Series: Games People Play #3
Published by Avon on December 26th 2017
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They say it takes a thief to catch a thief, and Harrison Tate is proof. Once a professional burglar, he now makes a lawful living tracking down stolen art. No one needs to know about his secret sideline, “liberating” artifacts acquired through underhanded methods. At least until one of those jobs sees him walking in on a murder.
Gabrielle Wright has long been estranged from her wealthy family, but she didn’t kill her sister. Trouble is, the only person who can prove it is the sexy, elusive criminal who shouldn’t have been at the island estate on that terrible night. She’s not expecting honor among thieves—or for their mutual attraction to spark into an intense inferno of desire.
Under the guise of evaluating her family’s art, Harris comes back to the estate hoping to clear Gabby’s name. But returning to the scene of the crime has never been riskier, with their hearts and lives on the line.
‘The Pretender’ is HelenKay Dimon’s third foray into a group of mysterious men who do mysterious things and it’s one of those books that tend to leave me (as the previous books in this series have) with a very unfulfilled sense of ending, because of the very nature of these men and women who are frankly, difficult to get into.
It isn’t a slight on Dimon’s writing at all, because that itself is quite polished and I love this particular bit about Dimon that keeps me coming back for her books. In fact, the beginning chapter sucked me in straight as a watching art thief gets embroiled in a vicious murder, whose presence—should he confirm it—would exonerate a woman accused of many things. But from there onwards I found myself putting down and picking up the story so many times over the span of about a week or so, just unable to get deeper into the mystery that didn’t unfold as quickly for me as I liked.
There is a boat load of things going on, as there is a weird claustrophobic feel of the island setting as characters find themselves as potential pawns and suspects, but the pieces of this puzzle are doled out piecemeal and very sparingly in the first half.
It was tooth-clenchingly hard to get them put together, and I was frustrated when the pacing stuttered because the protagonists chose sex over talking too often, leaving half-truths on the table as trust is treated almost as secondary to passion. There is some form of continuing deception and dishonesty on both Harris and Gabby’s sides while a murderer is running loose, and this proves ultimately not only distracting but puts the whole relationship on shaky foundation that consequently made it hard to get invested in.
But because ‘The Pretender’ tried to juggle the whodunnit element of a mystery thriller with the obstacles of what deception might to do a relationship that began on the wrong footing, there were parts where the mystery was going nowhere when motives didn’t generally become that much clearer even as the story went on. Unfortunately, I found myself disappointed with this one—the difficulty in finishing the book was enough proof of it.