetarily, at least).

Still, the sparks between Roarke Baldwin and Hannah Crowley have been hinted at for a while now and ‘Happy Hour’ is a story of a lost venue, a grudging turn to a nemesis and the subsequent build of a relationship that one has been hankering after more than the other.

The subsequent 5 favours that Roarke asks of the gun-shy Hannah is sweet-amusing in some ways; they’re all non-sexual and non-demeaning, as part of the contract and it was by and large fun to see how Roarke desperately tries to manoeuvre Hannah to where he wants her. The journey onward is predictable as a result: the favours draw Hannah and Roarke together, catalysing what we as readers know and expect that it would all end up as time between the sheets. The conflict itself is just as inevitable nonetheless and it’s something that’s been done dime a dozen times—addressing Hannah’s skewed view of men, their purpose and the place they play in her life.

The conclusion proved unsatisfying as a result. I did think it was unfair of Hannah to write marriage off completely after her very first one, even to a man who’d gone to bat for her in the end because it seemed to show there were some obstacles that Roarke couldn’t overcome in her life still, this being one of them, so much so that it felt as though they were still living in a compromised state as long as Hannah didn’t open herself to that possibility once more.

In contrast, Roarke came off as the sweeter, more open and vulnerable of the two, unlike the corporate shark I thought him to be. Solely written in Hannah’s POV, thereby exposing all her thought-processes that turned neurotic and paranoid at times, I know I would have preferred a glimpse into Roarke’s mind as well, particularly what he’d been thinking ever since he stuck her with the 5-favour-contract.

Most of the time, it felt as though Roarke had an insurmountable mountain to climb when it came to Hannah (her idiotic and sometimes bitchy self-denials and her refusal to trust) and what made me hesitant about my own rating about this book was how Hannah used her her mistrust of men after her disastrous marriage to judge everyone else who comes after. That she knew and admitted it, yet acted stupidly about it, made me feel sorrier for Roarke’s efforts that were doomed to fail because of her insecurities.

So if ‘Happy Hour’ started happy for me, it degenerated into more eye-rolling as I read on, mostly because I was rooting for Hannah to rise above her past—to be that sort of heroine is the kind I ship—but never quite got it by the end of it all.