Published by Createspace Independent Publishing Platform on July 16th 2017
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Racer McKay is a broody bastard. From the moment I met him, he's been rude, irritable, and unbearable. And worse? He's broke. A contractor working to remodel my parents pool house for extra cash, he stomps around in those clunky construction boots with his tool belt wrapped around his narrow waist, and a chip on his shoulder. Racer McKay is also infuriatingly . . . sexy as hell. I want to take that pencil tucked behind his ear, and draw lazy lines slowly up and down his body all the while wanting to strangle him at the same time. We try to stay out of each other's way . . . that is until I have no other option but to ask for his help. But what I don't realize is he needs me just as much as I need him. I have money he's desperate for, and he holds the key to making my dreams come true. Our pranks turn from sarcastic banter, to sexual tension and lust-filled glances. Bickering matches quickly morph into slow burn moments. We're hot, we're cold. We push and pull. I need him, I don't want him. We're on the verge of combusting with an agreement dangling dangerously between us. Neither one of us can afford to lose one another and yet, we're finding it quite hard to decipher the line that rests between love and hate.
Sometimes a character surprises you in the best way, particularly when it’s a secondary character from another book that couldn’t be taken seriously at all. Racer was such a character in Meghan Quinn’s first book and I didn’t quite know what to make of him. In fact, I barely gave him a thought at all until ‘Twisted Twosome’ came out and then my reading world got squeezed through the rabbit hole of this rather complicated man.
But Racer is, no doubt about it, the shining star of the story, because he’s so much more than the front he shows, and damn if that front is hilariously obnoxious, unapologetically arrogant and deliberately crude. I had the laugh of my life especially when he pitted himself against Georgiana until their love-hate, antagonistic relationship turned into something else entirely as the jibes grew less mean and increasing like foreplay.
Admittedly, it did get a bit much sometimes, but overall, I liked what Racer represented and how real he was as a character was underneath the insults, pranks and the fuck-all, mega man-child front. Quinn does writes his grief—and all the desperate financial struggles especially after losing the closest person he’d ever been to—in such a tangible way that I couldn’t help but wish for something better for him as he lurches from a project to another just to get by.
Racer and Georgiana do sort of make a believable pair, but it’s one that is solidified by constant arguing and banter—if that’s what could be considered the cornerstone of a relationship, because along with the taunts, so does the sexual tension mount along with them. Yet I was still caught by surprise when they fell into bed, because I didn’t think they liked each other enough for it. That part happened somewhat suddenly, though the conflict between their ‘social class’ was something I could sniff out a mile away. And as a little too neatly wrapped up as the end was, Quinn did have me rooting for them after all, because I was mostly invested in the both of them from the start.