Series: Beneath #7
on August 8th 2017
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I used to believe there were lines in life you don't cross. Don't lie. Don't cheat. Don't steal.Until I learned people don't always practice what they preach.I turned in my badge and gun and walked away from everything.Then I got the call no one wants, and I’m back in New Orleans.What I don't expect is for her to be here too.Another line you don’t cross?Don't touch your best friend’s little sister.She's always been off-limits. Too bad I don't follow the rules anymore.
Second-chance romances or unrequited crush/love stories have always been tricky for me, and I admit that it’s got to leap over a heap of scepticism that I’ve developed when it comes to such tropes. That’s mostly because my vindictive, cynical self always has a basic set of questions which are more often than not, left unsatisfactorily answered. Maybe this is a defensive reaction, because most of the time, someone (typically the heroine) caves way too fast and too easily, without giving the other party a hard time about it—call it payment for years of pain and longing, I guess.
In essence, this trope spurs me to ask: what flipped that switch? Why only now, after all this time? Did this ‘second-chance’ happen only because one party (typically the hero’s side) suddenly decide that his blinkers fell off and that he needed to ‘claim’ a woman who had been there and pining all along? Or did this opportunity just happen to come along and someone decided to go along with it, without having given a thought to the other protagonist for years and doing anything about it?
Rhett Hennessy’s and Ariel Sampson’s relationship fits this to a tee. A lifelong crush on Ariel’s part, with Rhett determinedly ignoring her until one day he decides he’s going to move in for the kill like a neanderthal, on his own time. It was frankly, hard to accept when it didn’t take too much effort on his part to do so because every single bit of attention he paid her apparently got her panties wet, but thankfully, Meghan March doesn’t dwell on this too long.
Rhett and Ariel do slide into a relationship a tad bit too easily, but that’s also because a suspense/mystery plot takes over. The romance sorts itself the moment Rhett/Ariel got their act together early on and my strong opinions dulled when the dirty cop mystery grew. I did think however, that the story did try to juggle a little too much though—the mess with an ex-boyfriend, dirty cops and mafia involvement seemed to mesh in a way that stretched my ability to suspend disbelief.
The long and short of it is, it was an alright read; I didn’t hate it but I wasn’t blown away either. ‘Beneath the truth’ is definitely much more than just unrequited crushes fulfilled, though I couldn’t have guessed how much it tries to incorporate suspense when I haven’t read the rest of the series. But it’s perfectly fine as a standalone, though a little catching up to get into it might be needed.