Published by Entangled Publishing on May 8th 2017
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When graduate student Katherine Brenner walked into my class, I couldn’t stand her -- all perfect skin and big, blue eyes -- just like the woman who broke my heart.
If it wasn’t for that blizzard, if her car hadn’t broken down outside my house, if she hadn’t looked amazing by the firelight, I never would have kissed her. No matter how hard I try, every excuse I make not to see her comes up flat.
I can’t stop thinking of her lips. Or the way her curves fit perfectly in my hands. There’s a million reasons why this won’t work. I’m her professor. It’s against university policy.
And if this gets out, I could lose everything.
There was so much I loved about this book, not least because the subject matter had me so captivated. Not only was it the forbidden relationship that had developed out of an initially antagonistic one that drew me in, but the fact that it was built around and based on a love for classical music that had me turning the pages and losing sleep, bringing me back to a time when it’d played a large role in my life. It felt like a reminder of (or maybe even a stunning tribute to) the power of music and it was easy to be swayed when Lauren E. Rico’s clear investment in her characters and love for the subject shone through so clearly.
Yet ‘Solo’ is also a story of two people trying to rise from the ashes after years of conflict and hostility—I wished the book cover and the suggestive and short blurb reflected this! After getting past my incredulity, the story took over and I gobbled it down hook, line and sinker, loving the complexity already written into this problematic set-up from the very start.
Drew Markham has it out for his graduate student (taking out his anger unconsciously on a woman who resembles his ex) while all Kate is trying to do is to lie low and distance herself from her ‘celebrity’ status as a Senator’s daughter. Serendipity brings a huge snowstorm to their small mountain town however, just as an assignment deadline looms large, and forces this switch that morphs into friendship, tentative attraction and eventually, full-blown affection.
I think the bottom line for me was that both Kate/Drew were sympathetic enough characters that it was easy to cheer for them as a couple. As an aspiring female conductor with enough gumption to get through grad school on her own, Kate gained my admiration early on, although it was harder to warm up to Drew’s volatile nature, especially when he wronged her too many times for my liking. Nonetheless, I liked how natural it felt as Drew and Kate took days to work out their differences—the injection of maturity and the communication really helped—but also how their HEA doesn’t come without consequences as well. The dose of realism that you could see coming miles away was painful to take in, though not unexpected and Rico doesn’t shy away from laying it out. But once Drew/Kate got going however, their rocky road together was far from easy and even as I’d hoped for a more conclusive epilogue, their happiness seemed hard-fought and consequently, deserved as they weathered the whole fall-out.