Published by Montlake Romance on October 24th 2017
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To set him free from an ancient curse, she must travel to a time of myth and legend…
Regan MacCarthy’s ability to see ghosts is a gift inherited from her Irish ancestors, but it’s one she’d dearly like to give back. In an attempt to return her powers to their source, she travels to Ireland to harness the ancient magic that still permeates the mystical site of Newgrange. Instead, something far more unexpected awaits her: a strapping, gorgeous stranger who insists he’s a centuries-old Celtic warrior.
Fáelán was one of Fionn MacCumhaill’s elite soldiers before being cursed by a resentful fae princess. The only way to free himself is to fall so deeply in love that he’d sacrifice his life. Not an easy matter when he’s invisible to most. Yet Regan sees him—not just the proud, handsome warrior on the surface, but the complex man beneath. Only when it’s too late does Fáelán realize that drawing this beautiful mortal into his world has endangered them both, and may destroy the happiness he’s waited an eternity to claim…
‘Tangled in Time’s premise has a certain fairy-tale like veneer to it: a man stuck in some indeterminate, liminal realm, cursed by a fae princess, to be set free only when he finally falls in love and gets a woman to return that sentiment.
The only problem is, Regan MacCarthy refuses to believe that Faelan of the Fiann is anything but a ghost and the latter’s effort trying to convince her takes up a significant part of the first part. The first part of the story goes as expected: Faelan is already half in love with Regan for engaging him and seems to be determined that he will be falling in love with her. Gotta love that ardent, earnest spirit, hey? Except that this happens only for the first half of the story, until Faelan’s curse isn’t released at all, because well, a vengeful fae refuses to let him go.
I spent a fair bit of the first part simply trying to figure out the mythology of the fae and the realms and Longley’s interpretation of Faelan’s cursed existence, which left me more puzzled by how it all worked. But being stuck in the void is just weird business: Faelan, as a 1800-year-old cursed guy, can ‘teleport’ himself past his island, though he isn’t susceptible to the elements, can shave with a disposable plastic razor (does he really shuttle material things back and forth the realms?!), speaks like a Scot, can’t smell, and even manages to alternate between ancient and modern clothes—it’s a mental tally that I’d gotten going subconsciously as it sort of became clear how he managed that.
Yet I was going along with the ride though, until some twists and turns came towards the middle of the book and these revelations made the story difficult to continue after that. There is sort of another woman involved, though not in the traditional sense and the consequences of Faelan’s ancient indiscretions as we learn later, is actually the basis for why he’s stuck that way. Despite the interesting paranormal slant to the story, the heavy involvement of OWs is a personal turn-off and then throwing some foetuses into the mix just makes it worse.
I’m just sorry to say I can’t give a better review and rating to this story whose blurb intrigued me so much. It was fun to see the mythical Ireland reconstructed through Barbara Longley’s pen, complete with mists, rolling hills and magic dust and I really thought I’d enjoy this a lot more than I would but after a while, ’Tangled in Time’ almost felt like a morality tale of not messing with more powerful spirits or things living in the unseen realms of existence…or else.