Series: Twisted Wishes #2
Published by Carina Press on 24th September 2018
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Twisted Wishes lead guitarist Dominic “Domino” Bradley is an animal onstage. But behind his tight leather pants and skull-crusher boots lies a different man entirely, one who needs his stage persona not only to perform, but to have the anonymity he craves. A self-imposed exile makes it impossible to get close to anyone outside the band, so he’s forced to get his sexual fix through a few hot nights with a stranger.
When computer programmer Adrian Doran meets Dominic, he’s drawn to the other man’s quiet voice and shy smile. But after a few dirty, demanding nights exploring Dominic’s need to be dominated, Adrian wants more than a casual distraction. He has no idea he’s fallen for Domino Grinder—the outlandish, larger-than-life rock god.
Dominic is reluctant to trust Adrian with his true identity. But when the truth is revealed prematurely, Dominic is forced to reevaluate both his need for Adrian and everything he believes about himself.
I’ve always been intrigued by Dom Bradley, or at least, with the sexy but untouchable stage persona he assumes that has helped become a weapon against his shyness when performing. And it was more than an inkling that ‘Counterpoint’ would be a book that would tear apart these well-compartmentalised identities, considering meeting and hooking up with Adrian Doran is the catalyst that brings us to this point.
But ‘Counterpoint’ starts with a slow, almost awkward introduction—there isn’t too much of the nerd boy that Zabo explored in her previous book, so it is gratifying to see just how different Dominic/Domino is at the start—that actually left me surprised with the fidgety Dominic whose top layer simply doesn’t resemble the rock god at all.
Still, the burn is slow despite their flirting, the poetry and the literature and the quick hookups, and I got impatient getting to the meat of the story and skimmed even the smutty bits that for some reason didn’t interest me too much, until the conflict finally, finally kicks in towards the end. It is primarily the shifting nature of these identities that Zabo takes on that I wanted to read after all, such that this eclipsed everything else that others might find they like about the story, their bedroom activities and all. So I lapped up all the bits that involved Dom and his difficulties with his stage persona, then found myself skimming the others.
Nonetheless, slippery as it is to handle, I thought the complexity of Dom’s issues is quite well teased out (admittedly for longer than I thought these should have been)—the contradictions, the fear of discovery, the identity that he hides behind—though in contrast, I found Adrian less interesting, who feels more like a typical player who finally can see himself settling down with someone as unusual as Dom, who then fights for a relationship that he suddenly wants so much.
Objectively speaking, ‘Counterpoint’ is more than a decent read and that’s Zabo’s confident writing showing here. But to say that the last quarter is the most thrilling and enjoyable bit is probably the most accurate sum-up for me, just like ’Syncopation’ was.