Series: The Boardroom #1
Published by Carina Press on January 22nd 2018
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The Boardroom. After hours, it’s where Bay Area moguls indulge their fantasies. Ties are loosened. Inhibitions, too.
Assistant Avery Fast watched from a distance, mouth gaping, blood roaring wildly in her ears as she stared at the naked woman on the table before her. At executive Carson Taggert ordering a man to pleasure her. It made her feel guilty, embarrassed…and hot.
Carson watched and waited. Waited for Avery to notice him in the Boardroom. Waited for her to like what she saw. Waited to see what she’d do the next day. And the next. He couldn't let her go—not when she'd seen what goes on in the Boardroom. He couldn't stop thinking about the desire in her eyes, the flush on her cheeks, her obvious arousal.
Getting her to join was easy. But now Carson wants Avery all to himself.
‘After Hours’ is a curious read. It’s clearly erotica, where sexual exploration of any kind—where voyeurism initially plays a large part—is done in a boardroom, spearheaded by none other than the chief technology officer, under very strict rules that we aren’t exactly privy to until further on in the book.
It’s seedy and fascinating at the same time to see how something else darker and seductive comes out to play (and the upper echelon of the prestigious office do get busy) when the lights go out after the work day. At the heart of it all, the characters seem to lead double lives that are only unveiled as Avery Fast finally gains access by accident into this hedonistic playground where the garden of delights so to speak, is finally revealed to her. Part glamorous retro porn movie (or at least it seems that way in technicolor) and part noir-ish sensuality, I struggled to find my footing with the characters who seem more enigmatic than relatable.
I didn’t get the entire picture of what the Boardroom was supposed to be at first, though a lot of it seemed to be about commands, control and boundaries, which is probably the paradox of such sexual play just like in ‘Eyes Wide Shut’: freeing yet binding, open but secretive as hell, exploratory yet reined in, highly sexualised but devoid of intimacy. Bottom-line is, it still demands trust, more on one side than the other, until emotions suddenly get into play and rips apart the detachment required in the Boardroom as Avery goes on that twisty journey of sexual awakening.
Does love then, have a part to play in this, considering romance is supposed to underscore the entire story? At the very least, it’s about the various contradictions that Avery has about her own conservative brand of sexuality: the shame of not being able to be the person other than she’s brought up to be even though she’s far from virginal, yet wanting more than just sex with no limits through experimentation in the Boardroom that nonetheless, tethers her with its strict parameters. I don’t feel as though I know Avery or Carson very well by the end of it but the story does lapse more comfortably into the ‘romance category’ when it’s made clear that the Avery still wants the family and the picket fence as the very non-committal Carson finally falls prey to it.
As a result, Avery’s and Carson’s liaison is so far beyond the typical office romance that I’m unclear how to classify it, or rather, I’m still not sure how I feel about the book simply because erotica always keeps me unbalanced no matter how many times I delve into it. ‘After Hours’ does crystallise at the end with a very strong (and perhaps prescriptive) message, almost like the moral of the story that proclaims to all female readers who’ve always complained about the double standards in romance, that women shouldn’t be embarrassed about what they liked about their sexual preferences as Avery comes out of that experience unapologetic and supposedly more enlightened about her sexual self—thanks to Carson.
Stylistically speaking, ‘After Hours’ is well-written, well-paced and done with a deftness that I can appreciate. Lynda Aicher’s a new author to me, but as uncertain as I am about the subject matter and that defiant, feminist message that got me straight in the face thanks to Avery and a secondary character, Aicher makes a huge impression with her prose. It got me past my comfort zone in dealing with open relationships and it’s handled in a way that kept me off-centre the whole time.