Series: Devil's Rock #5
Published by Avon on 30th October 2018
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Locked in with the town bad boy . . .
Most women would be scared, but Gabriella’s only worried about resisting Cruz Walsh, who’s even hotter than he was back in high school. Cruz was wrongly accused of the high-profile crime for which he was imprisoned; Gabriella’s desperate for the scoop that will get her career off the ground and get her out of Sweet Hill, where everyone still remembers her as “Flabby Gabby.” Being stuck in a supply closet with Cruz is the perfect opportunity to land an interview. What Bri doesn’t count on is Cruz taking “up-close and personal” to a whole new level.
If there’s a silver lining to the hell Cruz went through, it’s that losing his freedom put everything in perspective. Maybe starting over someplace new would be easier, but after years locked up, Cruz values his family—and his true friends—more than ever. So he’s back home, facing the gossip, dodging reporters . . . and face-to-face with Gabriella Rossi. They’ve both changed: Bri wants a story and Cruz just wants her. Another thing he’s learned? Don’t let a good thing slip away.
Sophie Jordan’s ‘Devil’s Rock’ series is not an easy one to pin down. I’ve been mixed on these books, but keep on going back because I like the premise of how her protagonists pick themselves up again after life kicks them down. And what best demonstrates this spiral than time in prison, where things can only go up from then onwards?
‘Beautiful Sinner’ is just that: a wrongly-accused man who’s free but who can’t escape his past, paired with a woman who happens to want him…and something from him. There’s little else, apart from a huge preoccupation with the heroine’s body issues, and pages and pages trying to ramp up sexual tension before Cruz and Gabriella fall into bed which then later turns supposedly into love, so much so that the story could have been cut in half and still been told satisfactorily.
There’s also an intensely N/A feel to it, if that’s your thing: the flashbacks, the innumerable self-image issues that Gabriella faced, the inability to get past those teenage years with peripheral characters behaving like stereotypical mean-girls, the journey of self-discovery along the way…all of which had me turning the pages wondering if I’d fallen into high school or college drama without meaning to.
The baffling bit is a small bit of history over a decade ago that Cruz apparently can’t forget—a make-out session with a mystery girl who did a Cinderalla-move on him where she pretended to be someone else, before disappearing for a long time. Yet what tossed my suspension of disbelief out of the window however, was the painfully ridiculous notion that Cruz, at that time (even as a manwhore), couldn’t tell the difference between girls in total darkness (they’re not the same size!) as they made out. That this particular night was given so much weighty significance 12 years later left me incredulous (most people barely remember such things), because well, I’d thought that life experience and a myriad of memories in the intervening years would have long overshadowed that night that both apparently could never forget.
It’s also hard to deal with a heroine so insecure about her own body and so downtrodden in so many ways, seeking validation in every small compliment she can get. Even harder yet to deal with is the way Gabriella had made Cruz out to be the one and only man who could persuade her with sex so different and so out-of-the-world from her other boyfriends. (It certainly helps that Cruz only wants her type of body) Body-image issues are hard to deal with—this much I acknowledge. But to read how it becomes all-consuming where a heroine can’t believe anyone would want her, let alone a man with a smoking hot body pushes it too far even for me.
I think I was looking for more to this story but never quite got it, until way past the halfway mark when the conflict finally kicked in. It was only then when things got more interesting, though by which time, I was a little too ready to throw in the towel.